Ash Mann
@biglittlethings
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Digital things for cultural orgs. I organise @digital_works_. Runner, gesticulator. He/him https://t.co/JX4xfb9bhw
Gothenburg, Sweden
Joined August 2009
PRODUCTHEAD: Deliberately choosing to be different This week’s #ProductManagement newsletter features @OlgaSkipper @ThorMitchell @EvieBrockwell Beks Yelland @biglittlethings & @bfgmartin
#prodmgmt #EQ #strategy #productLeadership
https://t.co/IsFlL1WYoo
imanageproducts.com
» People are rarely idiots — assume they’re rational actors with good intent » Sometimes you have to compromise on finding the ideal job » What truly differentiates you from the rest of the market...
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In a challenging cultural landscape, digital leadership is no longer optional. Ash Mann, an associate with @thespacearts, explores why now is the time for leaders to step up with confidence @biglittlethings
https://t.co/p4rdmIpU6p
artsprofessional.co.uk
In a challenging cultural landscape, digital leadership is no longer optional. Ash Mann, an associate for The Space, explores why now is the time for leaders to step up with confidence.
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Adopting an editorial approach to digital marketing will pay big dividends in the long term, says Zosia Poulter @substrakt
https://t.co/WDwBZjaXG4
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It is @wshed staff training day and we shared our priorities + plans thru the lens of Multisolving - a really useful method introduced to use by the Unleadership team at @UWEBusinessSch for prioritsing and taking action in ways that contributes across several areas of impact
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I have just finished writing my talk for the Digital Works conference next week at @LeedsDigiFest, thinking about the way 'being digital' shapes our mission and model as well as the work we support. Stand by for old tech, new tech + obviously toilets
leedsdigitalfestival.org
Curious about what digital means for funding, leadership, artistic growth, audience engagement, branding, marketing, ethics, partnerships, and beyond? Join over 40 digital experts from the cultural...
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I wrote a thing on @wshed, how we updated "The art of the turnaround' to address our own deficit, and the five principles we developed for thinking about profitability
artsprofessional.co.uk
In light of the huge challenges that so many arts and culture organisations have faced in recent years, Watershed’s Clare Reddington shares five ‘rules’ for turning your organisation round.
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We've got attendees and speakers joining us from the UK, Netherlands, Sweden, Denmark, France, USA, Australia, Hong Kong, and Canada. Find out more and book your ticket here:
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Just 35 days to the @Digital_Works_ Conference. We'll welcome folks from libraries, galleries, museums, festivals, orchestras, theatres, performing arts centres, dance companies, and opera companies as well as artists, freelancers, PhD students, funders, & suppliers
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Good leadership requires curiosity and courage to imagine different possibilities, writes Ash Mann. And it can have a big impact @substrakt | @biglittlethings https://t.co/RMOsD1kNVd
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I can recommend this @Digital_Works_ podcast from the @substrakt team. Well worth your 21 mins if you’re into the future of digital, AI and culture. Or just want to know more about that scene just now. And why wouldn’t you?
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The schedule for our @Digital_Works_ Conference (24-25th April at @LeedsCityMuseum), https://t.co/o6weOoBZ0Z, featuring speakers from @V_and_A @FtStrategies @LEGO_Group @HenryMooreFDN @ACMI @Storythings @NationalTheatre @wshed and many many more, join us!
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Some thoughts on the culture sector's obsession with process, and fixation on outputs, rather than a more useful prioritisation of outcomes. All, I think, the result of an increasingly toxic mix of low trust and lack of clarity:
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A few thoughts on "The outsized potential of Content Thinking", inspired by working with some brilliant content people, particularly Lauren Pope and my @substrakt colleague, Zosia
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It has been a pleasure to work on this project with @wee_bookworm and the team at @NationalTheatre ❤️
The @NationalTheatre has launched their new digital platform for the Black Plays archive. 🫶🏿 The new website contains a catalogue of over 850 Black British, African, and Caribbean plays produced in the UK from 1909 to today. Find out more here: https://t.co/31WqAZc3Bg
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Great piece @biglittlethings & thanks for the mention.
I saw a tweet from @SJMace which coincided with a conversation I had with @sebchan, and a report from @DCMS. And then I saw another tweet, from @TarekIskander1, and a report from @McKinsey which led me to ponder "is digital important?"
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Exciting to see three @substrakt clients on the shortlist ❤️, good luck!
Congratulations to this year’s Theatre of the Year nominees: 🔸@AlmeidaTheatre 🔸@BirminghamRep 🔸@LyricHammer 🔸@NationalTheatre 🔸@ShermanTheatre 🔸@WatermillTh Read more about these outstanding theatres here: https://t.co/UhZPUHtSaj
#TheStageAwards
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Congratulations to this year’s Theatre of the Year nominees: 🔸@AlmeidaTheatre 🔸@BirminghamRep 🔸@LyricHammer 🔸@NationalTheatre 🔸@ShermanTheatre 🔸@WatermillTh Read more about these outstanding theatres here: https://t.co/UhZPUHtSaj
#TheStageAwards
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In the last @Digital_Works_ Podcast of 2023 @katiemoffat and I reflect on the year, considering AI, declining attention spans, shifts (and entrenchments) in online audience behaviour and more
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The cultural sector often operates in a mode of maximum chaos/reactivity/urgency. This makes it difficult (read: impossible) to create time & space to work out how you might do anything new, differently, or better
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I saw a tweet from @SJMace which coincided with a conversation I had with @sebchan, and a report from @DCMS. And then I saw another tweet, from @TarekIskander1, and a report from @McKinsey which led me to ponder "is digital important?"
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