Announcement 🧵- the past 18mths I've developed new pipe organ works for Richard Thomas Foundation (UK) which has been supported by @artscouncil_ie & @APRAAMCOS Art Music Fund. The RTF commission is third in a series following @clairemsinger & Kali Malone

I have a new work for @QuietMusicEns premiering at @NewMusicDublin , 6 April, @NCH_Music, Kevin Barry Recital Room. Alongside new works for QME by Scott McLaughlin, Cat Lamb & Rory Tangney Tickets: https://t.co/KfFKIoyHGz Details: https://t.co/ixflYEZA9v

To celebrate closing of "Arriving Slowly: Exploring the Abstract" feat. Agnes Martin & Rothko works on loan from @NatGalleryAus, I'll present a 6.2ch diffusion tuned to @Ipswichart gallery's acoustics alongside performances by @sandra_selig & Ross Manning https://t.co/SSpLMggdJj

also for Bandcamp Friday - these releases all 50% off digital

Only 2 left of 4CD bundle! Bandcamp Friday now etc - also get an AGENESIS CD at

A few copies available of this 4CD bundle - AGENESIS (CD) + Beyond Enclosures (3CD) for €30 & includes digital download - via Bandcamp page https://t.co/CrvsGd9izC

AGENESIS is one of @HHeathertoes' albums of the year - a bold and challenging work. Full review at https://t.co/0N1gYtVqLq CD + download out on Cloudchamber Recs, mastered by Stephan Mathieu. Listen / Buy https://t.co/UjXMsmzU7a and https://t.co/RIM9DuVsyU

50% off digital for pipe organ releases til 2025 at https://t.co/haHGor0q7k Enter these codes at checkout: Beyond Enclosures (€6.50) BSBE50 SIRÈNE (€3) BSS50 Tailte Cré-Umha (live) (€2.50) BSTCU50 Bardo (shortform) (€1.50) BSBS50 & check out AGENESIS' new pipe organ work

Robert Curgenven - AGENESIS [Cloudchamber Recordings – CC50] https://t.co/YZ84GTPb2I

JUST IN: 'AGENESIS' by Robert Curgenven Experimental/electronic composer @robertcurgenven returns with a new CD release, hearing his electroacoustic forms meet elements of dub and techno. https://t.co/0v2xvhoDSE

Help the Halloween Party by buying something from the artists. Here's your wishlist... https://t.co/nPWzjj1vVp

Thanks for listening. Next show is Nov 27th. Tonight's lost souls:

.@lassemarhaug adds: "The word brutalist came to mind because the music has a kind of architectural quality. It's loud/strong, but it doesn't let loose, the shape/form is clear." https://t.co/ZZERiDK67q

Today's noise testimonial: @lassemarhaug weighs in on AGENESIS "I love your album. It's very different from the previous ones, more direct, abrupt, harsh, immediate, brutalist almost - but with a strong sense of form that keeps me going back to it. Kudos" https://t.co/cQaP0QQAcI

In 2017 I was working on AGENESIS, considering its direction, listening to music from Carcass to Xenakis & musing on what made music "brutal"- some great responses in this thread, a reminder of when twitter worked & a possible playlist adjunct to the album

Review of AGENESIS (in both English and Spanish) over at @loopzine

Robert Curgenven's new one, Agenesis. Out today. #NowPlaying https://t.co/TLywApU5uT

My new album AGENESIS is out now! This is the 7th and final track played live in 2019 as part of @SHAPEplatform with Kat McDowall doing lights/DMX. You can purchase AGENESIS (CD + DL) here https://t.co/cQaP0QQAcI

Pavilion Field Budapest is on this month as part of @UH_Fest, it covers 6.25 hectares using the @echoesxyz app. Drawing together 9 audioworks from the Open Form Pavilion of Air series, incl. those in Dublin, Venice, Bergen, Lublin & Arctic Norway. Details https://t.co/jhqPcUPnRo

"early tracks pair throbbing sub bass with discordant drones... snarling electronics [then] sturm und drang felt in its absence in [later] organ drones. A wealth of detail - contrasts draw the listener's ear to different elements." Thx @frogworth @fbiradio https://t.co/cQaP0QQAcI

Happy to have my work Silent Landscapes No2 + archival DAT field recordings (remote Australia, 2000-2010) included in @quaibranly's recently inaugurated sound tour, designed to help contextualize their permanent collection in Paris. My work can be heard in the Oceania collection