Sofia Crespo 🪸
@soficrespo91
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diver & artist entangling with artificial lifeforms ~ experimenting at @entangledothers
Lisbon, Portugal
Joined July 2013
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After months of hard work, feeling so honored to finally share about this project with all of you 🙌✨🎇 if you are in Barcelona the 27th or 28th of Jan please come by Casa Batlló!
@CasaBatlloGaudi
It is with great pleasure that we present 'Structures of Being' at
@CasaBatlloGaudi
, a landmark fusion of digital artistry and architectural wonder in the heart of Barcelona. This January, the vision of
@soficrespo91
&
@entangledothers
, innovators in integrating organic life…
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So happy to have seen "{garden_cartography}", my biggest cyanotype so far, from 2020 exhibited as part of "Unapologetically" at Chicago Booth, University of Chicago (London campus) 💙
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Taking over NYC’s Times Square billboards with my creatures! 📺🦜“Critically Extant” will be featured from 11:57pm to midnight as part of Times Square Arts Midnight Moment every night, during the whole month of May
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about 'essential_protozoa_1862' thoughts & personal inspirations behind the piece, a thread 🧵 1/12
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Can’t believe my TED talk from April is finally live!! 💙 so much work went into this, really hope you like it
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[transmutation_of_species] 🦋 is part of an incredible generative art group show happening in
@Sothebys
NYC right now!🥲 Feat. alongside Vera Molnar (her first NFT at the age of 98),
@annaridler
,
@ix_shells
,
@VanArman
,
@dmitricherniak
,
@tylerxhobbs
& +
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Very excited about screening this and more works from the series ‘Temporally Uncaptured’ at
@CentrePompidou
for ‘The future isn’t what it used to be – A new generation of texts and images’ by
@kadistkadist
happening tomorrow!! 🔵🌊
13th July 3-9 pm, Centre Pompidou – Galerie 3
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such an honor to see 'Temporally Uncaptured' shown next to Max Ernst's work at
@CentrePompidou
, thank you
@kadistkadist
💙
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So honored to see this piece commissioned by
@nytimes
make it to “The Year in Illustration 2022”! 📰🗞️
Made for the article “Ambient Music Isn’t a Backdrop. It’s an Invitation to Suspend Time” by Isabelia Herrera
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A few photos from the opening of "Brief Histories of Simulated Lifeforms" at
@vellumla
- thank you so much to everyone who came by!! I wish to have been there in person with all of you 💙🌿🦜
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Honored to announce that 'Artificial Natural History' has been long-listed for the 'Generative' category of the Lumen Prize award! 🪶
@lumenprize
@HelloMetaversal
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Can’t believe my TED talk is done! 🥲So looking forward to sharing it with all of you ✨
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Excited to announce that I’ve reworked and updated my series ‘Time after Vessels’ 🌊🐙
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So excited about ‘Sediment Nodes’ opening today at the Estufa Fría botanical garden in Lisbon! 🌿
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Happy to share that ‘cellular tapestry' is part of
@ChristiesInc
X
@gucci
‘Future Frequencies: Explorations in Generative Art & Fashion’ auction. 🪡🧵🧫
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'epoch of a present landscape' is featured in the 'Cartography of the Soul' auction by MAPS, happening now at
@ChristiesInc
🦚🌸
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Happy to finally share ‘Time after vessels’ an in-browser GAN inference inspired inspired by my experiences diving 🌊 also my first on-chain project, showing right now in Tokyo at
@brtmoments
✨
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mindful poise : camouflage, even the neural kind, allows us to blend in with our surroundings, to hide in plain sight. What we often neglect to consider is the behavior of the camouflaged: does this jaguar specimen hold its breath? 1/2
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Rather than asking if AI can be sentient, we could rather ask why do we want so badly for AI to be sentient? What is the underlying motivation behind this? What cultural narratives does it reinforce, what status quo does it embody?
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experiments with rendering 3d gan coral ~ (the hairs are supposed to be a symbiotic bacteria which grows in long filaments)
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‘three states of imitated desiccation’ is on Open Edition right now on
@verse_works
for the next 9 days! 😌✨
Already collected by
@zancan
,
@msoriaro
and few more, thank you so much for supporting our little studio
@entangledothers
!
