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The independent critical voice in contemporary art since 1949. Sign up to our newsletter: https://t.co/qbrhuKwMK9 Shop: https://t.co/sBpHOM3k1a

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Joined April 2009
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@ArtReview_
ArtReview_
4 months
Must-read stories and the best of ArtReview delivered to your inbox every Wednesday and Friday:
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@ArtReview_
ArtReview_
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From our networks: Unfolding during Art Week Tokyo, Future of Nostalgia brings together 20 artists from the AlUla Artist Residency Programme, curated by Arnaud Morand and Ali Alghazzawi, on view until 16 November 2025. Find out more here: https://t.co/aBqgqu3YwU
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@ArtReview_
ArtReview_
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Located in the host city of the imminent COP30, the Bienal das Amazônias has a strong social message for the world
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Despite its wishwashy curatorial rhetoric, the second edition of the Bienal das Amazônias stands strong in its social messaging
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@ArtReview_
ArtReview_
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Rebekka Seubert has been appointed director of the Ludwig Forum for International Art in Aachen, Germany
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She will begin the role on 1 March
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ArtReview_
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This ‘new’ era of Abstract Expressionism is the perfect fit for an age of hyper-individualism and AI-powered press releases, writes @MartinLHerbert
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This ‘new’ era of Abstract Expressionism is the perfect fit for an age of hyper-individualism and AI-powered press releases
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@badaude
jay walsh
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Art @ArtReview_ a double whammy: online I ask , "when, (if ever) should we work for free?"; and, in the mag, "who can afford to work at scale (and how)?" https://t.co/YHyChmHFW2
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ArtReview_
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Our editors on the exhibitions they’re looking forward to around the world this month, from Shanghai and Taipei to Guatemala City and Edinburgh
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Our editors on the exhibitions they’re looking forward to around the world this month, from Shanghai and Taipei to Guatemala City and Edinburgh
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@ArtReview_
ArtReview_
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Olga Ravn’s latest novel – out today – proposes that a deep, haunting unknowability is essential to us as human beings
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Ravn’s latest novel proposes that a deep, haunting unknowability is essential to us as human beings
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@ArtReview_
ArtReview_
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“Whether they understand or not, still I’m making a conversation with them and me. I’m asking audiences to come and see and understand my history, see how everything is connected, and how even my war is also connected with everything”
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“I’m asking audiences to come and see and understand my history, see how everything is connected, and how even my war is also connected with everything”
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@ArtReview_
ArtReview_
3 days
Maurizio Cattelan will be awarded the 2026 Preis der Nationalgalerie
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He will have a solo exhibition at the Neue Nationalgalerie in Berlin, opening in September 2026
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ArtReview_
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From tender portraits of popstars to glammed-up dinosaurs and aliens, the Mexican painter Manuela Solano shows a secular devotion to popular culture. But her paintings are extraordinary for another reason too – because she is blind
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From tender portraits of popstars to glammed-up dinosaurs and aliens, the Mexican painter shows a secular devotion to popular culture
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@ArtReview_
ArtReview_
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The ArtReview November 2025 issue is out now – featuring Manuela Solano; Saidiya Hartman, Duan Jianyu; discussions on and with AI; columns, reviews and more https://t.co/ugmClwXzl2
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@ArtReview_
ArtReview_
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Vasyl Cherepanyn has been appointed curator of the 14th Berlin Biennale for Contemporary Art
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He plans for the Biennale to respond to the socio-political and cultural landscape of the city
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ArtReview_
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Bae’s work leaves a trail of fine- and popular-art influences that might in turn speak to the shape of the general aesthetic of our times
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Bae’s work leaves a trail of fine- and popular-art influences that might in turn speak to the shape of the general aesthetic of our times
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@ArtReview_
ArtReview_
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These works are so taciturn, so purposefully distilled, that to explain them along their social and historical contexts seems a betrayal
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These works are so taciturn, so purposefully distilled, that to explain them along their social and historical contexts seems a betrayal
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@ArtReview_
ArtReview_
4 days
Much of the most innovative published writing is unpaid, but would you work for free? asks Joanna Walsh (@badaude)
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Getting work paid is only one part of the problem: getting innovative work paid is another
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ArtReview_
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Our editors on the exhibitions they’re looking forward to around the world this month, from Shanghai and Taipei to Guatemala City and Edinburgh
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artreview.com
Our editors on the exhibitions they’re looking forward to around the world this month, from Shanghai and Taipei to Guatemala City and Edinburgh
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