MAKE WAY FOR PESTO

The SUBMERGE: Beyond the Render exhibit at @artechouse NYC has been extended to March! Dive into 12 immersive works by 16 artists, rendered entirely on a decentralized network at a fraction of traditional rendering costs. https://t.co/vFMS4M9pq2 Powered by the Render Network.

https://t.co/qfG9WEP7r3

you can try it out for yourself at

Just testing out my interactive poms visualizer

So I feel a bit of an obligation to address the elephant in the room, because admitting you’re experimenting with AI as an artist these days feels a bit like telling your mom that you’ve started smoking cigarettes or something... First off, I’ve come to accept that AI is here,

Here’s a little how-to video in case you ever need to make a billion ai Pomeranians running towards their dreams

poms have returned

"Winter" Collab with @jn3008

Last night in Miami @rendernetwork artists transformed @nolchashows 35K sq ft concert space into cinematic 4K immersive worlds. Artists featured: @tippydreamer, @Kaszies, @fgoldsack_, @DecimalsRebuilt, @MachinaFractal, @kylegordonart, @jstngraphics, @shapiro500, Kate Anomalit,

It’s show day. 🔥 Tonight we take over @NolchaShows at Miami Art Week -  35,000 sq ft of immersive visuals rendered entirely on @rendernetwork

https://t.co/SS1a5iX8LL

🔮😵‍💫🔮

https://t.co/auo5UsWhOx

input images

lol heck yeah the new nano banana is pretty good at restyling a grayscale render prompt in alt

https://t.co/8st8oMxLrr

“Amateur photograph from 1998 of a middle-aged artist copying an image by hand from a computer screen to an oil painting on stretched canvas, but the image is itself the photo of the artist painting the recursive image.” Nano Banana Pro.

ポーランドの作り手による、30年近く前の実験的アニメーション。先見性に満ちたビジュアルと、手作業ならではの温もりが本当に素晴らしい！制作当時より、むしろ今の時代の方がしっくりくる"凄み"があるのでは？ https://t.co/P0OV5pW9Wq

https://t.co/zJbc7lYrxV

The Exit Hatch; don’t go.