ARRI Rental
@ARRIRental
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ARRI Rental is a leading provider of camera, grip, and lighting equipment to the feature film, television, advertising, broadcast, and events markets.
Joined July 2014
💙 The latest official screengrabs from the world of @Kalki2898AD. Shot by cinematographer Djordje Stojiljkovic using ARRI Rental's #ALEXA65 with #PrimeDNA lenses.
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Happy birthday Sir Roger Deakins! Warmest wishes from your friends at ARRI Rental. 💙
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Congratulations to the team on “Anora,” for winning this year’s Palme d'Or at the 77th @Festival_Cannes. Captured by cinematographer Drew Daniels on film with the #ARRICAMLT on Hawk/Lomo and Atlas Orion lenses. #ARRIRental is proud to have supported your project!
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Congratulations to Geoff Haley for winning the Society of Camera Operators' award for camera operator of the year for his work on #Joker! .Photo: Niko Tavernise
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💙 Huge congratulations to #RogerDeakins ASC, BSC on winning the BSC’s award for Best Cinematography in a 2017 Theatrical Release, ‘Blade Runner 2049’!
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Steadicam operator Shaun Cobley on the set of A PRIVATE WAR. #ARRIRental UK supplied the Marie Colvin biopic with ALEXA Mini's and XT's. In cinemas now. 📷: American Cinematographer
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Congratulations to Roger Deakins ASC, BSC, CBE for taking best ‘feature-film cinematography’ of 2019 at the American Society of Cinematographers Awards! The win for “1917” marked his fifth win from the society.
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#TBT: Sir Roger Deakins ASC, BSC, CBE in action on "Skyfall." The first James Bond film to be shot digitally — captured on ALEXA Studio, ALEXA Plus, and ALEXA M cameras. Serviced by ARRI Rental UK. --.#ARRIRental
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Two ALEXA IMAX cameras and Prime 65 lenses metamorphose like a Transformer. Optimus Prime 65, maybe? #yourlenschoice #Transformers
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On set for "The Wonderful Story of Henry Sugar," now nominated for an Oscar® at the 96th Academy Awards in the 'Live action short film' category. Robert Yeoman ASC shot on the #ARRIFLEX416, ARRI/Zeiss Ultra 16, and Master Prime lenses. Fingers crossed! .—.@netflix @ARRIChannel
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The look of Emmanuel Lubezski AMC, ASC - "Amsterdam" - shot on ALEXA Mini LF and Signature Prime lenses. Serviced by #ARRIRental Los Angeles.
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#TBT: A collection of photos from Martin Scorsese’s Oscar-winner, #TheDeparted. Captured by Michael Ballhaus ASC (1935-2017) using ARRICAM ST, ARRIFLEX 235 and 435 cameras from #ARRIRental. Photo: Andrew Cooper
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George Clooney’s @midnightskymov is now streaming on Netflix. Shot with #ALEXA65 and #ALEXAMiniLF cameras, teamed with our exclusive #DNA lenses, keep an eye out for interviews with DP Martin Ruhe ASC and his gaffer Julian White that we’ll be releasing in the new year.
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First look at the sequel, "Joker: Folie à Deux." Lawrence Sher ASC continued with the 65 mm format on the #ALEXA65. Supplied by ARRI Rental Los Angeles.
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#TheBatman now playing in cinemas. Captured by Greig Fraser ASC, ACS with ARRI Rental’s exclusive #ALFA anamorphics. Camera, lenses, and grip all provided by #ARRIRental UK.
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Huge congratulations to Robert Richardson ASC, who will be awarded the Lifetime Achievement Award at the ASC's 33rd Annual Awards. From all your friends at ARRI Rental.
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Go behind the scenes on the new Tim Burton series, “Wednesday." Captured by David Lanzenberg and Stephan Pehrsson BSC with the #ALEXALF, #ALEXAMiniLF and Signature Primes. Camera, lighting and grip equipment were all supplied by #ARRIRental. 📷: Vlad Cioplea/Netflix
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On set for HBO’s “Last of Us,” shot with the #ALEXAMini and Cooke S4 lenses. The nine-episode first season was all serviced by #ARRIRental Calgary. Stay tuned for an upcoming interview with cinematographer Ksenia Sereda RGC.
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Take a tour of the new #ARRIRental flagship facility in New York! Our new headquarters is purpose built for productions, with large prep bays, on-site lens customization and community space for events. 📍: 47-27 36th St, Long Island City, NY 11101.📧: nycamera@arrirental.com
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Put on a happy face 🤡, #Joker comes out today. Cinematographer Lawrence Sher ASC shot the film on #ARRIRental's exclusive #ALEXA65. Let us know if you'll be watching.
