Dan Reynolds
@typeoff
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Typografie- und DTP-Lehrkraft @designkrefeld. Dr. phil. @HBK_BS 2019. @Fontstand News editor. Amateur design historian researching 19th C. German typefoundries.
Krefeld, Germany
Joined September 2008
Handzeichnungen für den Fotosatz aus dem Archiv der H. Berthold AG - neue Perspektiven für die typografiehistorische Forschung? Ein Gastbeitrag von @typeoff, @KerstinWallbach & @marcelruhl im Kontext unseres @digiSberlin-Kooperationsprojekts (1/2) https://t.co/2Afdfcp4IJ
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Near Frankfurt? Coming to the Buchmesse? @jeromeknebusch, Edvinas Žukauskas & I will speak at the Klingspor Museum on the evening of October 20th. All about Neuland & its newest revival Koch Grotesk from @poem_editions. It would be great to see you!
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Announcing the latest from Letterform Archive Books! Die Fläche: Design and Lettering of the Vienna Secession, 1902–1911, a hi-fi facsimile edition of the periodical that introduced Vienna’s modern design movement to the world. Available for preorder now: https://t.co/Ofhu7iVzAu
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Im Archivbestand der ehemaligen Berliner #Notenstecherei Paris im @Technikmuseum_B gibt es ein #Schriftmusterbuch: https://t.co/eIaWLBO85O Eine #Onlineausstellung
https://t.co/CqiSRVzWNZ zeigt Fotos aus der Werkstatt dieser Notenstecherei von 1991. #typography #archiv
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New fonts 🌿 Koch Grotesk by Rudolf Koch, Edvinas Žukauskas & Jérôme Knebusch The newest revival of Neuland, published exactly 100 years ago by Klingspor in Offenbach. One separate font for each of the nine original sizes + a never-released lowercase. https://t.co/prOoS94t5n
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Today on Fontstand News, we published an interview from Michela Zoppi with Seb McLauchlan about his typefaces. Check them out over at https://t.co/4GcaGBT9sQ
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New pamphlet! 🦖 Making Neuland Dan Reynolds @typeoff Poem Pamphlet 7 2023 https://t.co/F6XxMkNKuR
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I won’t see any of you in Paris this time, but at least there is this
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@typeoff We are pleased to have these holdings in our archive @Technikmuseum_B and that we can make a contribution to research by making them accessible. For the #Akzidenz-Grotesk we refer to these files.
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And remember: You can visit the museum and see all of these items (and more!) yourself. In fact, I recommend it.
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Thanks to the Historical Archive at the Deutsches Technikmuseum, several internal Berthold documents related to Akzidenz-Grotesk are now available to the public. All roads point to Stuttgart. Akzidenz-Grotesk’s design came to Berthold from Bauer & Co.; Berthold then expanded it.
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125 years ago today – at exactly 12:05 in the afternoon, Berlin time – H. Berthold AG filed prints of 13 sizes of Akzidenz-Grotesk’s regular weight with the Berlin Muster-Register. That means that it is the typeface’s “birthday” right now. https://t.co/icKy4fjeAF
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Ein laufendes #Erschließungsprojekt im @Technikmuseum_B erfasst Akten aus der Berthold AG und macht diese der Forschung zugänglich. Es finden sich Listen mit Schriftnummern die uns auch bei der Arbeit im Depot helfen: https://t.co/YD2IuXiX68
#typography #berthold #archive
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Kalender - in kalanderfesten Schriften! 100 Jahre Privatdrucke der Xberger Berthold AG. Ein Beitrag von @typeoff, @KerstinWallbach & @marcelruhl im Rahmen unseres @digiSberlin-Projekts zur Digitalisierung des Typo-Kulturerbes Berlins u.a. mit @espiekermann
https://t.co/JBiuXiLnxp
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Schneekönigin is a really excellent typeface.
A snow-capped typeface to match today's weather from the Stempel Foundry's giant 1925 specimen book. https://t.co/7dVrXf7sA1
#typography #TypeSpecimen #libraries
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About 100 years ago, there were two methods by which brass-type fonts for bookbinders were industrially manufactured in Germany. I found a detailed description for one method (sandcasting) and translated it for you over on my website.
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The German squad is flaming out of the tournament because its players suck and there is no kind of sensible organization or planning behind them. Instead, foreigners have to be blamed for stealing the team’s chances 🤦♂️
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German media is falling backwards over itself in the reporting of the World Cup that most Germans are boycotting anyway. First, it belittled Japan’s win against Spain as “surprising” (which it wasn’t) and now it is arguing that Spain threw the match to punish Germany.
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