Few weeks ago, we released ONLY EXTENDED: a brand new family of 18 styles + Variable, available in Latin & Cyrillic. 🪐 Its ultramodern geometry combined with a Swiss grotesque spirit are making it a distinctive addition to the design landscape. More: https://t.co/8APrUqU0f6

Something to be said for a passport that is beautifully designed. It's deeper than just nice design. It creates something that an individual is proud to have in their hands. A deeper connection to where one is from. https://t.co/YkXHaH6YyN @swisstypefaces

The most fun image & video creation tool in the world is here. Try it for free in the Grok App.

We are looking for a full-time Project Manager to join the team either in Vevey, or Berlin. If you're interested please read all the details of the open position in your preferred location by following this link: https://t.co/m4HJ8h6b80 Application deadline: 30.11.2022

Another four interesting typefaces in this month's blog: Change by Alessio Leonardi, Grotunda by Fabian Dornhecker, Raskal Oner Write by Emmanuel Rey, and Collier by Richard Lipton: https://t.co/wfSkQlt0ct

Thanks for the highlight, your opinions are very insightful! Btw, Raskal Oner has been designed by Emmanuel Rey (with the help of @arialcrime )! @typeoff wrote the massive article for us 😅

An earlier version of Raskal Oner was initially shown in our Type Life #2, published in 2017. If you want to spot the difference with the released version by yourself, some copies are still available on our Physical store: https://t.co/5kO2HyHlgY

To properly tell the whole story behind Raskal’s design, we collaborated with type nerd and scholar @typeoff With great care and patience, Dan put the words to narrate the 10 years-long process that lead to the first Swiss Typefaces script font: https://t.co/7alqet3rkO

This release is the first one which has been engineered and produced by @arialcrime at Swiss Typefaces! His work on this project went far beyond any regular process (more on that later), and we couldn't have done it without him. Kudos to him! 🥇

🪶 What would a true Swiss Typefaces script look like? Raskal Oner Write is the answer. Discover today the result of a decade-long process of questioning the role, aspect, process of a script font born in a digital world: https://t.co/wKZDzHyzCX

Daria & @arialcrime are on their way to the @Fontstand conference… if they manage to overcome the Dutch train strike! Fingers crossed 🤞 Have a great conference everyone!

One of the first time Simplon Norm & Simplon Mono were ever used was for the German magazine Opak, designed by Adeline Mollard & Floyd E. Schulze. After digging out and scanning a few issues, we just published it on @FontsInUse :

Nice packagings designed by Lukas Diemling using Simplon Norm.

[Publication] Le numéro 25 de la Revue de la Bnu vient de paraître ! Vous pouvez le retrouver dans les boutiques de la Bnu ou le commander depuis notre site. avec : @in_group @anrt_type @BLB_Karlsruhe et @swisstypefaces #revue #journals #imprimeur #typographie #bibliothèque

New tiny piece of writing (and Staff Pick post) on @FontsInUse about the amazing cover design of Gogoj’s latest EP by @QINGYU_WU , using our KRSNA font:

Moscow born Daria Petrova is a type designer based in Berlin. Before joining Swiss Typefaces, Daria worked at LucasFonts and attended the TypeMedia course. Her after work creations can be found at FutureFonts, where she offers free licenses for death-related uses of her fonts.

See more about the Daido Moriyama book on @FontsInUse :

Euclid – Typeface Mystery No. 1 is available at Physical:

The Euclid Typeface Mystery specimen AND a book set in Euclid Flex 😳 Thanks Jim!

Book bundles, new custom projects and announcements regarding 2022: all of this is in our latest Newsletter! Read it online:

The team has expanded again! Talented type designer, cat lover and gravestone enthusiastic Daria Petrova has recently joined our Berlin office. We are really happy to welcome her, and are thrilled for the upcoming times and projects by her side.