Feileacan Kirkbride McCormick
@entangledlight
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artist (norwegian), co-founder of @entangledothers. stares at e-ink whilst hallucinating vividly when not creating. he/him
Lisbon, Portugal
Joined November 2020
RT @lerandomart: Newsletter #28: Summer Art Season Begins. Read & subscribe 📰 �. Mentions: @arabbankCH @entangledlig….
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RT @entangledothers: With the opening (12th of July!) just around the corner, if you happen to be near the Toledo Museum of Art, 'Infinite….
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RT @arabbankCH: Throwback to our AI Tea Time 🍵 at The Artists’ Villa in Lisbon during the @NFCsummit! A great talk moderated by @monkantony….
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RT @lerandomart: "Julia Kaganskiy on Generativity’s Deeper Consideration" by Peter Bauman @monkantony_tez with @juliaxgulia . The curator o….
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RT @artmetaofficial: Scenes from the GenArt + AI Day at The Digital Art Mile in Basel 💚. Hosted by @ArtReview_, @lerandomart, and @dgtlrgnl….
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RT @lerandomart: See you in Basel tomorrow with @thefunnyguysNFT and @monkantony_tez . Jan will give opening remarks and Peter will be inte….
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RT @artmetaofficial: This event brings together artists, curators, theorists, and technologists to explore how generative art and AI are re….
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RT @_joelsimon: Respectfully disagree with this! I see the prompt box as a cage, constraining what we create to what we can express with la….
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(for de i Oslo) imorgen på Kunstnernes Hus skal jeg holde en liten forelesning om @entangledothers
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RT @lerandomart: Join us Friday, June 20 in Basel . Our @monkantony_tez will host a chat with @sougwen & @entangledothers’s @soficrespo91 &….
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RT @lerandomart: Thank you for joining @entangledlight, @emilyxxie and @monkantony_tez in sunny Lisbon 🌞🌞⛱️⛱️🌁🌁. For AI Tea Time at the @ar….
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RT @BardIonson: @lerandomart @arabbankCH @NFCsummit @emilyxxie @entangledlight @monkantony_tez Speaking now
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RT @lerandomart: Tomorrow: 🫖 at the @arabbankCH Artists’ Villa during @NFCsummit 2–4 PM. Mingling and a chat on AI in art practices today w….
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RT @creativeapps: Liquid Strata – The beauty and complexity of aquatic phenomena (2025) by Entangled Others / @entangledlight @soficrespo91….
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Don’t get me wrong, I spend a lot of time and resources on topics (especially longevity), but at least personally have needed to ensure a certain compartmentalisation of processes to avoid impinging on the primary process of making.
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side note: I’ve been increasingly concerned that we gravitate towards notions of rigidly formulated “best practice” in the digital disregarding the equally very human aspects that are present irregardless of medium.
@p1xelfool @saintsonso @1OF1_art Imho the practical fallout of the dissonance between purist approaches/ideologies to practice (exacerbated by the platonic trappings of digital interfaces in general) and the messy, energy-optimising preference for convenience are at least part of the picture here.
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Have reached the «everything needs organising in spreadsheets» point of the year. Now waiting patiently for the inevitable urge to write my own small software for handling this to pass. .
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RT @artmetaofficial: The Digital Art Mile 2025 Speakers: Entangled Others. Part of the GenArt + AI Day on June 20th. Entangled Others (@en….
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Whilst the focus of our duo practice is very much complex systems as they pertain to the natural world, it is through data (underlying and emergent) that our practice strives to make sense of the world and its wondrous phenomena.
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Despite it being soon five years (released 2021) since this work by Sofia was created, the main questions and problems faced have remained entirely unchanged. Neither bigger datasets, nor better technology have moved the needle in the slightest.
those who follow me may have noticed me sharing about the series of work 'critically extant', but I haven't yet shared much of why this work came about.
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