Jesse Hassenger
@rockmarooned
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Writer & editor for hire. // @TheAVClub @polygon @decider @GQMagazine etc // DMs open // Pretty good with words but words won't save your life.
Brooklyn, NY
Joined January 2009
If you wanna check out my Substack, I belated put up an annotated top 20 list of my favorite movies of 2023, with links to where I wrote about them, if applicable. (It is applicable to most of the top 10, at least!)
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In which we are exposed as a six-advent-calendar household. (Some of them were free! We'll have fewer this year! Mine isn't even a full 24 days!)
I wrote about why advent calendars have taken off in recent years, especially with younger generations. “I think the whole ‘little treat’ thing is part survival, part celebration,” a trend expert told me.
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ICYMI: Here's why I'm saying to wait on AI-enabled toys (and predictions for what happens when they get better). https://t.co/rGp7PcewXA
goodhousekeeping.com
When put to the test, the high-tech toys are more buggy than buzzy. But what happens when they get better?
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Watching the Rock Hall thing did give me some intense early 00s nostalgia. I saw the White Stripes play for free in Union Square two weeks after moving to NYC. Here's a picture of that I took with my film camera. https://t.co/jU7OcEYBmv somehow lists this as happening at Best Buy
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The absolute cratering of my mood when Olivia Rodrigo finished "We're Going to Be Friends" and then threw the White Stripes tribute over to Twentyonepilots.
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I wrote about a movie I have seen a perhaps-embarrassing number of times. (Good though!)
polygon.com
Cameron Diaz, Lucy Liu, and Drew Barrymore were there to guide you through the Y2K transition.
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Cool that the PREDATOR movie I liked is making money but it's so cheesy and disingenuous when it's accompanied by "analysis" that's like "see? You just need to MAKE A GOOD MOVIE!" Oh OK sorry to DIE MY LOVE, ROOFMAN, GOOD FORTUNE, TWINLESS... try being GOOD like PREDATOR 9
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Recapped & reviewed Nikki Glaser's SNL with that very tall boy
avclub.com
Nikki Glaser brings some stand-up stability to a wildly up-and-down Saturday Night Live
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So do movies like ETERNITY exist because Spike Jonze, Michel Gondry, and Charlie Kaufman don't make a lot of movies or did they actually all quit making movies to protest stuff like ETERNITY?
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This is a knockoff @LexG_III riff but NOUVELLE VAGUE being about the titans of Cahiers making their own revolutionary movies unavoidably made me picture a misguided spoof about the Ain't It Cool luminaries changing Hollywood forever circa 1999, trying to make horrible geek movies
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Paying $20 to see a Linklater movie that will be free at home like, any day now........please clap
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The comments on this piece are really opening my eyes to how there's apparently a subsection of people who consider Shane Black's THE PREDATOR, a silly movie with Predators running around and Olivia Munn being cute as hell, one of the worst movies ever made.
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There's a new Predator movie out. I love the Predator movies. Let's Run. The. Series.
avclub.com
The flexible Predator franchise has changed alongside its longtime Alien counterpart, with fewer classics but more eccentricity.
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When I had to stop with AVC for a couple of years, my last one was AFTER YANG. So I like that my last Paste review is also for something I loved. (I didn't know it was my last one when I wrote it but it kinda reads like I did??) Anyway! TRAIN DREAMS
pastemagazine.com
Clint Bentley's Train Dreams, adapted from a Denis Johnson novella, sends Joel Edgerton on a quiet yet monumental 20th century journey.
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Also incredibly grateful that Paste rescued the A.V. Club from G/O Hell! I'll continue to contribute freelance stuff there as long as I can! But I do honestly think that Paste had better and deeper film coverage than a lot of sites more closely associated with film!
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Josh and Jacob hired me as a part-time associate editor for the movies section in fall '23, which continued under @JimVorel ... all great people to work with, and so grateful for the leeway I had to write about what interests me (including LOTS of regular new release reviews).
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Hilariously, the Paste CMS tells me this is the 299th piece I've published with them. But I think there are probably a couple of group lists where my name isn't the official byline, so let's call it 300. Just about 200 reviews since I started freelancing for them in 2021.
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I loved TRAIN DREAMS. It's not playing widely (in NYC it's at the Paris, the Manhattan Drafthouse, and the IFC) but it's very much worth a trip to the theater before it hits Netflix in a couple of weeks. It's also my last movie review at Paste.
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Early word on THE IRISHMAN was that they assured Scorsese of a normal wide release and when it came down to it, they shrugged and booked their same odds-and-ends theaters. Wild to have big-name movies treated with the same minimal-contractual-obligation reluctance as 1997 MIramax
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It is wild how consistently versions of this seem to play out: Netflix initially assures a filmmaker that *their* movie will get a theatrical release and then when the time comes, it's 350 pieced-together screens for a couple of weeks.
avclub.com
Zach Cregger and Netflix are reportedly having a spat about theatrical releases
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