Free Expression
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A daily newsletter on life, politics and culture from @WSJOpinion Subscribe: https://t.co/214UK51q5F
Joined November 2025
Americanness isn’t rooted in blood and soil, but rather in life, liberty and the pursuit of happiness. Let’s keep it that way, writes @MattHennessey. Read today’s newsletter here: https://t.co/gW6Sy8xOJp
wsj.com
You don’t need a connection to the Mayflower to be an American.
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As timeless, beautifully illustrated children’s books disappear from shelves, they are replaced by badly written titles focused on “big feelings,” identity, and social activism. It's no wonder kids are losing interest in reading, writes @katebachwsj. https://t.co/Q2xFMlFyWg
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What it’s really like selling Christmas trees round-the-clock in peak season? @mj_koch stopped by the Romp Family Christmas Tree Market to find out. https://t.co/p5S35wzYIf
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How a Greenwich Village tree stand became a beloved family tradition and a street-corner staple.
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The heritage-American concept excludes those who don’t qualify by virtue of ancestry, including all recent arrivals. It rejects something fundamental about being an American, writes @jackbutler4815
https://t.co/sFD4TxdWa5
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It’s a notion of national identity at odds with our history and traditions.
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The children’s book scene is dominated by cultural and political progressives—woke stuff. But the much bigger problem: The books aren’t compelling, writes @katebachwsj
https://t.co/VRwyPy2vgo
wsj.com
Most contemporary children’s literature can’t hold a candle to the classics.
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Meet Free Expression columnist @continetti: The veteran political journalist sits down with associate editor @MJ_Koch. https://t.co/iwU2T0iR3G
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Free Expression columnist and veteran political journalist Matthew Continetti speaks with associate editor Mary Julia Koch.
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The studio that gave us ‘The Maltese Falcon, ‘Cool Hand Luke’ and ‘Goodfellas’ is about to disappear, writes @rkylesmith
https://t.co/wwargCcSMB
wsj.com
The studio that gave us ‘The Maltese Falcon, ‘Cool Hand Luke’ and ‘Goodfellas’ is about to disappear.
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You don’t need a connection to the Mayflower to be an American. We are a creedal people, not a hereditary aristocracy, writes @MattHennessey
https://t.co/a0u5pvGZfz
wsj.com
You don’t need a connection to the Mayflower to be an American.
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The Romp family has sold Christmas trees in Greenwich Village for 38 years. Spanning three generations, the operation now even includes a one-month-old grandson. Free Expression associate editor @MJ_Koch spoke with the Romps during their busiest season. https://t.co/ozGJNyFQ09
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How did a Greenwich Village tree stand become a beloved family tradition and a street-corner staple? @mj_koch stopped by the Romp family market to hear how their tradition began. https://t.co/ByPlRO8KuW
wsj.com
How a Greenwich Village tree stand became a beloved family tradition and a street-corner staple.
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The Founders left us something unique: a country with the ability to grow and incorporate new arrivals. To limit access to American identity to the direct descendants of those who got here first is inherently self-limiting, writes @jackbutler4815
https://t.co/NoAKJenE4a
wsj.com
It’s a notion of national identity at odds with our history and traditions.
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There are thousands of children’s books that train the ear in language and form the moral imagination. But many are now hard to find, and most of the latest titles can be fairly described as awful, writes @katebachwsj
https://t.co/Q2pRer2sbo
wsj.com
Most contemporary children’s literature can’t hold a candle to the classics.
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Whether Warner gets swallowed up by Netflix or Paramount, it’s about to disappear. But Warner Bros. is something special, even unique: the single greatest studio in Hollywood history, writes @rkylesmith
https://t.co/tdjNYTREPe
wsj.com
The studio that gave us ‘The Maltese Falcon, ‘Cool Hand Luke’ and ‘Goodfellas’ is about to disappear.
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Like pop-culture cicadas, Avatar fans emerge en masse when an Avatar movie hits theaters, but disappear once they have seen it. The wildly successful sci-fi franchise has a curiously light footprint. Why? asks @jackbutler4815
https://t.co/cs31oxNRA9
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James Cameron’s wildly successful sci-fi franchise has a curiously light footprint. Why?
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“If there’s just one thing that I would say to the mayor about choosing the next FDNY commissioner: That person has to love this place,” Commissioner Robert Tucker says in an interview with @mj_koch. https://t.co/QTFrH4yo1v
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‘I just don’t want to work for him.’
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What makes conspiracy theories so irresistible? They give their followers a sense of power, writes @jamesbmeigs
https://t.co/uY87AbN7BK
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The ability to see the dark patterns behind the sham of reality gives believers a sense of power.
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Norman Podhoretz sensed that the intellectual class was blind to what ordinary Americans could see, writes @ElliotKaufman6
https://t.co/RQ92tJvxAh
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He had no patience for moral equivalence between the U.S. and the Soviet empire.
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How is it possible that our popular music has gotten so bad that AI, still in its infancy, can already substitute for it without anyone noticing? asks John Masko https://t.co/JQAHWWnQO9
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AI can already write songs that sound as good as hits by talented artists.
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The quickest route to online success is to be the ugliest, loudest and most obnoxious person in the room. We now live in a world of “influencers,” where the meanest among us are rewarded for becoming even meaner, writes @BecketAdams
https://t.co/IzN8eemSrp
wsj.com
There aren’t enough William F. Buckley Jrs. to counterbalance the supply of Morton Downey Jrs.
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American poetry is still around today. But it’s languishing in institutional capture, writes @jmasseypoet
https://t.co/SuTJpZpVVx
wsj.com
The demands of ideological conformity have ruined several generations of MFA-trained American writers.
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