Brian Haley
@brianchaley
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inveterate marlboro smoker / “scary tattoo guy” - sanj
Portland, OR
Joined November 2010
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Last Seen Profiles
Pinned Tweet
logging on to twitter
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“My wife says I look like Baron Harkonnen. I guess that’s why there’s no spice in the bedroom!”
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Lovely and revealing that Tarantino and DiCaprio crafted a character so iconic and beloved that an announcement of his passing triggered a cute, halfway-genuine outpouring of grief.
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“There goes that dream.” Jesus.
one of the most beautifully acted moments in the banshees of inisherin for me. so heartbreaking
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I’ll cherish his advice forever. Rest in peace, David Crosby.
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Ed Harris rules.
Remember in THE ROCK when they've got Gen. Hummell on the speakerphone and he barks, "Who is this? Identify yourself." Hahaha, Ed Harris simply refuses to give anything less
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Francis Ford Coppola’s ‘MEGALOPOLIS’ is set to have a major IMAX release this Fall.
(Source: Deadline)
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People still don’t know that Fincher might have the driest sense of humor in Hollywood.
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“Janice, I told you to wear a mask at the grocery store! You’re trending on Twitter now!”
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Can’t get over Spielberg delivering four of the most nightmarish moments in cinema here. At a certain level, “PG-13” is meaningless.
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Speaking of DEADWOOD, good luck finding television dialogue this beautiful.
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This was viscerally upsetting.
Emma Stone is simply one of the most talented actresses to ever do it
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INSIDE LLEWYN DAVIS: Unfathomably depressing, and gets more so by the year. The best Coen brothers movie, and an all-time favorite that’s frightening to revisit.
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brb distracting Rami Malek with a strobe light
James Mangold will produce and direct a Buster Keaton biopic for 20th Century Studios.
()
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CHUNGKING EXPRESS: When “Dreams” plays for the fifth time.
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Please Lord, I am begging you.
Tom Cruise is circling to star in Quentin Tarantino’s final film ‘THE MOVIE CRITIC’.
(Source: )
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Save this paragraph by Roger Ebert. I’m sure you’ll find good use for it.
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This might be the best fake tattoo work I’ve seen.
They should hire me just to tell filmmakers that tattoos don't look like that whenever someone has fake tattoos in a movie.
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Kinda surprised the Letitia Wright anti-vax Jesus weirdo stuff didn’t get a second wind with WAKANDA FOREVER rolling out.
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There’s a world of difference here, but complaints about OPPENHEIMER not showing the Hiroshima bombing reminds me of the furor leading up to ONCE UPON A TIME IN HOLLYWOOD, when everyone thought Tarantino was going to exploit the murder of Sharon Tate.
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Is Cruise starting to look like Bob Dylan? Am I losing my marbles?
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I thought about this scene from AFTERSUN at the bar and almost started crying.
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I’ll never watch the Academy Awards again if this isn’t nominated for Best Original Song.
Dear alien who art in heaven song from asteroid city
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For my money, the strongest, most terrifyingly black-hearted ending the show ever managed. Still gives me chills.
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Asked the cute girl at work what kind of movies she’s in to. “I really like Ingmar Bergman.” I’m fucked.
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“Drinks are on the house” will defuse even the most delicate situations.
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Letitia Wright doubles down on the COVID anti-vaccine bozo stuff then likes a tweet calling for the end of a franchise that was about to put her front and center. Never a dull moment in showbiz.
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The amount of easily digestible, cogent, and not embarrassingly educational political theory in OPPENHEIMER that isn’t wrapped in a thousand pounds of horseshit is a miracle.
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HELL OR HIGH WATER: Six years later, a tight and sweaty cat-and-mouse western that isn’t out to prove much seems like a gift from God.
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Just daydreaming about the magic Denzel Washington and PTA could make together, floating softly in to the clouds.
