Reverse Shot
@reverse_shot
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Reverse Shot is a publication of Museum of the Moving Image @MovingImageNYC, edited by Michael Koresky and Jeff Reichert. Twitter: Koresky
NYC & beyond
Joined August 2009
"The greatest terror that the film proposes is that this randomly nasty world in which we live might make perfect sense." .Resurrecting my essay on AFTER HOURS, one of my favorites—and one of Scorsese's best—playing this weekend on 35mm @MovingImageNYC.
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RT @MovingImageNYC: “Its broad stabs at humor and gung-ho go-America sheen suggest red meat patriotism, but 1941 puts a slyly subversive po….
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RT @MovingImageNYC: In 1969, Sam Peckinpah created a masterpiece that is at once classical and revisionist, an exemplar of the very genre i….
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RT @bronco7732: If only one of our best working film critics wrote an excellent book about this very subject…
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"The fantasy isn’t even escape anymore, it’s just stability." .@TyleKurner on BOYS GO TO JUPITER, featuring an interview with animator-director Julian Glander.
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Olivier Assayas's splendid new film about pandemic living, SUSPENDED TIME, "acutely understands how previously occupied mental space in adults became vacant for the first time." @fauxbeatpoet reviews:.
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Bitcoin’s on fire at $112K! Time to flip the charts on BTCC!.Exploring Cryptocurrency with Jaren Jackson Jr.🏀.
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RT @DanielGorman20: Please, I’m on my knees begging you, go read some film writing at In Review Online, Slant, Reverse Shot, Split Tooth Me….
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RT @MovingImageNYC: We're excited to announce guests celebrating the great Terence Davies at MoMI in Sept: Cynthia Nixon (A QUIET PASSION),….
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Hong's summer blockbuster BY THE STREAM is still playing on the big screen @FilmLinc where it belongs! Read Shonni Enelow on the film's (authentically, actually!) Chekhovian theatricality:.
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RT @MovingImageNYC: Our series EDDINGTON CITY LIMITS, co-programmed by Ari Aster, starts tonight with Lars von Trier's rabid DOGVILLE. Chec….
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TAXI ZUM KLO is "a liberated, explicit representation of active queer spaces still informed by the reality of the closet." New article by @willow_catelyn on the 1981 landmark, screening tonight @Metrograph: .
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Please welcome @alexjamesmooney to RS with a new Queer Radicals essay about the films of Kalil Haddad, recently screened at @SpectacleNYC:.
honoured beyond words to make my @reverse_shot debut with this essay on the fearless, shattering films of kalil haddad (@minetsauvages). give it a read, and go support his work any way you can!.
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Come to @MovingImageNYC in September to celebrate one of the greatest artists the cinema has ever known. Announcing the complete retrospective Terence Davies: Time Present and Time Past:.
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RT @JordanCronk: Now up @reverse_shot, my interview w/ Athina Rachel Tsangari about HARVEST, a wonderful film that’s being dangerously unde….
reverseshot.org
It was a physically demanding film, for the crew and the cast, because of weather and the terrain and time limitations. It is not exactly improvisational, but once we start�and because we keep...
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A coming-of-age film at once laudably eccentric and surprisingly timely, DICIANNOVE maps out one adolescent’s lurching passion for centuries-old literature, and the walls it builds between himself and a world he scorns. @MarkAschParody reviews:.
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RT @MovingImageNYC: It's Spielberg weekend at MoMI! Tom Cruise sci-fi spectacles MINORITY REPORT and WAR OF THE WORLDS, both 35mm, and the….
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As in Kiyoshi Kurosawa's PULSE, his new film CLOUD "imagines a nightmare scenario in which an aspect of technologically modulated human interaction—here, online harassment—breaches the borders of reality." Review by @FateSailor .
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Pleased to have the estimable @GuyLodge on Ari Aster's savage and brilliant doomscroll western EDDINGTON:.
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Always curious and full of energy, Beagles turn every walk into an adventure 🐾🎉.
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RT @MovingImageNYC: This weekend, July 18–20, catch Tom Cruise in two of his greatest roles, both from the stellar year of 1999: Kubrick's….
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Embeth Davidtz's DON'T LET'S GO TO THE DOGS TONIGHT is a passion project of the best kind, featuring a "disarmingly direct, uninhibited performance" from Lexi Venter that "elevates her in the cinematic pantheon of child actors." Review from Gavin Smith:.
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