Joined Twitter for a free pizza. My Movies: NIGHTMARE CINEMA, INHERITANCE, AU PAIR NIGHTMARE, SOUL MATES, BEER RUN and MORE! Pod: POST MORTEM w/
@mickgarrisPM
$47m.
That’s what the WGA projected it would cost Warner Bros. Discovery to give us ALL our asks over three years.
Instead, they’re going to lose 10x that in just four months.
The studios can’t afford to let the strikes continue.
It’s beyond time to make a deal.
Of course the financier of the QAnon child sex trafficking propaganda movie, SOUND OF FREEDOM, was arrested for — you guessed it — child sex trafficking.
I just saw Dev Patel’s MONKEY MAN and I need someone to explain to me really slow, like I’m a child, why Netflix would sit on and then sell off such a cool AF movie.
I asked a DUNE VFX artist why the visual effects are so much better in it than other recent blockbusters:
Specificity of vision.
The way the footage is captured and blocked. Creative choices made on the assets early and consistently. Less executive meddling late in the process.
Word on the street… The AMPTP was split on publishing their comically evil “kick WGA writers out of their homes” Deadline piece — and were SCREAMING at each other on a video call after it backfired.
Stay strong actors and writers, the companies are terrified.
EX MACHINA — 1hr 48min
ANNIHILATION — 1hr 55min
MEN — 1hr 40min
CIVIL WAR — 1hr 49min
Big themes. Epic ideas. Incredible visuals. All under two hours.
Fuck yeah, Alex Garland. Fuck yeah.
Studios cannot keep shelving movies for tax credits.
It’s unfair to the cast & crew. It’s unfair to tax-payers. It’s unfair to audiences.
If a good Looney Tunes movie isn’t viable, what is?
Lawyers need to work penalties in. The gov. needs to step up.
Or in 2026, unions will.
‘COYOTE VS ACME’ is now expected to be shelved and deleted forever.
Warner Bros wanted $75M - $80M for the film and rejected offers from Netflix, Amazon & Paramount, refusing to let them counter-offer.
(Source: )
Kathleen Kennedy: Indiana Jones, Poltergeist, ET, Gremlins, Back to the Future, The Goonies, Batteries Not Included, Who Framed Roger Rabbit Cape Fear, Schindler's List, Jurassic Park, Twister, Star Wars (and more)
Failed Screenwriter Ben Shapiro: Lady Ballers
I heard from inside one of the major studios... The fact that the AMPTP hasn't broken the WGA's spirit yet is driving the upper brass NUTS and they HATE seeing writers having fun on the picket line.
As we head into week seven of the strike, keep your spirits up. It's working.
The Razzies have sunk to a new low by nominating an eleven-year-old girl — whose performance I actually dug.
If you’re gonna continue denigrating people’s hard work — which you shouldn’t — at least target adults.
Per
@MattBelloni
, Warner Bros. is going to let the filmmakers shop COYOTE VS. ACME to other buyers. This is a BIG win for the movie’s cast & crew and more proof that public shaming works.
Stephen King and Tom Cruise were right! Warner Bros. made the correct choice protecting THE FLASH for so long. They had the goods. And there are moments fans of every DC era will love.
Oh, and, if there was ever any doubt, it cements Michael Keaton as the best Batman.
My producers dragged me to see ‘Barbie’ and it was one of the most woke movies I have ever seen. My full review of this flaming garbage heap of a film will be out on my YouTube channel tomorrow at 10am ET.
Five years ago, you all angry tweeted at me about killing Iron Man in AVENGERS: ENDGAME… before I had a chance to see the movie.
Thanks again for that.
The Razzies have sunk to a new low by nominating an eleven-year-old girl — whose performance I actually dug.
If you’re gonna continue denigrating people’s hard work — which you shouldn’t — at least target adults.
A little over a year after the shelving of 'Batgirl' sent shockwaves throughout Hollywood, Warner Bros. is putting another of its films in the studio vault. The studio no longer plans to release 'Coyote vs. Acme'
DEADPOOL & WOLVERINE, yeah, yeah, yeah, Let’s Fucking Go and all that, but all I really wanna know is will this be the *eighth* MCU movie to ignore this giant thing sticking out of the Earth.
Together, We’re about to reshape the industry. The actors, the writers and the direc—
Wait. I mean the actors and the writers.
The directors, well, they got their “historic” deal while we’re about to go make REAL Hollywood history happen.
Wait —
People think BLADE RUNNER 2049 is better than BLADE RUNNER now?
Guys… Denis Villeneuve is a fabulous director — I love ARRIVAL and DUNE with all my heart — and we still may have not seen his best yet, but, I’m sorry, 2049 is NOT better than Ridley Scott’s BLADE RUNNER.
Still can’t believe they had Phoebe Waller-Bridge’s Helena Shaw kill Indiana Jones halfway through DIAL OF DESTINY and take over the franchise!
