Scott Biersack
@youbringfire
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I get paid to draw stuff while I go back to school to make music. 🔥 Available for freelance 🔥
Phoenix, AZ
Joined December 2013
✨ My NEW portfolio site is officially rockin’ and rollin’! It’s a constant work in progress but finally ready for your eyeballs! New & old friends — let’s jam! ✨ https://t.co/ULP9rbBxGV 🔥
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I haven't posted on this platform in 2 years. So, might as well take the time to let you know I made a stained glass mockup to take your artwork into a new dimension. Snag it here: https://t.co/FSsloq5dFn
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Hey friends — I haven't posted on here in a while and probably won't be (because, well, you know) You can find me here: ➡️ https://t.co/ULP9rbkuEV 🟨 https://t.co/vfI1F75LSk ⬛️
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Lately I’ve been designing within an environment that has an immense amount of limitations and restraints — the Gameboy Color. Designing with tile sets and a resolution of 160x144 pixels sure is difficult but we’re doin’ it!! This here is the title screen to a game I’m making 🤠
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Unbelievably dumb take here. We deserve to see your portfolio OH WISE ONE.
Hard truth for designers: If you’re not getting responses from applying to a bunch of open roles, it’s because your work is bad 🚩🚩🚩 Hiring managers/recruiters make split second decisions, so if your work isn’t serviceable at first glance they’ve already moved on.
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The Gameboy renaissance is upon us! In between projects I’m building a custom Gameboy game because why the hell not
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New work for @netflix 🥹 — a collection of branded stickers that were designed to be playful and expressive of the Netflix brand. AD: Banna Tesfay 🔥 NOW AVAILABLE TO TAKE ON NEW PROJECTS!
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Reminder that every meeting should start with this sentence... "In a few billion years, the sun is going to explode and all of human accomplishment will be erased... so let's not take this too seriously."
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I also had the opportunity to draw a set of custom numerals + stickers for their team to build a variety of promotions. It's not a font as of now...but maybe it should be! 🤔
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I had the opportunity to jam with the SeatGeek crew again! This time I was tasked with illustrating a collection of container elements and additional accented illustrations for their yearlong email campaign.
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Love this lil popup on Arc Browser that displays when I last visited each site. Helps me stay away from social just a wee bit more.
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I'm building a custom VHS tape and I found shells that match my brand colors 😎
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Submitted my Young Guns submission for the absolute last time since I'm at the cutoff dinosaur age of 30!
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If you ever find yourself needing an instant pep-in-yo-step, turn on our lord and savior Sheryl Crow and Soak Up that freakin' Sun
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Lastly, the Y — similar to the M, it had differing heights where each stroke met the stem. Balanced those strokes and corrected weights here too. Minor spacing issues throughout as well that were corrected.
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B — also felt very mathematical and not so optical here. Bowls needed some balance and anchor point placement needed reworking to feel smoother. O — this was super wonky. Smoothed out the curves and redrew this from the ground up to correct weight distribution
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M — the interior apexes were off along with the left stem being slightly narrower in width. E — each crossbar was a different height and the middle crossbar was mathematically centered. Easy corrections there!
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G — obvious issues are the weight distribution and that really tight crossbar. I opened it *slightly* and corrected the curves. A — crossbar just needed to be lowered a bit to open that counterform. It was feeling too heavy overall.
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Working on a project & realized the original Gameboy logo needed just a lil bit of help. Without spending too much time and without disturbing the integrity of this beautiful mark, I reworked it to feel more cohesive. Plenty more edits that could happen but this works for now!
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