Event Horizon gets all the attention for being the 90s’ Gothic haunted house in space but Memories’ MAGNETIC ROSE already did that two years earlier and lightyears better
I’ve seen almost 400 kung-fu and wuxia movies over the past three years, so when I say I’ve never seen a fight like this before, it’s not hyperbole
(Drunken Dragon/Exciting Dragon - dir. Chiu Chung-Hing, 1985)
Honestly the modern gold standard for how to create something new from franchise nostalgia. Repeating one of the original’s most iconic lines but using it to set-up a completely new moment that’s electric and iconic by its own merits is simply genius
John Wick 4’s god’s-eye gunfight has been called the “Hotline Miami” scene but I was surprised to see Chad name an even more obscure indie game as inspiration
HONG KONG MASSACRE is Hotline Miami x John Woo, and JW4 beautifully adopts its top-down look & gargantuan muzzle flashes
Nearly 20 years since Spider-Man 2 and despite the rare exceptions, action in the superhero genre feels like it’s gone backwards compared to the energy, style, and character-first stakes of Raimi’s set-pieces
As long as Tubi remains the digital equivalent of a ‘90s video store packed with weird, obscure, cult gems, I’ll be happy. Pound-for-pound the best streaming catalog around
Says a lot about how captivatingly intense Hartnett is his role that this is one of the conversations that most stuck with me since my first watch of Oppenheimer
Rewatched this masterpiece after going through Shiraishi’s other found footage/faux-doc films since my first watch, and jfc it’s crazy how this moment generates so much unease and chills from just a freeze frame, zoom, and text
The action-reaction rhythm and occult procedural logic behind mystic duels in Magic Cop are so refreshing; sequences like this are familiar to anyone who’s seen a HK black magic film but the matter-of-factness still feels unique and fascinating
Is King Kong ‘05 incredibly long and indulgent (which I exacerbated by finally watching the Extended cut)? Absolutely but I love it all the same. Peter Jackson pours every ounce of reverence, horror roots, and blockbuster flair into a 3-hr blank check, and it shows in every frame
What a cinematic flex by Spielberg and Kaminski this film is; the virtuoso cinematography of Munich turns the director’s predilection for mirrors and oners into an exacting exhibition of craft
Pairing the director of The Rocketeer with Captain America is legit one of the smartest pipe-dream-made-real decisions in recent movie history. Nowadays Marvel doing that is practically inconceivable. The days of genre vets and journeymen getting to play with IP seem long gone
The way Koji Shiraishi adapts low-budget effects into spectral otherworldliness in CULT is masterful. Occult, the Senritsu Kaiki File series, and Cult all portray their spirits similarly, but he perfects the approach here. Jarring CG aberrance given alien form and presence
And the year before that, Keita Amemiya made Cyber Ninja. 80 action-packed minutes of pagoda railguns, robo-toku-samurai, and other assorted batshit creativity that captures the imagination-sparking cool of Namco arcade art
In 1989 Kiyoshi Kurosawa made the movie 'Sweet Home' based on an NES game, and it absolutely rips, so by my calculations they're about 34 years too late. Guarantee that TLOS won't have effects as rad as this either
Just thinking about how Warner Bros gave James Wan $40 MILLION to make the most expensive version of a ‘90s DTV back-shelf-VHS Henenlotter giallo and then marketed their unholy unhinged creation to unsuspecting audience like it was another Insidious-like
Christopher McQuarrie confirms that his R-Rated “gnarly, violent” Tom Cruise original film will happen after ‘M:I —Dead Reckoning Part Two’ has been completed.
The swiftest three hours ever. So glad RRR was my introduction to India’s superheroic-bloodshed historical epics. Gloriously sincere fraternal melodrama, operatic battle-brothers and gunplay that would make John Woo proud, mythic slow-mo action that Hollywood could only dream of
Holy shit, I have to interrupt your night to spread the good word of Terrified/Aterrados. Cosmic horror Argentinian Poltergeist of sorts that evokes Carpenter, Gordon, Wan; Demián Rugna crafts a breakneck cinematic darkride of gleefully creepy jump scares & spinetingling suspense
The sheer jolt of giddy delight I felt in the theater while witnessing an Ip Man punch barrage and a Donnie Yen wind-up back to back in a John Wick film
All the over-the-top spectacle in RRR gets praised and GIF’d and whatnot, but this bit of neat choreography and impactful editing stood out during my rewatch
Hong Kong Cinema keeps proving me every time that they don't give a fuck about them kids 😂😂😂
"Century Of The Dragon(1999)" Video comparison on the HD transfer vs the DVD.
