The neo-noir thriller, "John Wick 4," will have its theatrical release in March. Captured by Dan Laustsen ASC, DFF with ARRI Rental's exclusive #ALFA lenses and ALEXA Mini LF. Watch the newly released trailer here: https://t.co/h9Iqcunxdr -- #cinematography #filmmaking

Take a tour of the new #ARRIRental flagship facility in New York! Our new headquarters is purpose built for productions, with large prep bays, on-site lens customization and community space for events. 📍: 47-27 36th St, Long Island City, NY 11101 📧: nycamera@arrirental.com

Adjust the swirl of your bokeh with our new #HEROES collection. The LOOK lenses can detune your look shot by shot. Learn more here: https://t.co/vTFHwL2siY

Thank you to all who joined us for a wonderful night at our grand opening! We look forward to supporting the film community at our new flagship headquarters in New York. 📷: TheLeagueOfUs

We are looking for a Sr. Lens Technician to join our team in our brand new facility in New York. If you are interested in the role, please apply here: https://t.co/MSCvcl3EvG

Our latest issue showcases lighting techniques used in productions including Euphoria, The Terminal List and Marcel the Shell With Shoes On. Plus, the 2022 Rising Stars of Cinematography. Have you read it yet? Pictured: Setting up a shot on Hunter Schafer while filming Euphoria

#ARRIRental is thrilled to announce that on July 5, 2022, our new East Coast headquarters opens its doors in New York. For any inquiries please contact us at (212) 757-0906 or email us at NYcamera@arrirental.com.

Baz Luhrmann’s “Elvis,” now playing in theaters! Mandy Walker ASC, ACS captured the film with the #ALEXA65 supplied by #ARRIRental UK. Watch the final trailer here: https://t.co/YJ51Z4MW7n

ARRI Camera Systems welcomes its brand new 4.6K Super 35 camera. Join our online keynote presentation and be among the first to experience the next-generation ARRI camera that elevates digital cinematography to unprecedented heights. Learn more here: https://t.co/2kqVLqhT6w

Total guess here.. could it be Money?

We caught up with cinematographer Eben Bolter BSC to talk about his 'neon noir' approach for vampire thriller, #NightTeeth. This interview touches on color palettes, lighting, shooting in HDR, and much more. Streaming now on Netflix. https://t.co/xcdteOpqwJ

Very excited to finally share the news of our new lenses

So happy to have supported this project, Eben is very talented!

Paul Schrader's "The Card Counter" now playing in US cinemas. Cinematography by Alexander Dynan with #ALEXALF and our exclusive #DNALF lenses. 📷: (4) Heidi Hartwig

Now streaming Apple TV's "Ted Lasso" Season 2. The comedy series was shot in large format with our #AlexaMiniLF and Tokina Vista lenses. Serviced by #ARRIRental UK.

Today is the beginning of the next chapter for the @Frame_io team and community. I’m super excited to be joining @scottbelsky’s team at @Adobe. Off we go!

Excited to share this news!

I just left the ER. We are officially back to getting crushed by COVID-19. Delta Variant is running rampant and it’s MUCH more transmissible than the original virus. 99% of our ICU admits did NOT receive a vaccine. Virtually ALL of them wish they had.

Beautiful stills from #PortAuthority shot by cinematographer Jomo Fray and captured on #ALEXAMini + Leitz Summicron-C lenses. In select cinemas tomorrow, May 28, or VOD June 1.

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