
James Bridle
@jamesbridle
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Artist, Author of NEW DARK AGE (Verso, 2018) and WAYS OF BEING (Penguin/FSG, 2022). They. This place is cursed: @[email protected] #freepalestine
Athens-EU-WWW
Joined September 2010
No Borders. No Carbon. Its going to take us a long time to work out how to get there, but if those aren't our baseline goals, then we are merely making the situation worse. Start thinking, helping, learning, educating.
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RT @iyad_elbaghdadi: Since many are asking such questions, I'm going to answer. I'm assuming the questions are being asked in good faith an….
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The online part of this work can be found at - a random work from the @KunsthausZurich's collection every time you load the page. Set this URL as your new tab page to see a new work every time you open a new tab. if you can handle the distraction.
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"The Distractor", my installation at @KunsthausZurich which opened in May and is on view for a year, recreates the original research apparatus of Sesame Street, where children were screened new episodes in contest with a random slideshow. Read more here:
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RT @palyouthmvmt: PYM’s communique on what principled solidarity with Palestine can look like. It is our hope that this bulletin will help….
thenewinquiry.com
is the story of the Palestinian people. It is a story of displacement and refugeehood, of imprisonment at the hands of a foreign occupier. But, most importantly, it is a story of sumud (steadfastne…
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RT @porcarorama: What can we learn from other forms of intelligence and personhood? How can we change our societies to live more equitably….
bruegel.org
The search for more-than-human intelligence.
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Reposting with transcript:
"What does the river want?" - a 30 minute talk I gave at the @festivaletteratura in Mantova about personhood, non-indigenous species, colonial and imperial history, flooding, and our relation to the earth.
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"What does the river want?" - a 30 minute talk I gave at the @festivaletteratura in Mantova about personhood, non-indigenous species, colonial and imperial history, flooding, and our relation to the earth.
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And it's very beautiful. Grazie Sofia!.
Went to the Triennale Milano and saw (for the first time) the italian publication of ‘Ways of being’ by @jamesbridle for which I did the cover! 🐟✨
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There's no point making work "about" climate change. In times of crisis, the work has to work, it has to do work. Artistic praxis should be part of the change we wish to see: practical, educational, regenerative.
Artists and institutions seem content to merely ‘address’, ‘engage with’ or ‘respond to’ the climate crisis. It’s time for a concerted shift towards action
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RT @counterinv: On 14 June 2023, a boat carrying several hundred migrants sank inside the Greek Search and Rescue zone in the Mediterranean….
counter-investigations.org
On 14 June 2023, a boat carrying hundreds of migrants sank inside the Greek search and rescue zone in the Mediterranean Sea—the deadliest migrant shipwreck in recent history. Our digital reconstruc...
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RT @nesta_uk: Coming up next week 🚨 . Can the natural world help us better understand AI?. Join author, artist and technologist @jamesbridl….
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"Understanding technologies requires also understanding power; it needs media literacy as well as technical literacy; incisive questioning as well as shock and awe." Please read @rachelcoldicutt on AI, Altman and much else:
rachelcoldicutt.medium.com
I went to a Q&A by the “godfather of AI” Geoff Hinton the other night, and was invited to a (mostly) academic dinner afterwards. In the…
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This is a fantastic book. Finally got my hands on a copy a few weeks ago. Highly recommend you do the same.
Can hardly believe it, but it’s just about been one whole year since the publication of Klara and the Bomb!. Some favourite pages to celebrate! 💣 🖥️ 🏝️ 🌊 . There aren’t many copies left (it was a small edition!), but still a few with the publishers
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RT @JulianHoffman: "Where we start to move forward is when we learn to ask questions which are less concerned with 'Are you like us?', and….
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