
Jesse Serwer
@JesseSerwer
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RT @Jacquiecharles: Armed gangs have torched Haiti’s famed Oloffson hotel | Miami Herald
miamiherald.com
Jackie Onassis and Mick Jagger once slept there, and writer Graham Greene immortalized it. Now Haitian gangs have destroyed it.
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The new issue of @WaxPoetics just dropped — my third as editor — with cover features on @MobbDeep + @LouieVegaNYC.
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Catch me on the latest episode of award-winning podcast "Twenty Thousand Hertz" breaking down the story of CAR AUDIO BASS with @DJMagicMike and host Dallas Taylor:
20k.org
In the late '80s and early '90s, a seismic subculture shook the streets… literally. “Boom Cars,” decked out with custom sound systems, roamed neighborhoods blasting the bassiest music ever recorded....
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RT @Amy_Siskind: I just want to say that our media has completely failed us on properly covering Trump's cognitive decline, and the danger….
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I recently made the return to print journalism as the editor of the two latest issues of my favorite magazine @WaxPoetics. Here's the issue covers with Yellow Magic Orchestra + DJ Koco a.k.a. Shimokita, respectively, and a well-deserved back cover appearance from @Bahamadia.
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Masicka freestyling on King Tubby's riddims with @Equiknoxx_Music in 2013: Via @deejaytheory @largeupdotcom.
largeup.com
Dancehall producers Equiknoxx Music voiced Portmore, JA's Masicka over some classic King Tubby's.
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RT @robpursey: Wanna know an early 90s rap album that barely gets a mention but absolutely bangs front to back? . This one…🔥🔥🔥 https://t.co….
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Just learned that this '70s sitcom catchphrase is what Greg N-I-C-E (@darealGregNice) is referencing in his adlib at the start of "DWYCK" . I always thought it was a (rather inexplicable) reference to former NY @Giants head coach Ray Handley.
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“Ewing’s doings”.
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Years later, I got to return the favor by writing a cover story on @HarryAllen for another alt-weekly(ish) paper, the Long Island Press. Thanks, Harry!
jesse-serwer.com
“Public Images: Previously Unseen Photos by Writer Harry Allen Shine A Light On The Early Days of L.I. Hip Hop” Long Island Press, July 12, 2007
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The Village Voice showed there was a way to be a real, professional journalist + still participate authentically in subculture. For me, it was seeing @HarryAllen — the guy talking on Public Enemy records! — getting bylines that suggested this might be a career worth exploring.
the best period of The Village Voice was whenever you first discovered it, for me the late 1970s, for you later or earlier, it was formative for several generations of readers and writers, James Wolcott does Memory Lane
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I have very mixed feelings about this story. On one hand, it was cool to write the first profile on such an enigmatic and talented figure, for the cover of an iconic magazine like URB. On the other, I feel that I was sort of conned by a musical snake-oil salesman.
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Worth noting that Busta himself, and Hype Williams, recognized that beat as a "riddim" from jump. Busta's foil in the video is none other than legendary Jamaican dancer/choreographer Bruk Up
It’s crazy how the beat for “Put Your Hands Where My Eyes Can See” has become it’s own riddim and still gets crazy burn like it was released recently. That record came out 27 years ago.
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RIP Shamello. I hope his family is eating off this somehow.
discogs.com
Explore the discography of Shamello. Shop for vinyl, CDs, and more from Shamello on Discogs.
It’s crazy how the beat for “Put Your Hands Where My Eyes Can See” has become it’s own riddim and still gets crazy burn like it was released recently. That record came out 27 years ago.
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I sat down with @DefJam artist @Stonebwoy to discuss the origins + growth of Ghana's booming dancehall scene. We discussed how dancehall came to be Ghana’s most popular music genre + the shared heritage that resonates between Ghanaians and Jamaicans:
largeup.com
Africa's dancehall ambassador discusses the shared cultural connections between Ghana and Jamaica in a wide-ranging interview.
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