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Exclusive:
#Dune2
is tinkering with a release date push to 2024 amid Hollywood's labor strikes. Warner Bros. is also eyeballing new dates for
#TheColorPurple
and
#Aquaman2
.
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Your daily reminder that the special kind of tactile, kinetic, well-orchestrated filmmaking we all grew up loving is largely dead and never coming back.
The first clip from ‘INDIANA JONES AND THE DIAL OF DESTINY’ has been released.
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Cinema - the most prohibitively expensive art form (but also the greatest and most profound) - is about to be completely democratized the way music was with DAW's.
(Without DAW's like ableton, GarageBand, logic etc - grimes and most current artists wouldn't exist).
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You know who would have made a great Colonel Tom Parker? Philip Seymour Hoffman.
"I think the audience loves Tom Hanks and it took them a bit for the audience to settle into that performance as the Colonel... but all three of us agree this is one of Tom’s greatest performances," Walker said
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TOP GUN - MAVERICK: An exquisitely crafted hamburger of a movie. The audience went absolutely bananas. Tom Cruise will single-handedly preserve the blockbuster theatrical experience if it costs him his life. Levitating.
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Gotta wonder what TENET would have done under better circumstances.
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Best action scene ever, and it won’t be topped. Don’t even try.
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I’m not saying there’s a way movies are “supposed” to look, but there’s absolutely a way movies are supposed to look.
The GOAT Robby Müller's birthday, I gotta post Wim Wenders talking Paris, Texas cinematography from his DVD commentary, they really might be the most perfect director/cinematographer match there ever was
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Love how the energy of NOPE just explodes in the last act. You really know you’re off to the races here.
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Happy birthday, Quentin Tarantino. Still don’t know why this is my favorite scene of his, but here we are.
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I don’t know if it was Elswit and a lighting rig or God himself, but Rebecca Ferguson’s eyes sparkle every time she’s onscreen in ROGUE NATION.
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“Ridley Scott is mid.”
“Ridley Scott is mid? Fuckin’ Ridley Scott is mid? *You’re* mid.”
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It’s not my favorite Tarantino, but that INGLORIOUS BASTERDS opening sequence is such a triumph of writing, performance, tension, the whole shebang.
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Inventive, fun, stylish in its own way, mostly sad, killer soundtrack, $202 million in the bank. Modern life is a failure.
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Jon Bernthal found the peak of comedy with an empty ketchup bottle.
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I can’t stop thinking of the 12 year-old kid next to me at this screening. He put down his popcorn two minutes in and didn’t pick it up again. Got the distinct feeling he was having a life-changing experience. That’s what it’s all about.
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Best movie of 2022
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Hard to let ASTEROID CITY wash over you a second time when you start weeping halfway through Jeffrey Wright’s speech.
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Love Paul Thomas Anderson’s sheepish disbelief that he’s answering this question from Coppola
Francis Ford Coppola asks Paul Thomas Anderson about his experience making Punch Drunk Love (2002).
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If you haven’t seen NIXON, now’s the time. Paul Sorvino’s obsequious, vain portrait of Kissinger is a treasure. He makes a great American film feel larger.
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I’ve laughed out loud at this several times now.
When i catch my friend watching the latest Ezra Miller movie
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Cruise. Butler. Scorsese. HUSTLERS.
‘EDGE OF TOMORROW 2’ has been discussed at Warner Bros.
Tom Cruise also wants to return to doing more auteur-driven films.
(Source: )
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This little moment from the sixth season of Mad Men just wrecks me.
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Just realized we’re probably gonna get a full length OPPENHEIMER trailer before AVATAR.
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The full scene will posted throughout the day, but this self-satisfied, “Did you all just see what I’m capable of?” look speaks as much for the actor as it does the character. He stole a lot of scenes that way. Rest in peace, Tom Wilkinson.
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I can’t watch three of these movies.
