Refik Anadol: ". if you think about a conventional media like a painting or a sculpture, the artist is most likely using the same tool, same material, maybe same canvas but different mind's eye projections. But in my practice I felt that the idea is changing, the tool is

Refik Anadol: "In our studio, we have data scientists, AI engineers, architects, neuroscientists. It's like kind of a lab environment where we work with data sets and AI algorithms and models. This is like really creating a pigment and a brush — a thinking brush.". Clip from How

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RT @kukulabanze: Proud to be the steward of this iconic work and landmark innovation in community engagement in an art project. Grateful to….

RT @SamSpratt: Neophyte 🎨. Study from The Monument Game

RT @MrsRachelSpratt: As we begin building the next chapter, I only feel more fondly towards The Monument Game as the work where something g….

Sam Spratt: "Through the crude tools of painting and words, I can create a record of my own perspective on life and feelings within a work, but through a network, this same work can also offer a mirror for those of its viewers and participants as time stretches out.". Quotes from

Sam Spratt: "The Monument Game was created as a digital experience, born from a life behind a computer, and the rupture that followed – fixated on translating ancient, sacred guides as we slip ever-more screenward.". Below: Detail views of The Monument Game by Sam Spratt, 2023 |

RT @SamSpratt: "The Monument Game" turns 2 years old today.

Samia Halaby: "In a kinetic painting, the surface is a memory; there's time lapse and colours that change in a shape, shapes that have sound, and sounds that do not have shape and so on. There is relativity of space, but there is also relativity of motion. It's richer.". Below:

RT @Rrose_Selavy_11: Samia Halaby on the big screens at Penn Station via @MuseumModernArt - love to see it

TIME: ". of his successful 2022 exhibition, 'Unsupervised,' at MoMA, which attracted nearly three million people, Anadol explains. the goal was to have the system develop its own aesthetic logic.". From How Artist @refikanadol Made the 2025 TIME100 AI Cover by Tharin Pillay

TIME: "In 2023, 'Unsupervised'; became the first artwork tokenized on blockchain to be added to MoMA’s permanent collection. The moment represented an institutional invitation into the artistic canon.". Below: Refik Anadol: Unsupervised at the Museum of Modern Art, Nov 19, 2022 -

RT @YoungKev_Arts: I'm painting in the technology of my time!.

Toldeo Museum: "Sam Spratt’s Luci series is composed of his digital paintings and written poems. They follow the character Luci as they move from solitude toward the network of humanity.". Quotes from the artwork description for The Masks of Luci by Sam Spratt, Toledo Museum of

Toledo Museum: "[Spratt's] aim was to 'explore what it means to evolve with and through a machine. Not to outsource my dreams, but to execute them in exact form with 1,000 clones of my hands'. Each new creation adds to the system and informs the future of the project.". Below:

Holly Herndon: "I love NFTs. dealing with materiality is great, but NFTs just make sense, especially from a collector’s perspective. Much of our work is digitally native anyway, so a physical translation would be its own process.". Below: Play from Memory #11 by @hollyherndon &

Halaby in 1993: "When I first began considering computers I found that the practicality of software programs defeated what seemed an exciting potential in computing. Their very goals were precisely those that I have aesthetically rejected as an abstract painter.". Quotes from

Samia Halaby in 1993: "Technologies & media emanate out of our historic social & economic development. We use them as long as they remain economically feasible. to create the form which will most expediently convey the ideas of the society.". Below: Clip from Music Round by

RT @sashastiles: two weeks out 😬

J.J. Charlesworth: ". a serious point to Beeple’s silliness. is that this corporeality is not only the product of the skill-less virtuosity of Beeple’s CGI rendering apps, but also the erasure of the line between imaginary and real worlds.". Quotes from ArtReview's Why NFT Art