"There was nothing missing. That cut is 𝘚𝘵𝘢𝘯𝘭𝘦𝘺'𝘴 𝘤𝘶𝘵 the day he died. And nothing was over-edited. There was no Illuminati." In one of his first interviews about editing 'Eyes Wide Shut,' Nigel Galt tells @Nick_Newman the secrets of finishing Stanley Kubrick's final

Amanda McBaine and Jesse Moss' #TeenageWasteland, opening at @FilmForumNYC today, captures the enduring struggle––and power––that journalists have to hold those in charge accountable. Read @jakeks19's review: https://t.co/ct6qdg6qD5

#Eternity, now in theaters, is a high-concept, cyclical relationship comedy that envisions the afterlife like a never-ending theme park vacation. Read @jakeks19's review: https://t.co/rFrGYeFgw8

"If he showed any shades of vulnerability towards any of the films, we would make sure to put that in." 'Mr. Scorsese' editor David Bartner talks with @jpraup about capturing the emotional heart of a legendary career, what's on the cutting room floor, and experiments in editing:

As to whether or not I could be more excited about this, official sources report “no, I could not.”

oh i’m definitely watching this movie then wow

As we move deeper into an awards season that I'm sure will treat this movie very fairly, a reminder that I loved it with all of my heart.

#TheSecretAgent, opening in theaters today, is an unsettling, rousing thriller and a testament to @kmendoncafilho's unwavering belief in cinema’s capacity to disquiet and mesmerize. Read @LeonardoGoi's Critic's Pick review: https://t.co/n4HIQDCMJc

A standout of this or any year, THE SECRET AGENT opens tomorrow at @FilmLinc—a rousing thriller featuring one of Udo Kier’s last performances, one of Wagner Moura’s strongest, and a director, Kleber Mendonça Filho, who can make his cinephilia contagious:

Films from Abbas Kiarostami, John Woo, Tsui Hark, Howard Hughes, James Ivory, and more are among our recent recommended discs: https://t.co/wyrjxPUgBB

Chloé Zhao's #Hamnet is a great work of empathy and a lovely reminder of why art is important. Read @djmecca's Critic's Pick review: https://t.co/rYvFJDUQWF

'Wake Up Dead Man' fails to reach the highs of its predecessors, but nevertheless solidifies Rian Johnson’s reliability to deliver thoughtful thrills. Read @FilmSwoon's review as the film opens in theaters: https://t.co/wR31ZmfJ24

I finally figured out how to design my radiator cover because of Nicole Kidman's monologue in Eyes Wide Shut.

A Christmas adventure awaits.🎄 Paul Thomas Anderson's #OneBattleAfterAnother is returning on IMAX 70mm at 10 locations for one week only beginning December 12. Explore our deep dive behind the making of the epic: https://t.co/IHtRxMTRwK

Stanley Kubrick's #EyesWideShut arrives on @Criterion 4K UHD today. 🎭 Nigel Galt, Kubrick's key collaborator, talks with @Nick_Newman about directorial intent, color grading, and the truth behind production rumors: https://t.co/jmVXze7NbQ

"I do keep my stories moving, but we also have time to stop and look at a few things. That’s the logic of life, not the logic of movies." @kmendoncafilho on #TheSecretAgent, confronting Brazil’s past, breaking screenwriting rules, and being inspired by James Gray:

The U.S. trailer for 'The Voice of Hind Rajab' has arrived ahead of a theatrical release beginning December 17. Watch: https://t.co/w2PbBMqNUZ

Josh Safdie's #MartySupreme will now open on Dec. 19 in NY/LA, including 70mm presentations. See the new trailer: https://t.co/9UuzMUFZnr

A new poster for Bi Gan's #Resurrection, opening December 12. See the trailer + read our review: https://t.co/mBMUX9XC8y

Glen Powell is taking down his family in the first trailer for 'How to Make a Killing,' a new take on 'Kind Hearts and Coronets.' Watch ahead of a February release: https://t.co/jVR80RnvMd

there is something so beautiful about paul thomas anderson assembling basically the avengers of people he loves to make up the french 75.