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First released in 1993, Steven Spielberg's award-winning "Schindler's List" is screening this week in the "Homage" category at the 73rd @berlinale. Janusz Kaminski ASC captured the film's look on the #ARRIFLEX535 provided by #ARRIRental.
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We are deeply saddened to learn about the tragic death of our friend, Cinematographer Halyna Hutchins. You were an exceptional talent and will not be forgotten. Rest in peace.❤️
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James Friend ASC, BSC discusses his visual approach to Edward Berger's visceral new Netflix adaptation of the classic WWI novel, “All Quiet on the Western Front.” Captured with the #ALEXA65. Read the full interview here:
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Cinematographer Rodrigo Prieto ASC, AMC with #TheIrishman camera rig dubbed “the three-headed monster" — developed in collaboration with Industrial Light & Magic. Streaming now on Netflix.
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#TBT to The Godfather (1972). Serviced by ARRI CSC now know as #ARRIRental. (Photo: Robert Duvall, Marlon Brando, Gordon Willis ASC and Tibor Sands)
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Now streaming Apple TV's "Ted Lasso" Season 2. The comedy series was shot in large format with our #AlexaMiniLF and Tokina Vista lenses. Serviced by #ARRIRental UK.
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Congrats to all the 2020 ASC nominees! Three films serviced by #ARRIRental are in the running for best cinematography — Roger Deakins, ASC, BSC for #1917, Rodrigo Prieto, ASC, AMC for #TheIrishman, and Lawrence Sher, ASC for #Joker. 📸: François Duhamel, Niko Tavernise
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The #ALEXA65 sporting a custom-engraved A-camera side panel. #UntitledHanSolofilm #ARRIRental #yourlenschoice
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Congrats to the #AvengersEndgame team on becoming the #1 film of all time earning $2.7 billion! The film was shot entirely with ALEXA IMAX 65 mm cameras, based on the #ALEXA65 system. We at #ARRIRental are proud of to have helped service this historic franchise.
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The “Eternals” have arrived – now playing in cinemas. Directed by Oscar-winning Chloé Zhao and captured by cinematographer Ben Davis BSC on #ALEXALF and #ALEXAMiniLF with @ARRI's Signature Primes. --.Serviced by #ARRIRental UK.
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“We wanted it to feel very immersive and we wanted it to feel very wide.” – DP #AndrewDrozPalermo on shooting David Lowery’s “The Green Knight” with our exclusive #ALEXA65 and DNA lenses. Now playing in US cinemas. --.📷 (1) Eric Zachanowich
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On set with @HouseofDragon now streaming on HBO Max. Captured by cinematographers Pepe Avila del Pino, Catherine Goldschmidt, Alejandro Martinez, and Fabian Wagner ASC, BSC. Shot with ARRI Rental’s exclusive #ALEXA65, DNA lenses, and #HEXATRON.
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Reed Morano ASC and Peter Dinklage on the set of "I Think We're Alone Now" —@itwanmovie. Check out the 1st trailer for Morano's upcoming post-apocalyptic drama. #ServicedByARRIRental
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"We had to film continuous shots in very high-contrast environments, like an indoor set looking out on a bright exterior a few 100 meters away. #ALEXA65's large exposure latitude and ultra-high resolution was perfect for the film.” DP Cao Yu ASC, CNSC on "The Eight Hundred."
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#FemaleFilmmakerFriday: Focus Puller Kate Eccarius prepping the ARRI ALEXA LF with Signature Primes at our #ARRIRental UK facility for DOP Diana Olifirova. 📸: Kate Eccarius
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On the set of #TheWomanintheWindow captured by DP Bruno Delbonnel ASC, AFC on #ALEXASXT with Cooke S7/i and ARRI/Zeiss Master Prime lenses. Streaming now on Netflix. Photo: Melinda Sue Gordon
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Eben Bolter BSC on the set of HBO's #Avenue5. Be sure to tune in tomorrow at 2 PM (ET) as Mr. Bolter joins #TheMartini to chat about his experiences on set and more. RSVP here:
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#TheBatman, lensed by Greig Fraser ACS, ASC with camera and lenses provided by #ARRIRental UK.
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We’re @CamerimageFest all this week and showing some brand new additions to our #65mm optics range for the #ALEXA65.
