
ArtReview_
@ArtReview_
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The independent critical voice in contemporary art since 1949. Sign up to our newsletter: https://t.co/qbrhuKwMK9 Shop: https://t.co/sBpHOM3k1a
London, UK
Joined April 2009
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Orlando Whitfield tries to understand how his close friend became a fine-art fraudster
artreview.com
In ‘All That Glitters’, Orlando Whitfield tries to understand how his close friend became a fine-art fraudster
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RT @ArtReview_: “Eating it becomes my body; the octopus becomes part of me”
artreview.com
“Eating it becomes my body; the octopus becomes part of me”
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RT @gertsofficial: I liked this piece on 100 years of the photo booth: "This is why the photo booth’s great gift is its fixed angle. it do….
artreview.com
A century after the first iteration, these public-private cameras have changed the way we think about photographs
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RT @ArtReview_: Kritika Arya’s book of ten illustrated autobiographical essays tries to remember the way home
artreview.com
Arya’s book of ten illustrated autobiographical essays tries to remember – and draw – the way home
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RT @ArtReview_: From New York to New Delhi, a hugely influential print tradition of hunk and gay erotica is finally seeing the light https:….
artreview.com
From New York to New Delhi, a hugely influential print tradition of hunk and gay erotica is finally seeing the light
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Once the preserve of freaks, collecting is becoming ‘the norm’ – and thus going out of fashion
artreview.com
Once the preserve of freaks, collecting is becoming ‘the norm’ – and going out of fashion
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RT @HistoryOt: A devastating critique of an uncurated, uncatalogued collection. A new museum/archive/warehouse in London with 'at least a….
artreview.com
You can’t escape it: this is the same colonial museum we know, in a shiny new suit
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RT @aljhlester: Interesting & critical review of the new V&A Storehouse by Dan Hicks.
artreview.com
You can’t escape it: this is the same colonial museum we know, in a shiny new suit
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RT @OndrejTrhon: I’m gonna remember "parody bypass" for a while 🙃.
artreview.com
Before Musk and Thiel, a shadow history throws the often idealistic hopes of progressive science-fiction cultures into stark and unstable relief
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From New York to New Delhi, a hugely influential print tradition of hunk and gay erotica is finally seeing the light
artreview.com
From New York to New Delhi, a hugely influential print tradition of hunk and gay erotica is finally seeing the light
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RT @ArtReview_: The Alexandria Biennale, the world’s third oldest biennial after Venice and São Paulo, has announced its return in Septembe….
artreview.com
The event's 27th iteration will be curated by Moataz Nasr
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RT @ArtReview_: Özge Ersoy has been appointed executive director of the Asia Art Archive
artreview.com
She will take over from Christopher K. Ho
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Kritika Arya’s book of ten illustrated autobiographical essays tries to remember the way home
artreview.com
Arya’s book of ten illustrated autobiographical essays tries to remember – and draw – the way home
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RT @ArtReview_: You can’t escape it: this is the same colonial museum we know, in a shiny new suit
artreview.com
You can’t escape it: this is the same colonial museum we know, in a shiny new suit
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The Alexandria Biennale, the world’s third oldest biennial after Venice and São Paulo, has announced its return in September 2026
artreview.com
The event's 27th iteration will be curated by Moataz Nasr
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Özge Ersoy has been appointed executive director of the Asia Art Archive
artreview.com
She will take over from Christopher K. Ho
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3
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You can’t escape it: this is the same colonial museum we know, in a shiny new suit
artreview.com
You can’t escape it: this is the same colonial museum we know, in a shiny new suit
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“Eating it becomes my body; the octopus becomes part of me”
artreview.com
“Eating it becomes my body; the octopus becomes part of me”
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RT @ArtReview_: Celine Song’s ‘Materialists’ compares finding love under hyper-capitalism to working at a morgue
artreview.com
Celine Song’s follow up to ‘Past Lives’ compares finding love under hyper-capitalism to working at a morgue
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