
Film Comment Magazine
@FilmComment
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Arts & culture mag from @filmlinc. Since 1962. Reviews and in-depth analysis of mainstream, art-house & avant-garde film.
NYC
Joined May 2009
For our second Podcast from #Locarno2025, critics Inney Prakash and Cici Peng join FC editor @devikagirgayi to discuss Radu Jude’s DRACULA, Alexandre Koberidze’s DRY LEAF, Kamal Aljafari’s WITH HASAN IN GAZA, Sophy Romvari’s BLUE HERON, and more.
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Tooth and nail: Inney Prakash and Cici Peng join to discuss festival highlights Dracula, Dry Leaf, With Hasan in Gaza, and more
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Subscribers to The Film Comment Letter get first access to all of our original film criticism and writing—including Podcasts, features, reviews, interviews, streaming picks, news, and more. Sign up for free today:
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The Film Comment Letter is a free weekly digital newsletter featuring original film criticism and writing—including the Film Comment Podcast, features,
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For our first Podcast from #Locarno2025, directors Alexandre Koberidze and Miguel Gomes discuss “the reality of the film set,” as well as Koberidze’s DRY LEAF, one of the highlights of this year’s festival. Listen here:
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With HIGHEST 2 LOWEST now in theaters, revisit @bealoayza’s interview with Spike Lee, conducted at this year’s Cannes.
“The film is supposed to smell like New York. And it’s not perfume.”. Beatrice Loayza (@bealoayza) interviews Spike Lee about his latest HIGHEST 2 LOWEST, which just premiered at this year’s Cannes Film Festival.
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RT @CinemaGuild: Some essential Luc Moullet-related reading courtesy of the @FilmComment archives:. - Moullet’s tribute to his New Wave com….
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Listen here!
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Now seating: Gina Telaroli, Benjamin Crais, and Michael Blair spotlight unmissable repertory series playing in New York City
@PadmaLakshmi @taste_cooking @SlateCultFest @AllOfItWNYC Film at Lincoln Center (@FilmLinc) is screening a comprehensive retrospective of the last French New Wave master, Luc Moullet. @devikagirgayi, @GinaTelaroli and others the filmography of the iconoclast on @FilmComment:
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On this week’s episode of The Film Comment Podcast, Gina Telaroli (@GinaTelaroli), Benjamin Crais (@bnjmncrs), and Michael Blair join Devika Girish (@devikagirgayi) to spotlight a few unmissable repertory series playing in New York City.
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Now seating: Gina Telaroli, Benjamin Crais, and Michael Blair spotlight unmissable repertory series playing in New York City
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RT @MarkAschParody: now online, my @FilmComment letter on new movie theaters in Ridgewood, Rockaway, the Upper West Side. was really reward….
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Seat yourself: three independent cinemas opening in New York City are betting that audiences still prefer collective experiences of art and urban space
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Now online from The Film Comment Letter: .Mark Asch (@MarkAschParody) reports on three new independent cinemas opening in New York, betting that “audiences still prefer collective experiences of art and urban space over atomized ones.”.
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Seat yourself: three independent cinemas opening in New York City are betting that audiences still prefer collective experiences of art and urban space
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“I try to make films that could not be made with a computer.”. Now online from The Film Comment Letter: Austrian experimental filmmaker Peter Tscherkassky speaks with Justin Remes about using found footage to interrogate and play with the past.
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Train tracks: the Austrian experimental filmmaker discusses using found footage to interrogate and play with the past
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Ela Bittencourt (@Ela_Bittencourt) reports from this year’s Karlovy Vary International Film Festival, which featured new films by Maciej Drygas, Paula Ďurinová, Bill Morrison, and more. Now online from The Film Comment Letter:
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Stop that train: the recursions of a painful past preoccupied many of the best films at this year’s edition of the Czech festival
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RT @812filmreviews: “the notion that emasculated white men are at the core of all of the world’s problems is a liberal cliché that, here, m….
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RT @bealoayza: The love that seems to be going around for Eddington doesn’t infuriate me but ahem here’s me wagging my finger otherwise…fro….
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For this week’s episode of The Film Comment Podcast, Devika Girish (@devikagirgayi) invites Phoebe Chen (@arsepoetica), Bedatri Datta Choudhury (@Bedatri), and Joseph Hernandez to discuss the cinematic appeal of the humble rice cooker.
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Let them cook: Phoebe Chen, Bedatri Datta Choudhury, and Joseph Hernandez join to discuss the humble household appliance’s enduring on-screen appeal
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Now online from The Film Comment Letter: Beatrice Loayza (@bealoayza) reports from Bologna, Italy on this year’s edition of Il Cinema Ritrovato, where distinctions between high and low art dissolved into the heat of the air.
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On fire: at this year’s edition of the festival devoted to rediscoveries and restorations, distinctions between high and low art dissolved into the heat of the air
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On this week’s episode of The Film Comment Podcast, critics Adam Nayman (@brofromanother) and Alana Pockros (@APockros) join to discuss MATERIALISTS; SORRY, BABY; F1; and 28 YEARS LATER.
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Start your engines: critics Alana Pockros and Adam Nayman join to discuss F1, Materialists, 28 Years Later, and more
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“To listen, to be able to hear, is very important in filmmaking.”. Caroline Monnet interviews 92-year-old filmmaker, visual artist, musician, and activist Alanis Obomsawin, whose work is currently the subject of a major retrospective @MoMAPS1.
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Children‘s song: the 92-year-old filmmaker, visual artist, musician, and activist reflects on her influential body of work, currently the subject of a major retrospective at MoMA PS1
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Listen here! .
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Roll on: Miriam Bale, Robert Daniels, and Jessica Kiang drop a token and talk Highest 2 Lowest, Alpha, and My Father's Show, and more
Highly recommed the Film Comment podcast on this movie. 2 critics really liked it and 2 critics despised it and all the back and forth made me even more excited to see it.
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RT @badiguess: @parietines Reminds me of this very sweet film comment podcast .
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School's out: Genevieve Yue and Isabel Stevens—both critics and parents—discuss what they watch with their children and why (with the kids themselves chiming in, too!)
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