Angela Yeoh Profile
Angela Yeoh

@AngelaHYeoh

Followers
467
Following
1K
Media
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Statuses
1K

Telling stories, seeking truth 🌿

planet Earth 🌏
Joined February 2018
Don't wanna be here? Send us removal request.
@AngelaHYeoh
Angela Yeoh
2 years
Deputy Karins, reporting for duty #Silo New episode on @AppleTV each Friday. Loved working with the phenomenal team on this show. More soon đź’«
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@Taj_Ali1
Taj Ali
2 years
Benjamin Zephaniah on his refusal to accept an OBE. 'No way Mr Blair, no way Mrs Queen. I am profoundly anti-empire.' Rest in power.
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@JustineBateman
Justine Bateman
2 years
An important open letter from the documentary film world re: generative #AI faking things it shouldn’t in documentaries, biographies, etc. @archivalprods @THR Also, @_CREDO23_ has a special category for documentary and experimental films. https://t.co/ZbPiPOEzzJ
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hollywoodreporter.com
"Generated material presented as 'real' in one film will be passed along — on the internet, in other films — and is in danger of forever muddying the historical record," reads the open letter from...
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@ColumbiaSJP
Columbia Students for Justice in Palestine
2 years
it's important to still take in Palestinian joy & art. we have to share the grisly images/statistics bc the mainstream media suppresses it, but the constant carnage reinforces a dehumanizing trauma porn & savior complex narrative. reminder: Palestinian existence IS resistance.
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@DEADLINE
Deadline
2 years
Justine Bateman Discusses Concerns With SAG-AFTRA Deal's AI Protections, Warns Loopholes Could "Collapse The Structure" Of Hollywood
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deadline.com
Justine Bateman spoke with Deadline about the AI protections laid out in SAG-AFTRA's latest contract and why it doesn't go far enough
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@JustineBateman
Justine Bateman
2 years
Here is a demo video that contains this tech. (More video demos of how #GAI is already used here: https://t.co/lJawkPtZzX) 3a/
@JustineBateman
Justine Bateman
2 years
Here is how the use of #AI will change the acting profession, without strong @sagaftra protections.
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@JustineBateman
Justine Bateman
2 years
An #AI object is not a performer. In the #SAG tentative deal, “synthetic performers” are permitted to take jobs from human actors. They are amalgamations of 100 years of performances, but they are NOT performers. I call them “Synthetic Humanoid AI Mods” or SHAMs. #SHAMS
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@NewYorker
The New Yorker
2 years
.@samknightwrites reflects on the duelling protests in Britain—a country divided over Israel and Palestine. https://t.co/mtJzXjL1ea
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@ItsMeCarolAMPTP
Carol Lombardini
2 years
hoping all the Wall Street analysts, investors and shareholders embrace our ongoing strategy of losing billions of dollars and alienating all the creative people who make our product so we can show everyone who is the smartest and most powerful
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@AoDespair
David Simon
2 years
Slack's grasp of what collective bargaining is and must be is rock solid. And this compasses a handful of sinecured showrunners and high-priced talent that often lack the tools or will to confront their self-interest. A union serves the whole membership. It thrives in solidarity.
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@SoniaAllamCDG
Sonia Allam
2 years
Casting directors, agents, directors, actors and all industry ppl who are not happy with @SpotlightUK’s new tiered membership, please sign and share this petition to remove this new divisive feature: Sign the Petition! https://t.co/wIwMOqmYkX via @UKChange
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change.org
Spotlight: remove tiered membership
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@ajplus
AJ+
2 years
"Despite the pain ... I felt it was my duty to get back in front of the camera." Al Jazeera Journalist Wael Al Dahdouh explains why he continues to report from Gaza after his wife, son, daughter and other relatives were killed.
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@pressfreedom
Committee to Protect Journalists
2 years
🧵Thread: CPJ's safety resources for journalists covering the #IsraelGazaConflict ⬇️ NOTE: As CPJ monitors the war in #Israel #Gaza, journalists currently reporting there, or who are planning to in the coming days, can contact CPJ with questions about safety & security.
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@NewYorker
The New Yorker
2 years
During the run of “Orange Is the New Black,” Netflix’s hugely popular show, many of its cast members rose to fame—but some still had to keep their day jobs. How could a show so popular pay so little? https://t.co/tsPtdHGn6v
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newyorker.com
The innovative and daring show was a worldwide hit for Netflix, but some of the actors say that they were never fairly compensated.
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@AngelaHYeoh
Angela Yeoh
2 years
Helpful video on #SAGAFTRAstrike Real example: • 2022 UK annual inflation = 11.1% • Major studio only gave 4% fee “uplift” for returning actors to work on next season = 6.4% pay cut We asked for fee increase in line with inflation. They refused. And show has been a huge hit.
@MorePerfectUS
More Perfect Union
2 years
Most actors aren’t celebrities, aren’t millionaires, and need a better contract. @zacharybooth breaks it down.
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@latimes
Los Angeles Times
2 years
“Squid Game” increased the value of Netflix by an estimated $900 million. It also made South Korean writer and director Hwang Dong-hyuk famous — but not rich. In his contract, he had forfeited all intellectual property rights and received no residuals.
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latimes.com
South Korean content is likely to become even more important to Netflix it seeks to weather the Hollywood writers’ strike. But many writers and producers in the country feel exploited by the stream...
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@AngelaHYeoh
Angela Yeoh
2 years
Huge congrats to everyone who made this show happen. Can’t wait to see it again 💫 https://t.co/ZMkY4nWnbp
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@AngelaHYeoh
Angela Yeoh
2 years
Back in April 2022, sat together with @Excalibah (in Newcastle after we performed #Rice @northernstage), he excitedly told me about his next play for @ActorsTouringCo: #TamboandBones. It sounded wild, powerful, funny, truth-speaking, and vital. It is ALL these things, and more.
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@AngelaHYeoh
Angela Yeoh
2 years
Go see TAMBO & BONES. Just go. Utterly brilliant, big fun, soul-shaking play written by @StayDancingDave, directed by @Excalibah, co-produced by @ActorsTouringCo and @stratfordeast. Final 3 shows tonight & tomorrow - catch it while you still can:
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