On the 11th anniversary of Roger Ebert’s passing,
@clintworthing
collected eleven reviews from 2011 that demonstrated how much he still loved movies. Watch one of his favorite films from 2011 in his memory.
Read more:
The Ten Best Films of 2020
Runner-ups: “Bacurau,” “Bloody Nose, Empty Pockets,” “I’m Thinking of Ending Things,” “On the Rocks,” “Sound of Metal,” “Time,” “The Vast of Night,” “Vitalina Varela,” “The Wolf House,” and “Wolfwalkers”
"I’ve come to the conclusion that it’s a perfect cinematic object, a visual and aural and physical experience that worms its way into your mind."
@mattzollerseitz
on DUNE PART ONE:
Edgar Wright's LAST NIGHT IN SOHO is an estimable, genuine horror movie that also manages to say something real. More from
#Venezia78
(via
@Glenn__Kenny
)
"What I’m saying is that it’s not your imagination: art and entertainment are being straight-up mutilated by corporations now, without the slightest genuflection toward the idea that they have innate value."
@mattzollerseitz
on streaming ads:
“It’s not just the completed film that gets deleted in cases like this, but everything associated with the film.”
@mattzollerseitz
examines the ramifications of studios withholding completed films COYOTE VS ACME for tax purposes.
Read:
ROGER EBERT | born June 18, 1942 | famous for his work in film criticism and was the first movie critic to win a Pulitzer Prize.
@ebertchicago
@ebertvoices
"DUNE: PART TWO is a robust piece of filmmaking, a reminder that this kind of broad-scale blockbuster can be done with artistry and flair."
Read
@Brian_Tallerico
's review:
"This film is about lonely, marginalized people finding dignity and value in work and in each other, and making the best of the hard-edged, often unforgiving world that they were born into."
Read
@mattzollerseitz
on ROCKY (1976):
"The movie feels like a case of an entire production rising to the level of its lead actor, who happens to be playing the biggest square in the galaxy, a guy who would rather be decent than cool." (via
@mattzollerseitz
)
"This is a film that concerns itself w/ the behavior of bigots and the institutional racism that exploits their insecurity for profit. But the movie isn’t about that. It’s about the friendship between Bart & The Kid."
@mattzollerseitz
on BLAZING SADDLES:
"In the age of content, where the point is to create (or revive, or clone) something in order to create an endless stream of monetizable situations, movies seem to have trouble remembering how to be movies." -
@mattzollerseitz
Read:
"In any event, the prequels look better to me now than they did then because they’re a product of a singular consciousness with a definitive artistic signature."
@mattzollerseitz
looks back at THE PHANTOM MENACE at 25:
The pandemic robbed a lot of good movies of a chance to be seen in theaters. Why not give them another chance?
@mattzollerseitz
on films like LUCA that should get their time on the big screen.
The Top Ten of 2022! First, the runner-ups, alphabetically:
"All the Beauty and the Bloodshed," "Benediction," "Bones and All," "EO," "The Eternal Daughter," "Guillermo del Toro's Pinocchio," "Happening," "Hit the Road," "Jackass Forever," and "Mad God."
"It is not enough for a white man to beat us from a position of equality or even near equality. He has to beat us from a position of mediocrity and ineptitude."
@Jamellpelle
champions Apollo Creed as the real underdog in ROCKY
#BlackWritersWeek
Starting Monday, 11/4, we will reveal the Best Films of the Decade right here and on the site.
#25
-11 on Monday with capsule entries on each, and our staff is writing essays for our top ten: 10-6 on Tue, 5-1 on Wed.
HIGH FLYING BIRD distills the frustrations of workers, basketball players and otherwise, whose voices have been alternately stifled, commodified, or ignored for decades (via
@roxana_hadadi
)
"At the time, they were revelations. But with hindsight, we can now see them as the period when Kristen Stewart became Kristen Stewart."
Read
@TimGrierson
on the three films in
@criterionchannl
's Three Starring Kristen Stewart collection:
"His influence on multiple generations of filmmakers, scholars, critics, and movie buffs is incalculable."
@mattzollerseitz
on the invaluable impact the late David Bordwell had on film culture:
The Top Ten Films of 2021
Runner-ups: "Annette," "The Card Counter," "The Disciple," "Flee," "A Hero," "The Lost Daughter," "Passing," "Procession," "Titane," and "The Velvet Underground"