Ryan Broderick
@broderick
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Founder of Garbage Media, where I write the award-winning Garbage Day newsletter about web culture and host the Panic World podcast. They're both really good.
New York, I guess
Joined December 2008
First they claimed it was for misinformation and now they're saying our video, which features non-AI footage of Netanyahu (which is the point of the video) is AI content 🤔🤔🤔
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TikTok banned a video we made making fun of Benjamin Netanyahu and continues to change the official reason why. First it said it was for misinformation, now it's saying it was for AI content. https://t.co/zp6yAE0U1j You can watch the video below:
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I never saw Fall Guy and the reason I never saw it (and lots of other people didn't see it) was because streaming platforms produced so many action (rom)comedies that they basically became spam. I saw Project Hail Mary yesterday because it looked different and fun. (It was!)
the massive success of project hail mary has me trying to figure out what went wrong with The Fall Guy, a movie i didn’t love but by all accounts should’ve been a big hit
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I just read this piece thanks to Garbage Day (the best newsletter about the internet ever written). This kind of lazy "cultural critique" can only happen if you keep pretending that there is the INTERNET, and REAL LIFE, and somehow they aren't the same thing
thenewatlantis.com
In the 2020s, the weird soul of placeless America is being born on Discord servers.
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April 7th, Baby’s Alright in Williamsburg, I’m doing GARBAGE DAY LIVE with *Don Lemon*, hosted by @broderick 🗑️ 😎 Get ticketsss https://t.co/eH718qR4ri
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Giant mics now convey more authority than fancy sets *a trend first noted to me years ago by @broderick
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The kind of story only an American could write (derogatory). Weebification is happening everywhere. A cursory look at Japan — where it started — would give you every answer you're looking for here. Stagnant economy -> arrested development -> niche consumerism replaces identity.
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The Timothée Chalamet controversy is actually very weird! (And probably extremely fake.) https://t.co/u1rQiWeQKN
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This post illustrates my problem with AI-generated text. It literally does not feel good to my eyes. It's clunky and boring and doesn't hold together well. Also after taking this quiz I realized AI is bad at starting and ending paragraphs. Has no concept of pacing.
New York Times @nytimes: Who's a Better Writer: A.I. or Humans? Take Our Quiz. - The New York Times. #industry40 #aistrategy #ArtificialIntelligence
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Right-wing culture, regardless of what it is specifically, is always 10-15 years behind everyone else. Whether we're talking about craft beer, stomp clap indie, or millennial epic bacon Reddit slop. Just a completely pathological aversion to relevance. Sad.
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Nothing makes me feel anything anymore
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Epstein was involved with 4chan?! In this week's episode of Panic World, @broderick and Marcus Parks of @LPontheleft get together to break down the strange web of connections between Jeffrey Epstein, the early internet, and modern conspiracy culture. https://t.co/z5IGjeSJbH
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Once we could see what people "liked," watched, and engaged with online we were given the option to lean further into mass appeal or fight against it for niche appeal. AI makes that choice — between slop and luxury — even more economically risky by making slop the cheaper path.
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AI forces everyone to finally make a decision on taste. Social media decimated the middle ground between luxury and slop and AI only exacerbates it. There will be many companies — and people — that decide they do not have the strength (or the budget) to fight its downward pull.
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GQ's epic new American Football profile has everything: alcoholism, divorce, resentment, and a cake baked for Fugazi https://t.co/jiWlKtFDbO
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I'm simplifying a bit, but the reason big men's magazines lost their audiences is the same reason every other publisher lost their audiences. They wanted mass appeal on Facebook and missed out on an entire generation of readers that went to podcasts and Instagram.
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GQ and Esquire were still focused on menswear in the 2000s as it was moving downstream of hobbies and subcultures. In the 2010s, menswear became a subculture of its own. But men's mags missed the chance to launch their own Throwing Fits because they were chasing Facebook traffic.
I swear I am not dragging these magazines! I want someone to explain to me how they lost out on so many guys!! Why did publishing lose out on young guys??
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The internet fractured men's interests into so many disparate niches with virtually no overlap that a "The Cut for men" would be impossible. Any serious mainstream outlet for men in the 2020s would be an incoherent collection of various hobby drama posts (which I would read tbh).
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