🥃Donald Clarke📽️
@DonaldClarke63
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Film correspondent and general blowhard for The Irish Times. Bias so-called 'critic'. He do the police in different voices.
Dublin
Joined May 2013
I mean if you go in expecting utter shit you’ll have a great time.
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I think, without hyperbole, the dumbest fucking defence of any rubbished film is “Well, if you go in expecting Citizen Kane/The Godfather/Oppenheimer (now, apparently) then…” I actually went in expecting Jeanne Dielman, 23 Commerce Quay, 1080 Brussels. Because me clever.
@fuzzyyarns "I watched the movie that's for children and Wizard of Oz fans and was expecting Oppenheimer. horrible movie totally not on me for being an idiot"
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Thank you, transcription programme, for accurately summarising my interactions with a celebrity.
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It’s worth noting the reviews of WICKED: FOR GOOD are still far better than those anticipated after the first trailer to the opening part.
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Thanks Andrew Garfield for quietly shifting your body toward your costars Julia Roberts and Ayo Edebiri—smiling, faintly, while instinctively deferring to the women beside you. True activism
Earlier this year, on a press tour for Luca Guadagnino’s ‘After the Hunt,’ Andrew Garfield fielded a jarringly inappropriate question about Me Too and Black Lives Matter by quietly shifting his body toward his costars Julia Roberts and Ayo Edebiri—smiling, faintly, while
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As I was saying, WICKED: FOR GOOD can barely make itself heard over the hiss of its own deflating bladder. Splitting the film was a disaster. https://t.co/9HOM1822Gv
irishtimes.com
With weak songs and uninvolving storytelling, there’s no way to reinvigorate the Wicked story a full year after part one
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My opinion *is* more valid.
Dear Wicked fans, I’m warning you that the Rotten Tomatoes score for Wicked For Good is going to be lower than the first film. I urge all of you to not to worry about it and don’t attack the critics who didn’t like it. Your opinion is just as valid as theirs so just enjoy
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I felt the air rushing out of the tires in WICKED: FOR GOOD. A wild flailing with none of the uncomplicated energy of the first. Should have been the last 40 minutes of one film.
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Two of these people are in their forties.
THE 2026 HOLLYWOOD ISSUE In Hollywood’s golden age, studios turned regular men into secular gods: changing their names, hiding their flaws. But now, writes Ottessa Moshfegh, the era of the remote matinee idol is over—and the dawn of the almost approachable, appealingly authentic
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What in the name of God are these people talking about? Am I going crazy here?
@RealiaAmelia Why are people afraid of things being multiple genres at once, the divine comedy and the aeneid isnt a worse piece of art because you might label it as fan fiction
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At some point before MARTY SUPREME opens I’m going to have to find out who Kevin O’Leary is.
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