Eliot Couvat
@CDTEliot
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Community comms @stripe, previously @coinbase
San Francisco
Joined November 2020
"The Lifestyle era was not about creating culture; it was about attaching brands to existing cultural contexts. […] The new order we are entering reverses this. For some organizations, culture has become the product itself, and products have become secondary, auxiliary, to the
subpixel.space
After everything has become a lifestyle brand, the frontier of cultural creation is now faith itself.
There’s a new genre of company that is Timeline Native. Timeline Native companies are birthed on the timeline and exist more so on social than in real life. The narrative around the construction of the business is the core product. The widget or service which they produce is
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what makes tweeting hard is that it requires you to be extremely online and maintain enough psychological distance from being online to have interesting thoughts about offline reality most people can do one or the other terminally online people understand the meta-layers and
tweeting’s probably the hardest skill in the world tbh. it’s the ultimate art form because it requires every sense, plus taste, timing, vibe, & a deep working model of the zeitgeist. if you combine this with deep technical knowledge, it becomes even more astonishingly
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it works, but not because of the city it works because the type of person who can drop everything and move with no plan is already the type of person who makes things happen sf selects for risk tolerance over talent
u can literally change your entire life if you’re cracked and can pull up to sf with no plan/job for 6-12 weeks.
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i talked about social tokens when they were basically a joke → made one → wrote a book → got coindesk to launch one irl going narrow on something dumb beats going broad on something obvious
Threadguy drops 4 minutes of alpha on how he would grow a Twitter account from 0 to 10k followers if he was starting over
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love how anthpo broke down his approach to viral storytelling in that colin & samir interview and it's basically cialdini's influence framework but for content: [x] reciprocity: give people something valuable first (entertainment, insight, whatever) and they'll naturally want to
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side note: kocienda's book Creative Selection walks through the whole process. one of the better tech books out there
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the iOS keyboard bug is annoying, but it's also accidentally revealing how clever the original system was. the apple keyboard constantly uses a two-layer logic: the touch model, which figures out what key you meant to hit based on tap location, surrounding keys, finger drift,
If you're making more typos in iOS lately, you're not going crazy - it's a bug in iOS that causes the keyboard to randomly insert the wrong letter instead of what you typed.
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Many things worth pursuing in life start out looking low-status. MrBeast began by counting to 100,000 alone in his room. Taylor Swift started as a country singer. To make it, they all climbed the mountain of cringe: a climb you must make before you can descend into the land of
Switching into crypto remains one of the most asymmetric things you can do for your career. Why? There's a low-status moat around it. Cross the moat and you'll experience less competition, more career acceleration, and extraordinary return on expertise:
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1.5% is actually pretty fair for the ease of use of a composable treasury cloud where every rail (card, ACH, chain, Visa card) is just a parameter Businesses can send dollars through whichever path makes the most sense in real time, whether that’s a blockchain, a bank wire, or a
"Stripe charges a 1.5% fee for stablecoin payments, settled in USD" What happens when merchants realise they do not need Stripe to accept stablecoin payments, or any software-as-a-service vendor. If you are running a low-margin international eCommerce business (think Temu, but
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few realize this move was as big as Apple switching from Intel to its own chips With bridge, Privy, and USDB, Stripe controls the infrastructure, the identity layer, and the currency they own the entire stack, depend on fewer middlemen, and can capture both the toll and the
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visibility is quickly becoming a substitute for credentials, and a great piece of content about something you’ve built will reach 100x more people than trying your luck in DMs or at networking events your timeline is your resume.
And then an extension of some advice for young people—or why it might be better to write online (or tweet!) than to send a million cold emails.
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TIL the name “iPod” came from copywriter vinnie chieco, who saw the first prototype and thought it looked like the white EVA pods and spaceship interiors from kubrick’s “2001: a space odyssey" the line “open the pod bay door, hal!” popped into his head, and the metaphor just
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we just shipped a new discover page on web one place for all the stuff you actually want to see, minus the noise. i’m personally curating the articles that make it to the feed with an awesome team search shouldn’t just wait for you to ask. discover surfaces what matters, and
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“the whole world has opened up to me, but it’s too late” not the words of a failed artist the words of one of the greatest living filmmakers the curse of mastery is that it arrives when energy fades
"I fully realize that a human is not really capable of creating really good works until he reaches eighty... I am now seventy-seven (77) years old and am convinced that my real work is just beginning." – Akira Kurosawa, to Ingmar Bergman
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there’s a strange comfort in realizing that nobody escapes uncertainty. even the people you admire most have had nights where the future felt like a locked door. the only difference is some kept knocking, even when it felt pointless.
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