Quality and diverse use of architecture in pieces by @NoahAddis

woods #5 (thanks @gbergphoto and @NoahAddis that by collecting from my projects this last year made it possible for me to keep minting new works 🖤) https://t.co/vd6gj0nxyK

So when Trump fires all non-partisan career professionals in government, replaces them with radical loyalists within every nook and cranny of the US government, and adds radical judges everywhere. And every one of you that voted for him finally wake up from your fucked up

Thank you @foundation! It is awesome to see @mcolonna65 @ColonnaContempo alongside @c_mplx's curation, "Deconstructed" on the FND homepage as Featured Galleries!! I'm honored to have work in both and to see these galleries getting well deserved recognition today!

Finding out one of my community-led curations has made the front page on @foundation is cool and all, but being viewed alongside @ColonnaContempo is mind-blowing. Don't fade these artists. Support community made exhibitions and visit these works for yourself.

Ash Hill Road 10, from Otherworlds by @AndyFelthamArt

Demolition of Trump Plaza Hotel and Casino; Atlantic City, NJ. by @NoahAddis

Great project by @ilovedecay! 👇👇🏾👇🏻

Appia Kwa Bridge series on @foundation

Photography is so closely linked to time. I make work that’s about the current time we’re living in. But I’m acutely aware of the fact that a photograph represents a moment in the past as soon as the shutter closes.

DTLA recently.

@obscuradao @gillpedroso @taiimazz @WimVanCappellen TYSM @AndresgallardoP for the tag. Leaving here some of my latest works I'm tagging: @NoahAddis , @dubhz0 and @HeatherNStout

I barely have time for one social platform, but here goes… https://t.co/Dd4n3pn1VV

It will be profoundly painful

@c_mplx It’s a photograph that I hope asks more questions than it answers. It’s an invitation to the viewer to imagine the lives lived within this demolished structure. https://t.co/k7AcKtkyfT

@c_mplx It’s an exercise in seeing and was made by simply photographing something I saw while running some errands in Philadelphia. It’s presented as seen with no manipulation other than very minor color and contrast correction.

When @c_mplx asked me to choose a piece for his amazing new exhibition Deconstructed: If homes could talk, this piece came immediately to mind.

My latest work is less an a pre-conceived narrative and more about responding to what I see as I move through the world.

I realized that the issues my work had been dealing with; the ways cities grow and change over time and the ways in which our built environment ultimately affects us, could be done without traveling to far-flung destinations.

In 2020 when the world changed and travel was impossible, I started photographing what I saw in the normal course of my life. Travel was impossible and walking around the city I lived in was really the only way to make work.