I'm so excited about this role and the chance to carve out a new space to discuss visual trends and all the weird realities of being a designer today!
As a vehement generalist, I'll of course still be maintaining my freelance design practice the other half of my time as well 😈
We are beyond excited to announce that the writer, designer and art director Elizabeth Goodspeed (
@domesticetch
) has joined It’s Nice That as our first Editor-at-large in the US!
I cannot believe no one told me that KITH ripped off Félix González-Torres's piece about his partner dying of AIDS for a drop celebrating ****the 60th anniversary of the X-Men franchise****
Oh my god, I just found a gallery in Canada that sells original paintings used for the covers of 1980s and 90s romance novels for only $120—the way I NEED one
@MarlowNYC
How do celebs keep messing this up so badly? Stop making this about yourself and donate $1 million each to a local organization helping Black people!!!!!
Ok, I saw Barbie, and I have lots of thoughts, but mostly I'm shocked I haven't seen anyone else on the timeline discussing the extended Chevy ad placement halfway through the movie??
A few months ago I picked up a $5 pamphlet with some pasta recipes because it had an amazing index in the back of classic pasta shapes—finally took the time to scan and remap all the illustrations into a poster for our new kitchen!
I doubt this was intentional, but I don’t think that makes it any better—still a massive oversight that no one thought of / knew either visually similar reference, both of which have important context and intense emotional meaning. Inept moodboarding or media illiteracy at best!
At the risk of being insufferable with too many ongoing trend spots: I was looking at this rebrand again today and a lightbulb went off in my head that it actually includes a whole other resurgent design trope I hadn't noticed until now: ridiculously giant drop-shadows!!!!
Fanta rebrand leaning heavily into this illo style + a bunch of other zeitgeisty trends like wide angle perspective / imagery shot from below and macro photography 👀
IMO a trend that's sort of related to this whole "apple keynote format as studio case study" is the rise of identity systems that actually bring traditional UX/UI elements (like pill shaped buttons) INTO branding so that product design + brand design feel more apples to apples
Really intrigued by the way that macro photography has totally taken over brand AD in the last year—I wonder how much of it is aesthetic (full bleed close ups feel high end + editorial) and how much is logistic (easier to shoot cheaply without a full studio setup, stylist, etc.)
Checking in a year later... it seems like hyper-geometric sans are continuing to dominate type right now, though we've edged away from the overall softness of Zaft and Pimpit (think of them as a bridge from the Goopers) into faces where extra sharp edges meet super round counters
Anyways, this whole trend mostly just gives me flashbacks to the time I decided to arrange over 800 movie title cards into niche categories as research for a project
I'm writing about this! Please share any and all hot takes and feel free to slide into my DMs—especially curious about Wellness brands using this aesthetic... 👀
I can't explain it but this new Bandit Running campaign set in a random Brooklyn apartment is just a trickle down from Bode and ALD shooting at a cabin in the Poconos
Where do folks go to look for emerging / more junior illustrators these days? I have a few fun editorial print projects right now with small-medium budgets and am really coming up dry! (Also: if YOU are an illustrator down for this kind of work feel free to drop a link!)
Recipe pages designed and illustrated by a favorite of mine, Cipe Pineles, in the 1950s. Cipe was born to Orthodox Jewish parents in Vienna and went on to become art director at Glamour in the US (and later, at Seventeen)—making her the first woman AD at an American magazine!
While I'm on the subject of old posters... a periodic reminder that I've been maintaining an open-source spreadsheet of design archives, ephemera, etc. since 2019! Lots of fun stuff like this in there and always looking for more recs to add <3
I did the art direction and editorial design for
@HermanMiller
's holiday campaign + catalog this year! Truly a dream project, especially getting to spend time at their amazing warehouse <3
I collaborated with
@HighTideNY
this year on a super fun rebrand for legacy sock (!!!) company Thorlo. The best part was getting to do my take on the ideal logo—huge, bold, and all caps (see: Ilford, Jil Sander, Ebbs, etc.)
I've really been enjoying the work of Japanese painter and comic artist Tiger Tateishi recently—he has such an amazing grasp of color and a unique approach to what it means to make "sequential" art (discovered via the ever-excellent curation of
@50WattsDotCom
!)
Apropos of nothing, I'm feeling pretty pleased with myself after going through a deck I made for a client in January 2023 and seeing how many of my misc trend predictions were pretty close to accurate
Some of my students were struggling to find internships, so I made this master list of studios for them to reach out to and figured I'd share it here too! It skews more towards the US + branding (my own bias) but I welcome any additions / nominations 💙