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Director Ben Wheatley and DP Laurie Rose BSC opted for a fresh visual approach for @Netflix's "Rebecca, shooting in 65 mm with #ARRIRental’s #ALEXA65 camera and #DNA lenses. Read more about Rose's equipment choices and experiences on the production:
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Captured with the #ALEXA65 and #Prime65 lenses, Alfonso Cuarón took on cinematography duties himself for his upcoming film, #ROMA. The black and white drama will make its debut tonight at the 75th @la_Biennale, with Netflix set to release it globally later this year. #ARRIRental
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All hands on deck at #ARRIRental Budapest. The team has worked on “Blade Runner 2049,” “Halo,” “Terminator: Dark Fate,” “Dune,” just to name a few. 📷: Marko Novkov
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“I’ve become very fond of the LF – the amount of color info you can capture when shooting RAW is fantastic, meaning you can take it to many places in the grade effectively and easily. The DNA lenses have a wonderful funkiness to them." Sean Bobbitt BSC on capturing @JATBMFilm.
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ARRI Rental is thrilled to be at #Cameraimage Festival in person, where we are showing our latest products: new and exclusive large-format ALFA anamorphic and Moviecam spherical lenses, along an old friend—the historic 65 mm #ARRIFLEX765!
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On set with Lol Crawley BSC for Noah Baumbach's adaptation, "White Noise." Serviced by #ARRIRental New York. Read how Crawley used the texture of film to recreate the 1980s allegory of contemporary American life here: 📷: Wilson Webb/Netflix
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Test images shot in London's South Bank with ARRI Rental's exclusive new large-format anamorphic lens series - #ALFA. Developed in-house by our global lens design team, and available from our rental facilities worldwide. Learn more at
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"I love having the slightest details, allowing the imagination to create more. And the ALEXA 65 goes deep in the dark, but also, with the sensor's high dynamic range, can go high in highlights at the same time. " - Darius Khondji ASC, AFC on @AppleTV's, #LiseysStory.
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Congratulations to #GameOfThrones for winning Outstanding Drama Series at this year's #Emmys. #ARRIRentalUK is proud to have serviced the hit show.
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Lena Dunham’s new comedy on sexual awakening, “Sharp Stick,” premiered recently at the @sundancefest. Cinematography by Ashley Connor and captured with the #ALEXAMini and Cooke S4 optics. Serviced by #ARRIRental Los Angeles. 📷: @IndieWire
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#TBT: Cinematographer Sean Bobbit BSC on the set of, @WidowsMovie. Bobbit selected ARRICAM LT’s & ST’s/ Cooke S4’s for the shoot, supplied by #ARRIRental. 📷: Merrick Morton
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"We wanted the world of 'The Green Knight' to feel wide and epic. the #ALEXA65 allowed us to get close to our subjects without losing a sense of their place within a landscape.".ICYMI: We asked DP Andrew Droz Palermo on why he chose the 65 mm format. 👉
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Announcing 7 new #Prime65S lenses, ranging from 35 to 150 mm. All T2.8 or faster, with a less contrasty, softer look compared to the Prime65
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HBO’s highly anticipated series, #TheLastOfUs, premieres tonight! The popular video game adaptation was recreated by cinematographers @ebenbolter BSC, Ksenia Sereda RGC, and Nadim Carlsen DFF. Shot with the #ALEXAMini, Cooke S4 lenses and serviced by #ARRIRental Calgary.
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Streaming now on Netflix: "Night Teeth." The action horror film offers a visual palette of darks, neons, and high contrast all captured in large format on the #ALEXALF and #ALEXAMiniLF. 📷: Katrina Marcinowski
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The popular German series #Dark returns with the 2nd season. Shot by Nikolaus Summerer, with a camera, grip and lighting package from #ARRIRental EU. Summerer chose the #ALEXA65 as his principal camera, combining it with #UltraPrime lenses. Streaming on Netflix June 21.
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Congratulations to Lawrence Sher ASC for taking home the top prize this weekend at Camerimage Festival, picking up the #GoldenFrog in the main competition for his work on #Joker — which was shot with ARRI Rental’s exclusive #ALEXA65. Photo: Niko Tavernise
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#2022CineGearExpoLA starts today! We’ll be showcasing our exclusive gear, including the new #Moviecam and #ALFA lenses. Visit us at Booth 635.
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On set with cinematographer Arseni Khachaturan and crew with our new #HEROES optics. Learn more about our exclusive technology here:
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Behind the scenes of “Things Heard & Seen.” Captured by cinematographer Larry Smith on ALEXA #MiniLF, #SignaturePrimes, and Cooke S7/i lenses from #ARRIRental. Streaming now on Netflix.
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The neo-noir thriller, "John Wick 4," will have its theatrical release in March. Captured by Dan Laustsen ASC, DFF with ARRI Rental's exclusive #ALFA lenses and ALEXA Mini LF. Watch the newly released trailer here: --.#cinematography #filmmaking
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Mister Rogers biopic, “A Beautiful Day In the Neighborhood” hits cinemas today. Cinematographer Jody Lee Lipes captured the nostalgic TV show on #ALEXAMini and #ARRI416's from #ARRIRental.