Friedkin’s First Blood rules y’all. The Hunted is a film I rarely see discussed or praised, and I had forgotten just how stark, elemental, and razor-edge focused it is as a relentless chase thriller. Pointedly thematic, but always driven by momentum first and foremost
Rewatched Doctor Sleep (finally the Director’s Cut; even better) and it can’t be praised enough how Flanagan nails that Stephen King literary sprawl, and captures the sense of a fleshed-out saga usually reversed for TV, in a 3-hour film. Itching for a Midnight Mass revisit now
Doing an Alex Garland refresher before Civil War, and while Men didnt do it for me at all, it sure was a pleasure revisiting DREDD. Gloriously lean survive-the-(mega)block carnage soaked in blood & future-grime; a action freight-train as no-nonsense as its titular force of nature
Never understood the middling-to-outright-dislike consensus for M:I:3. Seems I severely underrated it last time too. From the Germany rescue, to the Vatican mission and subsequent bridge chaos, to the Shanghai building swing, just a very satisfying slice of ‘00s entertainment
Watched The Last of The Mohicans for the first time the other night and it was sad to be reminded that Hollywood-budget period epic sequences like this, with hundreds of extras & naturally-lit location shooting, rarely happen anymore (even less likely after The Last Duel bombing)
Perhaps as Tarantino intended, man, does Kill Bill become even more fun once you’ve seen a ton of b-/cult, westerns, kung-fu, samurai films, etc
‘hey that’s Snowblood’ ‘hey that’s Switchblade Sisters’ ‘hey that’s Snowblood again’ hey that’s Death Rides A Horse’ ‘hey, that’s…
These are probably the worst action scenes I've seen in a while. This is Bollywood, everything is bad, production, graphics, camera work. They had time to fix it. By the way, in the first film, Snyder's team was responsible for action.
#WW84
Kicking off 2023 with a long-anticipated rewatch, and it still makes me so happy to see the Martial Club crew’s action style coming through loud and clear in a popular studio hit.
Martialclub go all Jackie Chan in their short Supreme Art of War; takes some time to erupt but once it does, this is an impressively complex (and painful!) homage to classic HK action:
Was pleasant being reminded how much I enjoy The Foreigner. Martin Campbell reinvents Jackie in a way, not unlike his reinventions of Zorro and Bond, distilling the iconic tenacious underdog expressiveness & dynamo physicality into Rambo-esque old soldier intensity.
Every time I revisit Blade Runner 2049, I’m amazed by how perfectly it evolves the look while feeling true to the original. The bustle of Earth’s abandoned scraps, now a shadowy husk. Hollow, drained, battered by the elements, rust-orange rot, advert neon the only flicker of life
Wes Craven really had an action director’s flair for capturing physicality. All his Scream confrontations and chases have this wonderful sense of scrambling desperate momentum that separate them from slashers’ usual stalk-&-kill approach
Released on this day in 1988: TIGER ON BEAT.
Passable buddy cop stuff thanks to a silly Chow Yun-fat but also has marvellous & creative modern action (highlight being the chainsaw duel between Conan Lee and Gordon Liu) from old school, traditional kung fu master Lau Kar-Leung.
Rewatched Oppenheimer, and it’s still wildly impressive a movie that’s mostly (propulsive, riveting, impeccably-acted) conversations and political backstabbing was such a huge summer blockbuster. Nolan wields the gym speech & Einstein conversation like stomach-churning timebombs
Can’t recommend Dead & Buried enough. It’s like the best novel Stephen King never wrote and the best episode Twilight Zone/Tales From The Crypt never aired had a nightmare baby. A triumph of spine-tingling dread that perfectly straddles haunting ‘70s horror and grisly ‘80s horror
My favorite kind of horror is often sleepy coastal horror or a guy in a small town slowly losing it because everything is fucked up but him and Jesus Christ, Dead and Buried is among the best of both I’ve ever seen. Just 90 mins of pure dread and one hell of an ending.
A $90-million, nearly-3-hour super-assassin gun-jitsu actioner featuring Yen, Sanada, Zaror, and Adkins, that started from unassuming mid-budget beginnings of dog vengeance and gangsters. Sometimes I forget how crazy the rise of the John Wick series is
The proliferation of fast zombies means nowadays we rarely get these tableaus of lumbering rotting inevitability. The creeping suspense of an undead tide on the horizon
In ASHKAL, a police procedural investigating mysterious immolations becomes entangled in supernatural eeriness and the lingering scars of Tunisia’s dictatorship. Cold, deliberate, and politically charged, like X-Files, True Detective, or Holy Spider by way of K.Kurosawa
More so than Suspiria, this is my preferred slice of of pure vibes horror. Revisiting The Beyond never feels like watching a film but rather settling into a space where plot ceases to matter and Fulci’s cruel mathematics of occult damnation ooze from the screen for 88 minutes
Rewatch confirms I’m firmly in the ‘Elysium‘s really entertaining’ camp. To be fair, approximately 85% of my appreciation is for these six seconds, but the rest is totally on my wavelength as a dystopian future heist-gone-wrong action-thriller
