icymi, our april review roundup is live. in a month where theaters were dominated by the likes of #MinecraftMovie (👎) & #Sinners (👍), we found small gems to appreciate. there was also plenty of junk. either way, all 49 april reviews are ready to read!.

RT @fkursztejn: over @InRO i went long on peter fonda's idaho transfer, lovecraft, weird state parks, and the end of life as we know it. re….

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RT @zwlws: My latest Flashback entry (@InRO) is about the first Hollywood film made in Italy, Henry King's The White Sister. I wrote about….

RT @CommuterFilm: Guys like me last forever. Happy belated birthday, Nick Ray. Wrote about THE LUSTY MEN for @InRO . .

We're rolling deep in @FilmFestLocarno watches right now & are kicking off our series of coverage dispatches with some weekend writing on a few of our most anticipated, including @SophyRomvari's debut feature #BlueHeron, Ben Rivers' Mare's Nest, & more!.

RT @screenonscreen: Viktor Kossakovsky's rock-doc Architecton is no rocky affair! Me for @InRO

RT @kimchimarx: 20 years ago today, Park Chan-wook’s Lady Vengeance opened in Korean theaters. My new essay for @InRO revisits this now-ico….

20 years ago this week Lady Vengeance first hit international theaters. @kimchimarx debuts at InRO with an essay exploring the film's overlooked political dimensions.

Erich von Stroheim — the man, the director — was always a performance in a series of performances. Milo Garner goes long on the mysterious, controversial director.

RT @CCassingham: NO SLEEP TILL starts a one-week run @metrograph tomorrow. It's a wonderful film. I reviewed it during ND/NF a few months a….

This year's edition of @japansociety's #JapanCuts film fest is in full swing and we caught up with some select titles, including a double dose of Kiyoshi Kurosawa, Takashi Miike's kickboxing flick Blazing Fists, and more!.

RT @zwlws: I’ve started a new column at @InRO: Flashback. Every other week, I’m write about the legacies of the most important nearly-forgo….

If you're looking for a bit of weekend reading, Milo Garner goes long on the evolution of #WesAnderson, beginning with the Daoist text The Book of Master Zhuang and ending with The Phoenician Scheme. Quite the journey.

RT @MikeThornWrites: Check out my latest @InRO article, "The Pasteboard Masks of Text and Screen: On Writers in Gothic Cinema." I went long….

RT @CommuterFilm: On Hélène Cattet and Bruno Forzani’s fabulously crazy REFLECTION IN A DEAD DIAMOND, as part of @InRO coverage of @Tribeca….

RT @Anandsudha31: ICYMI, on Exotica for @InRO . "By intermingling the racial, social, and transactional with our sexual fantasies, Egoyan a….

RT @alexjamesmooney: my two cents on MATERIALISTS, an annoying movie that becomes a legitimately ugly one at the halfway mark, for @InRO .(….

RT @screenonscreen: "No grand, extravagant, fundamentally unfamiliar take on a wild and implausible tale, but a recognizable reality with r….

RT @FerideMercury: I'm a slow writer and a deep thinker, so I usually have a hard time keeping up with the festival rhythm — which is why I….

#Cannes2025 wrapped last weekend, but we took our time with our latest dispatch. But it's up now, and we did into a number of our most anticipated titles, including the latest from the the Dardennes, Joachim Trier, Bi Gan, Christian Petzold & more!.

RT @alexjamesmooney: on the philippous’ singularly unpleasant BRING HER BACK for @InRO .