I could have written twice as much about Alexei Ratmansky's marvelous new "Coppelia" for La Scala, particularly about the fine acting and dancing from every member of the company.

RT @NoisettePhilip1: Non.

RT @LauraCappelle: A quiet revolution at @BalletOParis. First Soloist positions will no longer be up for grabs during the annual competitio….

Late to posting this, but here is my account of a few days at the Lyon Dance Biennial:.

The Paris Opera Ballet opened their season with a glam gala at the Palais Garnier on Thursday: my report from the trenches:.

Cunningham's "Beach Birds" on the beach! Evocative article by @giakourlas and gorgeous video by Amir Hamja.

Belated post of my article on the incredibly impressive Koyo Kouoh:.

RT @aservais1: Wishing her success-Can She Revive the Largest Museum on the African Continent? “There was a feeling that we cannot let this….

I loved my very long interview with the great Juliet Stevenson for this piece;:.

I was very sad to learn of the death of Robert Gottlieb, a fellow dance critic—a kind, witty and courteous man, as well as a towering literary figure:.

RT @jeligon: I moved to Johannesburg in June of 2021, and the mayoral post has changed hands 6 times since I've lived here. The result is a….

Wonderful to talk to the original principals, and others involved in Jerome Robbins's "Brandenburg," which @nycballet is bringing back (on May 10) after 15 years.

RT @SarahLKaufman: MUST READ: Why the loss of newspaper cultural critics hurts us as citizens (by my former boss and ex-⁦⁦@washingtonpost⁩….

Apparently King Charless III likes ballet (and opera, art, classical music and Leonard Cohen). Fascinating piece by @alexmarshall81 on Charles and the arts:.

It was wonderful to be in New York to watch rehearsals of Christopher Wheeldon's new “From You Within Me,” for @nycballet and to talk to everyone there:.

I talked to @B_Millepied about his film "Carmen," and why he wanted to make a movie.

RT @PL_Henderson1: A friend sent me this. 🐣

RT @BalletOParis: #PierreLacotte.L’Opéra de Paris apprend avec grande tristesse la disparition de Pierre Lacotte. Né en 1932, formé à l’Éco….

Excellent piece by @giakourlas on some of the issues raised recently around Balanchine and ballet's demands for women:.

RT @MarinaHarss: The Mariinsky has hired Antonio Candelero, to "finish" the reconstruction that Alexei Ratmansky was making for the Mariins….