“wE hAvE sUcH wEaK oScAr CoNtEnDeRs tHiS yEaR” mhmm okay keep on telling yourself that
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MAVERICK: Maybe you’ll watch the beginning…or just to the dogfight training. But you’re close to Val Kilmer’s big scene, and you can’t skip Mav stealing the plane for the “fuck you” test run. Then you might as well finish the damn thing. Stupendous. Unbelievable legs on this.
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Now that the Red Scare morons are butt-hurt about it, I’m convinced THE KILLER is a masterpiece.
Aside from Fincher misusing The Smiths in the most insulting way possible that goes against their vision and message the whole non-story that doesn’t add up and doesn’t justify the making of this film exists just so he can do this because it’s what he thinks is “cool”
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BARRY makes you wonder if you’ve been fucked from the start.
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I’ve been thinking about THE BANSHEES OF INISHERIN for days now, but I can’t help but be reminded of THREE BILLBOARDS. One of the worst films I’ve ever seen, and then a masterpiece. Mystifying.
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My buddy Sean drilled right in to all this nonsense.
At North Shore Movies this week I reviewed THE MARVELS, with some digressions regarding tank tops, Siskel and Ebert and how we ended up here.
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I’m crying.
First look at Adam Driver & Nathalie Emmanuel in Francis Ford Coppola’s ‘MEGALOPOLIS’
(Source:
@VanityFair
| )
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Saw someone compare Vin Diesel to Stallone. Fact is, Diesel can’t write or act. He couldn’t muster a thimble of the humanity from any few minutes of ROCKY.
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BONES AND ALL: Loved, loved, loved it. There are probably only a few of us, but that’s fitting.
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Spielberg historically gets a lot of shit for being sentimental, but for all of Indy’s sweat and blood spilled securing their Ark, it’s shuffled in to an anonymous warehouse forgotten to history. Something to remember.
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Still thinking about ASTEROID CITY and the lighting in the lattice patio scene. Stunning.
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Can’t put my finger on it, but this is one of the realest moments of cinema in the last 25 years.
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What’s striking about CASINO is that it never stops moving. Scenes, music, voiceover bleeding together seamlessly, just a constant state of escalation. The decadence and rot piles up and piles up, then, “And that’s that.” Schoonmaker’s best work by a country mile.
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Got to thinking about Jóhann Jóhannsson because of MANDY, and I rewatched ARRIVAL recently, and I was feeling sad. Nothing against Hans Zimmer, but imagine his DUNE score and fucking weep.
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One of the best trailers ever. I need to see this immediately.
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Obsessed with the unearned pomposity of this NEED FOR SPEED trailer. The Max Richter cue promising a grand and grim conclusion to some bombastic reimagining of the FAST & FURIOUS franchise? Aaron Paul’s dead-end attempt at big screen bankability? No one has seen this movie?
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What’s made THE CURSE linger, what makes it so valuable, is that it attempts to grapple with this contemporary disquieting rot and frustration, oftentimes fruitlessly. It’s awfully strident, but we could use some of that these days.
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MISSION IMPOSSIBLE - DEAD RECKONING: Dances on the razor edge of ridiculousness and sincerity. Every plot-point and camera angle is nonsensical, overinflated, askew, nothing makes sense. Riotous fun.
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Eventually, the mysteries and machinations are sorted out and you see the pure evil underneath it all and it’s breathtaking. I’ve seen the movie countless times and I’m still immensely disturbed by this scene.
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I keep thinking of Jeffrey Wright in THE FRENCH DISPATCH. Such a lovely fit for Anderson’s world. He really brings out the wounded soul of the film.
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You guys are so weird about Ridley Scott. Some hits, some whiffs, some masterpieces. WHO CARES.
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THE FABELMANS: Second time around really pulls the rug from underneath the reductive “movie magic” label. Last five minutes is still a miracle.
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The miracle of BOOGIE NIGHTS is that you can say it’s derivative until you’re blue in the face, but it sails right past all easy mistakes people make when they steal from the best.
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