It's so telling that "smartly budgeted global theatrical releases with innovative marketing campaigns" require incumbents to create an entirely "new brand" What does that make the rest of their rosters, poorly budgeted global theatrical releases with uninspired marketing?

Ok, wrote a new essay, on the experience of reading Proust: https://t.co/0Qkye1wkP6

Hey @nikitabier @premium, French guy here 👋 Programs should be Programmes Souscriptions should be Abonnements Ineligible should be Inéligible (with the é) Gagnez should be Gagner to match the other verbs (infinitive) Performantes should be performants (post is masculine)

I don't know who needs to hear this but you're no tech storyteller if you don't follow @hamburger @HipCityReg @jaesmail Sorry but I don't make the rules

WSJ: Disney to Invest $1 Billion in OpenAI, License Characters for Use in ChatGPT, Sora This is it folks, we are living in the last days. Floodgates have broken open. “The three-year licensing deal will let users generate videos of more than 200 Disney, Marvel, Star Wars and

Anyone here has data/insights they could share on microdramas? @seyitaylor @aweissman I seem to remember you guys discussing this. Anything for me? 🤞

If you worked in art on AAA video games and dislike AI because it uses your stolen art from those games, I have a newsflash for you: your art was not stolen because it was likely not your art. Your art is owned by the company who paid you for it. This is because, in nearly all

I continue to be astounded by the lack of understanding by games and media/hollywood around AI content consumption by kids to twenty-somethings. A month ago we had a pointless firestorm over Tilly Norwood, an AI "actress" which made no sense because why pay for someone else's AI

Proustian sentences are back, baby.

https://t.co/yvbilxp2UI

In a little over a decade, Fever has gone from just another ticketing service to an end-to-end, data-driven OS for live entertainment. I wrote about the company’s singular vision.

Dead internet theory go brrrr

Reminder that these people walk among us

Feels relevant https://t.co/auJSe2Bv1p

Also, it's very clear we need more muses. More specifically, muse-artist relationships where both unironically acknowledge their roles and want nothing more than just keep it going so more facets of it can exist in the world. Beautiful no matter the medium.

I'm feeling giddy just thinking about how much I'm going to enjoy this movie

The Pop Crave-ification of trade publications is well underway

TIL Eric Prydz "Call on me" is actually sampled from Steve Winwood's "Valerie"?!? Did everybody but me know about this?

I'm looking for a few long-term brand partners who want to support @DialecticPod and grow with me. I have some incredible guests lined up in the next few months, several with video. As part of that, I'm looking to invest more resources to help the show meet it's potential.

Not so much a prediction as a self-fulfilling prophecy. I've heard the movie referenced for a decade and everyone was convinced it would happen and would be a profitable business model. Fiction made the AI companion a goal for technologists.