I am here, but mostly offline and probably in the sea…. @esarahcook.bsky.social And for now I’m still on insta under my old handle @littlecurator where you’ll find photos of the sea.

I’m one of the very many people who went to bed last night not knowing what the schedule would be this morning and it turns out my usual trains (in and out) are those which have been axed from the schedule. Awake early for nought / longer day ahead.😖

also... stay tuned for a call out for artists and researchers for a networking event at UofGlasgow on August 6th as part of @ARC_QuantumTech - details coming soon! #quantum #scienceart

Can the same digitised public domain work by the same artist be considered both in and out of copyright by different museums in the same legal jurisdiction?🤔 Enter the world of Schrödinger’s copyright👇 https://t.co/njkMEYaLJP #copyright #IP #museums #UK #openGLAM #openaccess

sometimes it's very tempting to start over ;-) dream position here:

re museums of the year: so proud to live in two cities with brilliant organisations dear to my heart, both nominated for 2024: @DCAdundee in the UK and @bildmuseet in Sweden. 👏👏👏

does your university have peregrine falcons? didn't think so.

the Lecturer / Senior Lecturer job in Information Studies is listed here too, please share!

job klaxon! we are looking for someone who loves information in all its myriad forms to join our cheery gang @UofGInfoStudies on a permanent full time basis. search vacancy ref 144473 on https://t.co/eqOQjYMuNP for more details. closing: 14 May.

In April, we are co-organising a conference with the @hunterian & @IAL_art_law "From Scotland to the World: Repatriation and Museums" 🏴󠁧󠁢󠁳󠁣󠁴󠁿🌍 Returns to countries and communities raise the question of best practice on repatriation... Want to know more? 👇 https://t.co/Z7yQr6MWwh

@sgsah Discipline+Catalyst cultural and museum studies Event 18 & 19 April: https://t.co/175sTAVjsf - PhD students in the catalyst are especially invited to sign up.

In celebration of Dr Johanna’s Green's life and work, we invite you to join us for the first Annual Lecture in her honour, 24th April at 5.00pm https://t.co/vKGroyUKMO @UofGlasgow @UofGArtsHums @UofGlasgowASC

As the saying goes, show me an AI model and I’ll show you a labour violation. Thanks @jamesbridle for spelling this out so cogently

"Increasingly, data flows once confined to books and later to records and films are disappearing into black holes and boxes that, as artificial intelligences, are bidding us farewell on their way to nameless high commands." Kittler, Preface to Gramophone, Film, Typewriter, 1985

📣New job alert! We're looking for a Change Coordinator to join our team at The Hunterian @UofGlasgow. The Grade 5 post is full-time (35 hours p/w) and fixed term to 31 July 2025. Vacancy ref: 142428. Closing date 7 April 2024. Find out more or apply: https://t.co/g03bH3sZAz

this morning in our class about the future of digital cultural heritage, students asked what I could tell them about museums and NFTs... we all need to swot up even more on this history.

The whole @artfund team and board are thrilled that @SandyNairne will be our new Chair from the autumn, succeeding Chris Smith who will retire from the board after 10 years as our Chair. We’re fortunate to have two such brilliant leaders to guide our work.

This is truly epic news... I am in awe, as I usually am around @TinaRiversRyan

As a former museum curator, I'm more shocked that viewers find this walkthrough realistic than I am in Sora's achievement. No physics model could produce this physically impossible gallery, and no self-respecting artist would produce the malformed pastiches on its walls.

Glenn Gould. Bach. Partita n 2. Ontario. 1958.