ONEMAN
@djoneman
Followers
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Following
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Statuses
510
DJ • Rinse FM • Boiler Room • Vinyl Only EST. 2002 •
Streatham. SW London
Joined March 2009
Personally, @YussefDayes Experience is the best thing I’ve heard in Jazz since Chick Corea put ‘Return to Forever’ together with Al Di Meola, Stanley Clarke and Lenny White. I’m getting the feeling of hearing Romantic Warrior for the first time all over again. Big up dem man ✌️
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ESCOBARS Practice Hours over Mark Pritchard’s “BE LIKE WATER” ONEMAN Edit
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It still blows my mind that @midlandsound made ‘Final Credits’ only 7 years ago. Sounds like it was cherry picked from King St car park https://t.co/rOY9wZeZ5x ❤️
youtube.com
iTunes: http://po.st/mfcit | Beatport: http://po.st/mfcbp | Traxsou...
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The point is everyone should be now doing what I, and many others are beginning to do. It’s the future of broadcast, in a way. Just how Boiler Room and Soundcloud were, 13 years ago. I follow a bunch of DJs that do the same; and my algo is like a mini radio station now
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Since sharing more music on instagram my engagement and non-follower reach has gone up over 1000% I’ve done 2 hour radio shows for years - as much as I love it, it’s not reaching new audiences in these numbers This is 1 month of playing with different strategies:
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For every gig and mixtape u promote - you should share 5x that in other peoples work, this also leads to association - and that helps build scenes, or pockets of them. Especially if you are a multi genre dj - radio shows aren’t reaching as many new people as social media is
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Are you a DJ that doesn’t produce? If your online content isn’t 90% value and 10% promotion, then you’re doing it wrong. Our job is to share music. We do it on radio, why should content any different. Go where people’s attention is. It’s here. Flyer this gig vid that ! Zzz
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“We expect more from technology and less from each other because technology appeals to us most when we’re most vulnerable. It’s the illusion of companionship without the demands of friendship.” https://t.co/epQ7TUS4e0 I share therefore I am
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Dead Boy Racer is a great narrative; kind of what Kavinsky tried to achieve with the 1986 EP
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If I could sum up @casisdead music I’d call it: ‘Dead-Boy-Racer-Core’
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Really into this generation of young DJs who’s parent(s) we’re into DJing - they’re so sick and you can see why
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Can’t wait for his new tune “XL Bully” - a social commentary on major label A&R / UK pet culture, featuring Thom Yorke & Casisdead
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