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'Intertidal Samples' is released today at
@verse_works
!🪸⭕️ Inspired by microscopic samples, and that moment when one discovers each drop contains a universe of life 💧
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My flight back home was canceled but found out there’s an exhibition with works by Santiago Ramón y Cajal 🧠 I never get tired of looking at his drawings
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The other week, I got to be in a panel conversation with one of my all-time artistic heroes, Luigi Serafini the creator of the Codex Seraphinianus!! 📖 Can’t believe I had the chance to share about my work and to even get a signed copy of the latest edition of the Codex 🥹
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Honored to share that {{floral automata_1236}} is part of the limited art edition of the book ‘On NFTs’
@robertalice_21
@taschen
, thank you so much for including my work in this project
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Tribute to Manolo part 2 ~ please donate ( ) & support living artists! 🌟 Original dataset: (this is one my favorite series as they look like lovely sea-creatures)
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I'm beyond excited to share with all of you my first ever solo exhibition✨ “Brief Histories of Simulated Lifeforms”, opening next Thursday, July 21 at Vellum LA! -featuring unreleased pieces
Curated by
@jessedamiani
and
@casualtimetravl
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Teaser from our work with
@darkfractures
for [Artificial_Remnants]2.0— what other creatures would you like to see? —
#cnn
#ai
#aiart
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When I was 5 my family moved to Mexico for a year because of my mom’s research on environmental law. Today is the first time I’m back since we left, looking forward to seeing CDMEX with the eyes of a grownup 👀
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The Feral File show yesterday was for me a ray of light at the start of this year, and something that I hadn’t felt for a while. Thanks so much to everyone who collected my works.
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Love seeing ‘Sediment Nodes’ in motion and reflected in the waters at Wilton Park Dublin 🌳🍃🍂
Thanks to Living Canvas Dublin
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Can’t wait to share more about ‘83 seeds from a vanishing mountain’ a work by
@annaridler
& myself ~ soon to be presented at Photo Paris! 🌸⛰️
@verse_works
@nguyenwahed
@ParisPhotoFair
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A few images of ‘Encounters with Aquatic Chimeras’ 🪼 by Lake Pamvotida in Ioannina, Greece at the recent group exhibition ’Plásmata II’ in by the Onassis Stegi foundation 🌊
@OnassisStegi
More info:
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A few snapshots of ‘Intertidal Samples 2.0’ at
@V_over_M
as part of ‘Evolving Pixels’ curated by
@emilyxxie
for
@proof_xyz
🪸happy to have been part of this wonderful show
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a memory from 2018, my approach to generative art still hasn't changed
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'hybrid ecosystems : modular depths' in Turin at the Italian Tech Week earlier this year, the screens were 3mts/9.8ft tall! wish I could have seen them in person
@entangledothers
@MOCDA_
🐟🌊✨
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A small tribute to Manolo Gamboa's art, also as a way to encourage you to donate --> their work has inspired so many!! (Manolo's work as dataset, combining a few different series which have been open sourced) ⛵️
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Such a nice surprise to see these works on display alongside
@manoloidee
@pointline_
@msoriaro
@juanpvallejo_
🙌 thank you
@thefunnyguysNFT
!!
🪸 'chimerical stories' and 'hedgerow still life' & 'neural swarm' by
@soficrespo91
on display at
@nftshoweurope
, thanks
@thefunnyguysNFT
for curating and displaying them! 🪸
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A bird 🪶 from our newly trained diffusion model w/
@entangledlight
-excited to see what else is there!
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Images made of many tiny images 🐠🐟~ (still have a few bugs to fix but happy w the outcome)
#mosaic
#underwater
#python
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Went to the Triennale Milano and saw (for the first time) the italian publication of ‘Ways of being’ by
@jamesbridle
for which I did the cover! 🐟✨
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I had the pleasure of speaking at
@nft_in_
Paris today! 🦀 thank you so much to everyone who came by! Online version coming soon 💻
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✨⚡️it’s live! 🌷🌸🌱
"hedgerow still life" by
@soficrespo91
"The forms are beautiful, floral, and delicate in nature. They leverage a visual language we think we all speak, but the specifics of the vocabulary are of Crespo’s own device."
Auction is live:
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original vs stippled (weighted voronoi stippling) ? ~ loving the tiny dots
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Sometimes I get tired of being asked if an AI is the author of an artwork. People make datasets, people design and code the algorithms, people train models, people inference from models, people make art with it and not the other way around. Responsibility needs to be human.
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Thank you
@sofiagarcia_io
for working with me to present the piece in this way, I like that we made a digital adaptation to the passepartout 🦋
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