The door is open. The Marina Abramović Element presale is now live on TAEX. A new chapter in performance begins: on-chain, immersive, and intentional. This is a moment of presence, a work that unfolds through time. Public sale: June 18, 1 PM CET.Mint here:

Memo Akten @memoakten, Layers of Perception (2024). Exploring consciousness through AI, Layers of Perception translates images of faith, ritual, and nature into shifting dreamlike forms. Akten reveals how machine vision can mirror human inner worlds, inviting meditation on

Gina Choy @GinaChoy_, Infinity Matrix (2018- Present). Blending calligraphy, neuroscience, and ritual practice, Gina Choy paints through meditative repetition and flow. Rooted in Daoist philosophy, Infinity Matrix uses rhythmic strokes as concentrated meditation linking art,

Marina Abramović @mae_taex, MAE (2025). With Marina Abramović Element (@mae_taex), the godmother of performance art extends her lifelong exploration of endurance and presence into digital form. Through avatars and elemental symbols, embodiment is redefined for a future where

mendezmendez @mendezmendezart, First Impressions (2025). Exploring perception through hypnotic animated loops, First Impressions echoes Muybridge’s motion studies while layering pointillist textures. The result is a meditative reflection on how technology reshapes our

serc @serc1n, Veil of Echoes (2025). This generative artwork transforms real-time EEG data into shifting visual landscapes. By turning brainwaves into art, Serc opens a window into memory where technology mirrors the hidden rhythms of the mind and transforms consciousness into

Contemporary artists are embracing new forms of expression by using technology to open pathways into mindfulness and perception. This thread highlights five projects where art becomes a site of reflection and expanded consciousness 🧵.

Oğuz Emre Bal, AMBER. Part of the Metaverse dérive: NFT Сities collection, curated by Dr Margarita Kuleva @margaritakuleva. Levitating Droplets is a project which explores the potentiality of material as one of the factors which determine the capacity of architectural design.

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In Abramović’s practice, performance is a shared experience:. The performer offers presence and endurance; the audience responds with attention and emotion. With MAE, this exchange moves into the digital sphere.

Alper Derinboğaz @alperderinbogaz, Neogene. The Neogene Collection consists of 3D artefacts, generated based on simulations of geological formations from a very distant past using Data Morphosis methodology. Explore on TAEX: #taex #digitalart

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“Freedom is just a discipline of the mind.” – Marina Abramović. Based on Abramović’s Portrait with Falcon (2010), this archetype in the collection symbolizes the enduring tension between mastery and freedom.

RT @orkhan_art: gm frens,.Carpetdiem Experiments (1/1/10) are ready for a good home. Series are available on @verse_works, by @taex_com….

7/ Le Monde Selon L’IA is both future-facing and historical: showing how moments of tech disruption have reshaped culture while opening new forms of expression. Curated by @AntonioSomaini @AlexandreGefen @adaackerman & Pia Viewing (with support from @fellowshiptrust), the works.

6/ Other works ask how AI interprets the world through images and language:. Trevor Paglen (@trevorpaglen) & Adam Harvey expose how machine vision sorts and (mis)interprets the world around it. Sasha Stiles (@sashastiles) co-writes poetry with machines, while Julien Prévieux

5/ Some artists stretch AI into sound and play:.Christian Marclay’s The Organ links a keyboard to Snapchat user generated content, turning notes into floods of images and imperfect sounds. Image: Christian Marclay, The Organ, 2018. © Christian Marclay & Snap Inc.

4/ Many artists explore AI’s ability to fill gaps in history, while also exposing the risks that come with it:. Egor Kraft (@egorkraft)’s “reverse archaeology” reconstructs missing fragments of antiquities. Nora Al-Badri (@NoraAlbadri), Nouf Aljowaysir, and Theopisti

3/ Many works foreground the material footprint of AI. Agnieszka Kurant (@agnieszkakurant) critiques the entanglement of environment, and computation using chemical “gardens” and termite mound castings to reveal invisible forms of collective labor. Kate Crawford (@katecrawford)

2/ The exhibition is divided into two main segments:. Analytical AI, concerned with recognition, surveillance, and the organisation of data. &.Generative AI, where images, text, sound, and speculative futures are produced from existing datasets.

1/ As one of the first major institutional surveys of AI and art, the show offers a critical lens on social, environmental & historical implications. Curator Antonio Somaini notes the artists were chosen for their reflective, rather than celebratory, approach to AI. Throughout.