Sorry if this is a spoiler.
In 2017, I sat across from an A-List director who looked at me and two other up-and-coming writers and said “I was in your position once. I’m gonna make sure we take care of you.”
They immediately tried to fuck us.
I think of that every time I see marketing for their new movie
Studios have no clue what movies will work, and what won’t.
Which is why studios choosing not to release a finished product for a tax-credit will fuel the next wave of strikes.
It’s not fair to talent. It’s not fair to tax-payers.
We need guardrails around this NOW.
Netflix is scrapping ‘THE MOTHERSHIP’, a sci-fi thriller starring Halle Berry, which had completed filming but the studio now plans to never release the film.
(Source: )
There’s been a lot of snark about James Cameron skipping the Oscars this year, but I just found out he missed it to host a party for his AVATAR crew members instead and, I gotta admit, that makes me respect Big Jim even more.
“True Detective” has been renewed for Season 5 at HBO. Issa López, creator of “True Detective: Night Country,” will helm it under her new overall deal with HBO.
Season 4 is the most-watched installment of the show to date, with 12.7 million cross platform viewers.…
We got new movies this fall from Steven Spielberg, Guillermo del Toro, Ridley Scott, Edgar Wright and Wes Anderson — only to let them all be largely ignored at the box-office.
My heart aches for cinema.
I spoke to an AI expert who suggested artificial intelligence might be able to help screenwriters with the “boring” parts of a script they might hate writing.
This is the fundamental misunderstanding: a good writer takes even the tropiest scene and tries to find a new way in 1/2
Movies like LISA FRANKENSTEIN can be great vehicles to break new stars, and
@zeldawilliams
and Diablo Cody found a superstar in Liza Soberano, who steals every scene she’s in as Lisa’s step-sister, Taffy.
The loud cry I hear from wannabe scab screenwriters is “the quality of WGA writing hasn’t been good in ten years.”
They say this without realizing, over that time, creative power on film & TV has, mostly, ceded to executives.
We’re living in an era of Executive Auteurship. 1/
Tim Burton directing BATMAN RETURNS:
“I know some kid on a talk show will probably say what we’re doing here is ‘too scary’ because of Happy Meal tie-ins, or whatever, but, thirty years from now, people are gonna say, ‘BATMAN RETURNS’ is the BEST Batman movie.’“
While doing research for a project, I realized Horror and Film Twitter failed — we kinda collectively forgot to celebrate the 20th Anniversary of Gore Verbinski’s THE RING in October. To make up for it, here’s an image from it I’ll NEVER forget.
DUNE 2 made me a believer —
In the prophecy.
In Paul Atreides.
In the power cinema.
I will go to Holy War for this movie.
It’ll worm its way into your heart.
Sixty-three years ago, the WGA and SAG struck together to change the business model around a (then-twelve-year-old) new technology, television.
We’re gonna do it again for streaming.
And we’re gonna do it for AI and set a template for every other industry around the world.
Seann William Scott was paid only eight thousand dollars to play Steve Stifler in AMERICAN PIE.
He worked at the LA Zoo after wrapping.
Just because you wrote a movie or acted in one doesn’t make you rich.
This is why we strike.
There's a growing rumor that, if SAG-AFTRA rejects their contract over AI concerns, they could lose "all the gains" in their tentative deal and the other unions will "turn on them".
That smells like AMPTP horseshit.
If the actors vote to keep fighting, that is their right.
HOCUS POCUS almost didn't become a classic.
Disney released a Halloween movie... IN JULY. And shrugged when it didn't perform in theaters.
If it hadn't been for home video and cable, we wouldn't be talking about it today.
And they're about to do it AGAIN to HAUNTED MANSION.
This morning, a tourist from Ohio saw my WGA shirt, asked if I was a writer and called his wife over so she could meet a “real life Hollywood screenwriter.” He then proceeded to offer his family’s support for our strike.
Keep fighting, fam. We’ve got public opinion on our side.
True film criticism is dead. The internet/social media has given every asshole a megaphone to spout their opinion — without any knowledge of the filmmaking process required — and the only way to break through the noise is for them to be nasty.
@Sethrogen
is right. It f—ing sucks.
While discussing film criticism in my high school journalism class, my best friend and I had to be separated by our teacher for hijacking the lesson over a debate: is The Matrix Reloaded or X2: X-Men United better?
It’s been twenty years, what do you think?
Twenty-Five years later, THE FACULTY is still a blast. The mix of Robert Rodriguez and Kevin Williamson rocks. The Scat scene is the perfect update to THE THING’s blood-test and — true story — is what made Christopher Nolan believe Josh Hartnett could play a nuclear physicist.
In THE FLASH, Gotham City has finally been cleaned up and freed of all crime, confirming what real fans have always known:
Michael Keaton’s Batman is the best Batman.