James Hansen
@jpjameshansen
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Curator, Light Matter Film Festival. Associate Professor, Art History, NYSCC @ Alfred University.
Western New York
Joined September 2018
Al Michaels thinks every NFL franchise is worth 6 billion dollars? Sell the Bengals.
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The release of HOW DO YOU KNOW (James L. Brooks, 2010) was a great moment for Film Twitter. Anyone else remember this? Stories to share? (This part is sincere). Perhaps ELLA McCAY can bring us together again? (This part is not, but not because of JLB).
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my talk with Straub and Huillet's sound recordist, Jean-Pierre Duret for the @theater_matters screening of These Encounters of Theirs tomorrow. many thanks to @HishamAwad4 and @_edwardmc
“Straub compared the work of the text and the actor to a glade in thick forest, a clearing… that it should allow the light and sun to come in.” One the eve of THESE ENCOUNTERS tomorrow, a new interview with Jean-Pierre Duret, the film’s sound engineer, by Dylan Foley.
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#CineLatinoamericano #CineExperimental En #LosExperimentosCine entrevistamos a Ana Edwards, realizadora de "La partida de las imágenes" (Chile-Francia, 2023), que fue parte de Light Matter Buenos Aires: https://t.co/JlWL2lDwjO
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#CineLatinoamericano #CineExperimental En #LosExperimentosCine entrevistamos a Ana Edwards, realizadora de "La partida de las imágenes" (Chile-Francia, 2023), que fue parte de Light Matter Buenos Aires: https://t.co/JlWL2lDwjO
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#CineLatinoamericano #CineExperimental En #LosExperimentosCine entrevistamos a Andrea Márquez, realizadora de "Unas bolitas de mercurio", que estuvo en Light Matter y está en Inifinito Super 8: https://t.co/gp64wanUT8 También escribimos sobre la película: https://t.co/F2tjQh3CzN
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#CineLatinoamericano En #LosExperimentosCine pueden leer la nota a la realizadora de "La partida de las imágenes" (Chile-Francia, 2023): https://t.co/JlWL2lDwjO
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Tried for a lot of variation between the two programs! Lots of stuff to see. If you're in Buenos Aires, please check out both nights! I'm not there, but I'll be back in 2026. (More on that to come...)
Sábado y domingo dos programas muy diferentes del vanguardista festival de cine experimental. @jpjameshansen
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I highly recommend Peter Watkins's overlooked film THE MEDIA PROJECT (1991), which is an examination of how the Australian mass media covered the Gulf War (Desert Storm). It's free on YT. https://t.co/1YRLRJdbWG
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this thursday, November 20th at 7 pm at Bathers Library (2310 Telegraph) in Oakland, we'll be screening La Commune (Paris, 1871), the 1st in a series of tribute screenings we'll be doing of the revolutionary cinema of Peter Watkins (1935 - 2025). free & public. wear a mask.
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So appreciative of Pablo for conducting this interview with Valentin Caso Rosendi whose film ADIOS POR AHORA played at LM last weekend. Google will translate for you. Check it out.
#CineLatinoamericano #CineExperimental En #LosExperimentosCine pueden leer la nota en la que que conversamos con el director de "Adiós por ahora" (Argentina, 2024): https://t.co/0alLLRknwD
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Just heard Video Data Bank has let go of their Exec Director and Digital Media Manager. Yikes. More ominous signs. :/
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I’m founding a journal, online and/or in print, more details forthcoming
ARRIVANT A new literary and arts journal. Issue 01 now open for submissions until 2026. Accepting fiction, essays, poetry, and art. JournalArrivant@gmail.com
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I wrote briefly about this year’s Light Matter experimental film program
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Remember when I went to see this? Apparently it is nominated for the World Premiere award at the 2025 International Opera Awards tomorrow. Really should have written on it as I become an opera expert.
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Straub/Huillet's These Encounters of Theirs in 35mm at BAM, December 10. Tickets: https://t.co/oFrSbpsXKY
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Seriously I have never wanted to quit my job and move back to NYC more than this moment. Feels nice to feel like it isn't the end of the world for once.
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