it takes a special pr genius to fumble a situation as straightforwardly sympathetic as "mother of young children suffers illness she shares with millions across the globe"
I'm surprised how many people are taking this hand hold as "tom asserts his dominance" and not "mutual resignation." she has zillions of dollars (but no position of power) and he has the ceo gig (but is still subservient to a more powerful autocrat)
one of the most radical elements of THE ZONE OF INTEREST is its anti-plot. the hösses *think* they have substantive concerns — can hedwig impress her mom? will they have to move? — but, to us, nothing matters more than what we know is going on across the wall
today in "netflix could be better at promoting things," palme d'or winner hirokazu kore-eda created and showran a series for them that comes out in 8 days. I'm guessing you don't know that!!
I can’t explain why but the way matthew mcfadyen does not completely totally exactly nail an american accent really enhances the Tom Wambsgans Experience
I truly respect how lee pace has pivoted from "I'm very private actually" to "the only thing you are allowed to know about me is that I am hot." subtle — but crucial — distinction
HBO IS A PREMIUM CABLE NETWORK. HBO MAX IS A STREAMING SERVICE THAT HOUSES CONTENT FROM MANY BRANDS INCLUDING HBO. ALL HBO SERIES STREAM ON HBO MAX BUT HBO MAX SERIES DO NOT AIR LIVE ON HBO. BOTH ARE OWNED BY WARNER BROS. DISCOVERY WHICH PLANS TO MERGE HBO MAX WITH ANOTHER STR—
continuing the proud royal tradition of not understanding the normal-ish women who marry in are their greatest assets, then turning them into liabilities through sheer incompetence
I don’t think emerald fennell even set out to make a movie about how the middle class are parasites leeching off the innocent rich, I think she got so caught up in flashy twists and “subversion” she accidentally told a story with rancid class politics
remember the scene where they're tossing clothes in the air and the frame freezes to painstakingly cite exactly where and when each garment is from within the barbie canon?
shiv and tom have landed on something juuuuuust close enough to equality and honesty that they can live with it long term while still making each other miserable. romance!!
I’m at an alamo drafthouse and ready to speak my truth: eating a full meal in a movie theater is a terrible combo of two great experiences. each deserves their own moment!!
in high school I was lucky enough to learn art history from an excellent teacher whose wife was a fine artist. she compared the effect rothko achieved to breath fogging up a pane of glass and found it technically impossible to recreate herself
I was “spoiled” on last night’s succession before it aired — I wasn’t able to watch early due to scheduling shenanigans — and it still floored me. great art is more than its plot!!!!
tv has spent the better part of a decade trying to replicate GAME OF THRONES' epic scope and immersive world. SHŌGUN is the first show that even comes close:
@ClownBabe420
dan levy is in the pilot and never shows up again. this scene is not in the pilot (tedros only comes to the house at night and never interacts with dan levy)
heading to san diego and our train conductor is openly shit talking people stuck in traffic on the 5. “we’ve been averaging 90 miles an hour……I wonder how fast they’re going”
while I love OPPENHEIMER and think it deserves the awards, it *would* be hilariously on brand for the nominees to walk in assured of victory only to lose out on their big moment at the last possible second
the thing about A STAR IS BORN is that it was a big, booming piece of popular entertainment *first* and an awards player second (because it was so good at job
#1
). MAESTRO felt like a prestige play from the jump, which may be why it's looking doa
we know there is resistance; we even see it. but we're never given the reprieve of a competing point of view, only the (literal) photonegative of "our" protagonists' experience
i don't think non-italians will ever understand how deeply painful this is. a film about italians, made by and for italians about the difficulties of being italian in the modern world. and they didn't even nominate the leading actor or director
THE CURSE has *everything*: gentrification discourse! jewish summer camp! architectural plagiarism! native land rights! emma stone! also it’s the single most uncomfortable piece of tv I’ve ever watched
doing tv exceptionalism on nathan fielder is funny because both NFY and THE CURSE are closely modeled after/in conversation with established forms of (unscripted) shows. you don’t make those unless you’re a student of not just the medium, but its least prestigious strain
The Curse and The Rehearsal are two of a small number of tv series i've seen that actually make a compelling case for the medium as a serious narrative art form (on par with cinema and literature)
who am I kidding, I can try: it adds to the sense that, as much as he tries, tom can never pass as to the manner born. for him, extreme wealth will always be an awkward fit at best
to my great and pleasant surprise, the glover-erskine edition of MR. & MRS. SMITH is miles better than the movie and plenty good on its own. think THE AMERICANS x CATASTROPHE x BLACK MIRROR:
anyway in a just world there would be a knives out-type movie (original story, genre elements, stacked cast) in theaters every weekend, freeing us from this vicious cycle of breathless hype and "um actually" overcorrection
love is blind s4 is an important psa that people who self-identify as “empaths” tend to be the nastiest, cruelest, least considerate people you’ve ever met in your life