A forgotten mainland wushu-wuxia gem with much of the same talent as the Jet Li Shaolin films, YELLOW RIVER FIGHTER /黃河大俠 is from 1988 but feels like a film made a decade earlier. Here’s an assorted minute of its blisteringly fast, scrappy, tactile swordplay
I’ve seen a lot of revenge films, a lot of wuxia, and a lot of revenge wuxia, but this was the most whoa-what-is-this-movie brutal moment I’ve seen in a while
(Yellow River Fighter, 1988)
A new Evil Dead from the French spider horror director who wants do a nasty film that hurts, and a new Evil Dead from a stylish neo-noir/neo-western director: I love that the franchise has become a playground for up-&-coming genre filmmakers
Was exhilarating to see The Raid in its 4K glory. The gorgeous new grade really made the carnage I’ve seen myriad times before feel fresh again; I thought the apartment hellhole seemed even grimier and grungier with the enhanced atmosphere of mottled decay
Turns out all you need to survive an earthquake apocalypse and…uh, mad science zombie mutants are sledgehammer fists. BADLAND HUNTERS unfolds with the simplicity of a ‘90s DTV actioner and revels in the comforting popcorn satisfaction inherent to Don Lee pulverizing all comers
Reign of Assassins should be *much* better known. Not merely because of Yeoh + Woo combo, but also for being a breezy “A History of Violence” x “Mr. & Mrs. Smith” wuxia fusion with The Good The Bad The Weird’s Jung Woo-sung and a mummified monk macguffin
Been nearly 20 years since I saw Troy - only remembered the lunging stab, armies colliding, and helmet POV - and watching the director’s cut was an extremely entertaining three hours. It’s not Kingdom of Heaven but it is a bloodthirsty period pulp maximized to mid-‘00s epic scale
Limbo/Children of the Night (2014) is a fascinating vampire tale from Argentina, its ideas towering over its budget/direction. Part Nightbreed, part Neverland, part Let The Right One In, exploring the rites and trials of a child vampire colony in surreal, playful, gory fashion
Quite hilarious that Vin Diesel put some approximation of "Weirding Way" combat in his Space Conan movie whereas Villeneuve didn't even fuckin bother with the conceit
GODZILLA MINUS ONE is a triumph of kaiju terror and monster metaphor. Not even the OG captivated me like this soulful postwar melodrama of trauma and struggle to heal fighting against devastation incarnate. Spectacle, misery, humor, humanity: THE crowdpleasing blockbuster of 2023
In preparation for Skinamarink, finally finished watching through all 39 of Kyle Edward Ball’s Bitesized Nightmares shorts. The director has been honing his style of hypnagogic horror for five years
Need more movies that expand these vibes to feature length (The Night Flier scratches that itch for me). I’m just glad that Coppola’s Bram Stoker’s Dracula went this hard and extravagant whenever it leaned into full-tilt monster horror
Holy shit. Letting Phil Tippett and his stop motion talents collab with Del Toro to adapt Lovecraft would be a dream come true. Mad God kind of proved that animation would be the best visual medium to bring unimaginable horrors to life
The itch for more horror-westerns led me to 2022’s NIGHT OF THE TOMMYKNOCKERS. Tons of micro-budget westerns flood the DTV space yearly, most best left unseen, but sometimes worthwhile fare emerges. Under 90 minutes and doesn’t shy away from monster gore; just mind the acting
Hard Boiled hospital by a sizable margain, basically untouchable; then there’s Better Tomorrow II’s apartment and mansion, The Killer’s church...
But the nightclub gunfight in Bullet In The Head deserves more attention (really that whole movie)
Finally started my way through the Mr Vampire films and not even the modern actually-scary refresh Rigor Mortis doesn’t come close to capture the kineticism of the OG. Funnily what seemed to closest to this zany frenetic vampire fighting fun is Day Shift
watched the Raid 2 for the first time and it had the best car chase i’ve ever seen so i googled it to see how they did it and one of the cameramen was disguised as a carseat???
Despite being owned by Fox, Tubi feels like some secret movie vault that’s going to vanish from the Internet at any moment. Its selection is almost too good to be true
The selection of b-movies on Tubi is insane. There's stuff on there that had all but vanished from circulation since the video store days and in some cases they have blu-ray quality prints of film never even on DVD. I've come across movies I had forgotten even existed.
‘70s scumbag neo-noir coked-out into a synthy ‘80s inferno of toxic policing, sweaty adrenaline-rush recklessness, sun-seared LA grime, so many shotgunned faces, and the most gloriously messy car chase ever put to film.
Been too long since I revisited Friedkin’s crime scorcher
Been years since I last saw Shinsuke Sato’s I AM A HERO, so it was a pleasure to revisit (and show to the family for the first time, they’re in TLOU/zombie hype mode rn). Such a fun, unique, chaos-packed zombie film with a spectacular first act and glorious bloodbath of a finale
MASTER simultaneously felt like a ‘90s actioner JCVD or Gary Daniels might’ve led, a descendant of HK films like School on Fire, and a sincere tonal whirlwind only Indian cinema could produce. Not quite Kaithi/Vikram tier IMO but Lokesh sure knows how to direct a bruisin’ banger
The one-take village pillage from neolithic thriller Iceman (2017), which turns the story of mummified Otzi into a revenge-tone-poem acted in a dead language. No subtitles either; the story is told through context, body language, and imagery