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The visual language on "Armageddon Time." Captured by Darius Khondji AFC, ASC, with ARRI Rental's #ALEXA65 and DNA optics.
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We have officially launched a new, global website for #ARRIRental. The new site replaces all four previous websites (the ARRI Rental EU, US, UK, and group sites). Click on this link to start exploring.
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On set with the #ARRIFLEX765 — the 2nd unit camera for the latest James Bond film, “No Time To Die." .Learn more about our analog film options here 👉 📷 Josh Andrews .--.#ARRIRental
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Huge congrats to Natalie Kingston for winning Best Cinematography for @LostBayouFilm at the 30th New Orleans Film Festival!
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#ARRIRental is thrilled to announce that on July 5, 2022, our new East Coast headquarters opens its doors in New York. For any inquiries please contact us at (212) 757-0906 or email us at NYcamera@arrirental.com.
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The @ShoreScripts SHORT FILM FUND for 2019 is open and you’ve got until May 2nd to enter and for a chance to win some great prizes, including free camera equipment from #ARRIRental to shoot your short film.
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Peter Parker is back! #SpiderManFarFromHome is now in theatres. Captured by cinematographer Matthew J. Lloyd on #ALEXAMini cameras and Master Prime lenses from #ARRIRental.
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Behind the scenes with cinematographer Sebastian Edschmid on his latest project, “Guglhupfgeschwader.” The film was captured on the #ALEXAMini and Ultra Prime lenses. Now playing in German cinemas. 📷: Constantin Film Verleih / Bernd Schuller
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Cinematographer Bojan Bazelli ASC travels to the depths of the ocean with director William Eubank’s horror thriller, #Underwater. Captured on #ALEXA65 supplied by #ARRIRental. Now playing in cinemas. Photo: 20th Century Fox
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The announcement of our new HQ is another exciting step in our dedication to supporting the production community. Learn more about our new home, and the products, services, and creative hub we are providing for our customers: #ARRIRental
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ARRI Rental's #Moviecam lenses combine vintage optics and a cinematic backstory with modern, high-performance lens housings. Respectfully updating a 1980s design from the legendary Moviecam brand, they are impressively compact and lightweight for large-format lenses.
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Cinematographer Darius Khondji AFC, ASC created a muted palette for James Gray’s “Armageddon Time,” now premiering at Festival de Cannes. The period drama was captured on ARRI Rental’s exclusive #ALEXA65 and DNA lenses.
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Cinematographer Michael Alden Lloyd on the set of #TheQuarry, shot on #ALEXA65 with Prime #DNA lenses. Playing now on VOD.
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#TheIrishman officially hits Netflix today. Cinematographer Rodrigo Prieto ASC, AMC shot the much anticipated Scorsese flick on both 35mm and digital cameras provided by #ARRIRental. Photo: Niko Tavernise
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Director Doug Liman and Anne Hathaway, in an all too familiar set up, during the filming of #LockedDown. Shot by Remi Adefarasin OBE, BSC on #ALEXAMiniLF and #SignaturePrime optics. Now streaming on HBO Max. 📷: Susie Allnutt
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Get your sparkle on with “Barbie,” now playing in select theaters. Captured with the #ALEXA65 by Rodrigo Prieto ASC, AMC. #ARRIRental UK supplied camera and grip. —.#capturedwithARRI @ARRIChannel #BarbieTheMovie
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#Repost @AmericanCine: "Visual-effects supervisor Robert Legato, ASC (right) studies the Kenyan landscape as Caleb Deschanel ASC captures reference footage on an ARRI [Rental] #ALEXA65." .Photo: Michael Legato/ Disney
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Here are some fun behind-the-scenes pics of @JimKnopf_Film shot by DP Torsten Breuer on #ALEXAXTPlus and #ALEXAMini cameras with Master Primes, provided by @ARRIRental. Pictures courtesy of Warner Bros. Pictures. #ARRIRental #JimKnopf #arrialexa #arri
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Enjoyed "The Umbrella Academy" on Netflix? Cinematographer Neville Kidd ASC is joining #TheMartini on Friday (8/28) to tell us all about it! .Register here: Photo: Netflix
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Congratulations to cinematographer #RobbieRyan BSC ISC for winning the prestigious Golden Lion at this year's La Biennale for the film "Poor Things." Serviced by #ARRIRental Budapest, we are proud to have played a part in bringing your vision to life.
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