kyle
@Caol_MacCormaic
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make your thing. short: KEYS (2025). member @FilmIndependent. views expressed are my own
Los Angeles
Joined January 2010
I can be convinced any movie is good because I am a different person every time I meet it
What’s a movie nobody can convince you is good
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same in LA. lotta working class people make it work in the Valley and the South Bay
you’re all so weird about living in New York. yes it costs money, no it is not impossible. millions of people without trust funds or 6-figure jobs do it. talk to literally one person who doesn’t work in Manhattan or live in Bushwick/Bedstuy/Ridgewood oh my god
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saying flick instead of movie
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saying “joint” instead of movie
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this is a really fun prompt so I’m gonna steal it and do it too. give me an actor/actress/director, I’ll dig through my spreadsheet and tell you if they’re a winner or nominee, and for what
i feel like pissing people off today so: reply with an actor/actress/director and i will tell you if i would give them the academy award only based on stuff i have seen, disregarding other performances in the given year
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a lot of people defending Friday the 13th by arguing other franchises have worse movies. that’s surely true! but I’m not worried about “least bad”—a series with nine stinkers and one absolute gem is more valuable than a series with ten okay entries
easily the worst of the big slasher franchises. by a lot
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they found them
In 2004 police were conducting a training exercise in the catacombs and found, after moving past a desk and a tape playing audio of snarling dogs, a fully equipped cinema and tavern. When they returned 3 days later, the equipment was gone, with a note: “Do not try to find us.”
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she’s unbelievable in this scene but I’m also really struck by the blocking of the extras—as soon as she starts moving through the crowd looking for Beatty they start bouncing off her, knocking into her shoulders, she’s not looking. she doesn’t have eyes for anything else
From the silent era to date, screen acting doesn't get much better than what Diane Keaton is doing in this scene from REDS.
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seeing a lot of “I should finally watch Reds” on the timeline and—you’re right. you should watch Reds! it rocks!
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“I don’t have connections!” you will by the end of this, if you want them
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there is absolutely nothing more powerful in film than just doing something. that something will not necessarily be your ticket. but then you make another. and if that doesn’t hit, another. eventually your track record and connections will lead you somewhere you want to be.
If I didn’t adopt the “make your movie” philosophy to this town, I’d still be sitting around waiting for CAA to sign me for one of my 17 spec scripts, yes I wrote 17 and with the intention of landing myself in a room with Tom Cruise and convincing him to do my sci script.
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he’s gonna win three
No matter what happens this awards season, I just know deep down the Academy is finally going to give Paul Thomas Anderson his flowers for One Battle After Another. On March 15 he’ll win one Oscar or two, maybe even three. And oh my God is that going to be a reason to celebrate.
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🙏
Among Diane Keaton’s many credits one that may not be as remembered now is being an executive producer on Gus Van Sant’s masterful ELEPHANT, a movie she championed very publicly. The two did several interviews together in relation to the Palme d’Or-winning film. RIP.
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Nancy By Ernie Bushmiller October 11,1954
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impossible to imagine thinking shit like this is cool. even if it were true, it’s incredibly depressing. not even half a life.
I just met a founder who told me she works 24 hours a day. I’m not joking. She’s taught herself how to lucid dream so she can solve important work problems in her sleep. It’s working though, she recently raised tens of millions of dollars and hired a few dozen people. San
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easily the worst of the big slasher franchises. by a lot
What’s an opinion on the Friday The 13th franchise that will have you like this?
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