
Zachary Lee
@zacharoni22
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Managing Editor @cpjustice // Words @ebertvoices | @letterboxd | @InterviewMag | @inversedotcom | @chicago_reader | @dreadcentral | Member @chicagocritics
Chicago, IL
Joined June 2017
“This is what it means to be a people who live on the Internet.”. For @ebertvoices, I spoke w/ Ari Aster abt his pugnacious & pliant Covid Western EDDINGTON, how the movies might help us reengage with each other, his obsession w/ dolls & Katy Perry’s “Firework.” L*nk below!
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RT @zacharoni22: “This is what it means to be a people who live on the Internet.”. For @ebertvoices, I spoke w/ Ari Aster abt his pugnaciou….
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RT @zacharoni22: Reviewed out of @chifilmfest for @Chicago_Reader, Kiyoshi Kurosawa’s CLOUD opens in select theaters today. The gap btwn vi….
chicagoreader.com
Kiyoshi Kurosawa’s Cloud expertly explores online crime and real-world punishment.
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RT @DaniellaMazzio: I conducted more than 30 interviews for this week's 4000+ word @Chicago_Reader cover story to learn about the NEA, NEH,….
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RT @ebertvoices: "UNICORNS reminds that the ability to transform and cross borders, whether physical, mental, or spiritual, is always proxi….
www.rogerebert.com
“Unicorns” is about the gift of a connection that healthily destabilizes your perceptions about yourself and the world.
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RT @DaniellaMazzio: I bring a sort of "that's a great question, thank you so much for asking me that" vibe to the interview that SEO doesn'….
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Reviewed out of @chifilmfest for @Chicago_Reader, Kiyoshi Kurosawa’s CLOUD opens in select theaters today. The gap btwn virtual harm and physical consequence is bridged through embodied violence. it condemns the ingenuity born from exploitation:
chicagoreader.com
Kiyoshi Kurosawa’s Cloud expertly explores online crime and real-world punishment.
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ICYMI: spoke with Ari Aster abt demented dolls, queasy pop songs, and how EDDINGTON is in conversation with Kristoffer Borgli’s DREAM SCENARIO.
“This is what it means to be a people who live on the Internet.”. For @ebertvoices, I spoke w/ Ari Aster abt his pugnacious & pliant Covid Western EDDINGTON, how the movies might help us reengage with each other, his obsession w/ dolls & Katy Perry’s “Firework.” L*nk below!
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RT @ebertvoices: In our latest entry in our "Meet the Writers" series, we hone in on contributor @coolkidcort, who talks to us about her up….
www.rogerebert.com
One of our writers answers the Movie Love Questionnaire.
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ICYMI.
“This is what it means to be a people who live on the Internet.”. For @ebertvoices, I spoke w/ Ari Aster abt his pugnacious & pliant Covid Western EDDINGTON, how the movies might help us reengage with each other, his obsession w/ dolls & Katy Perry’s “Firework.” L*nk below!
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RT @DaniellaMazzio: In June, I interviewed over 30 people in Chicago's arts and culture scene—most of whom were impacted by the Trump admin….
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RT @ebertvoices: "I think any film that’s trying to achieve any sort of modern realism has to contend with our division and how those voids….
www.rogerebert.com
The director speaks to our doomscrolling post-2020 moment and the ways he ties music to violence.
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RT @DaniellaMazzio: Fun lil reminder: I'm debuting a podcast that will explore the works of Michael Shannon -- and maybe a bit about what t….
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RT @oldfilmsflicker: For @letterboxd I wrote about OH, HI, NO SLEEP TILL and 40 ACRES.
letterboxd.com
Our picks of under-the-radar gems from this month’s new releases. This edition includes Molly Gordon and Logan Lerman on a weekend trip gone awry, an Argentinian horse jockey comedy filled with dance…
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RT @oldfilmsflicker: ATTN CHICAGO:. BLUE SUN PALACE, one of the best films of the year, is gonna play a few dates at @facetschicago this mo….
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RT @alissamarie: APOCALYPSE IN THE TROPICS: painfully timely, and also more than a little triggering, look at the rise of Bolsonaro and his….
www.nytimes.com
The director Petra Costa examines a rightward shift in her country by zeroing in on the rise of a televangelist.
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