They no longer call my name (They no longer even use my name.) — a beautiful, intimate new voice + fixed media electronics work by @getcoopered, premiered in March @UoLConcerts — text by Gillian Rose, track features @slampreasoprano.

Last week, my (dark) ecological reading of Beat Furrer's recent work was published in @TempoNewMusic. The full article is available here 👉 https://t.co/n46GVHKziY👈 Curious about what I have to say but no time to read the whole thing? No worries, here's a thread! 🧵 (1/9)

Thank you to everyone who came to our performance last night by our Call winners @kwilliflute & @getcoopered, @btjameson & @HarryMatthews22, & @heather_roche . If you were there & didn't fill out our brief survey, we'd still love to get your responses : https://t.co/3Vpwc24mhD

This gig includes new work by our flautist Kathryn Williams (pictured holding Soundbrenner wearable metronomes) made in collaboration with Ed Cooper—it's a beautiful meditative new work for alto flute, electric guitar & amplified heartbeats: 'Fourfold'. @kwilliflute @getcoopered

Some stellar electronics by @getcoopered for a new piece for amplified voice & tape! I recorded stems at home using a vocal mic plus a stethoscope mic to record my heartbeats. I perform this and more works by @UniversityLeeds composers in February - concert details coming soon!