
OpenScreensJournal
@OpenScreens
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The peer-reviewed, open-access online journal of the British Association of Film Television and Screen Studies
Joined June 2020
Evening folks! Issue 6.2 is out. Read about Presley's "Comeback" (1968), memory & embodiment in "Do you remember the year" (2020), or female representation and the act of leaving in Turkish cinema. Book reviews on "Folk Horror on Film" and "Epic/Everyday"
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RT @alpember: I'm looking to commission a review of the below work. If anyone working in Sound and/or music is interested in reviewing Stev….
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RT @alpember: Please get in touch with a bio to alice.pember@warwick.ac.uk if you would like to review any of the following new #BFIFilmCla….
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RT @fp_sig: Come and join us on November 5th @FilmStudiesQMUL. for a day discussing Kelly Reichardt and philosophy. Registration is free an….
eventbrite.co.uk
A one-day symposium about philosophical thinking and the films of Kelly Reichardt. Registration is free and includes a vegetarian lunch.
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RT @filmscalpel: The first feature film version of THE WIZARD OF OZ silenced and obscured the African American actor who played the Cowardl….
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RT @alpember: I'm in the buisness of a review for the below book for @OpenScreens next year. Any TV studies PhDs, postgrads, ECR or establi….
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RT @alpember: Looking to commission a review of the re-release of In the Mood for Love for @OpenScreens. Are you an expert on Wong Kar-Wai?….
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.@CathyLomax reviews the @Criterion release of Claudia Weil's 'Girlfriends' (1978) in the latest issue of Open Screens. 📀Full review:
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Geetha Ramanathan reviews 'The Afterlives of Kathleen Collins: A Black Woman Filmmaker's Search for New Life' (@iupress) by L.H. Stallings in the latest issue of Open Screens. 📗Full review:
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Thanks for featuring our latest issue, @CriterionDaily!.
John Waters @OpenScreens + @reverse_shot, Mike Davis and THE EXILES @AtPost45, @FilmForumNYC’s 60s @FilmComment, @brofromanother on the sci-fi of the summer of 82 … and @OutskirtsMag launches!. Did You See This?
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.@lizgreenesound looks at Spencer Bell's representation as a Black actor in silent films in the audiovisual essay, 'Spencer Bell, Nobody Knows My Name'. 📽️View the full video:
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Neil Archer reviews 'The Brief, Madcap Life of Kay Kendall' (@KentuckyPress) by Eve Golden in the latest issue of Open Screens. 📙Full review:
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.@alpember reviews 'Still Life: Notes on Barbara Loden's Wanda" (@punctum_books) by Anna Backman Rogers in the latest issue of Open Screens. 📕Read the full review:
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In 'Why bad things happen to bad people: investigating evil in the Italian giallo', @louisbayman (@FilmUoS) looks at giallo's rejection of moral improvement as an indulgence in enjoyment. 🔪Full article here:
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.@AndrewMoor1 reviews 'Anton Walbrook: A Life of Masks and Mirrors' (@PeterLangOxford) by James Downs in the latest issue of Open Screens. 🎞️Full review here:
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