rare_viktor
@rare_viktor
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In the NFT bull run, my portfolio was 5x bigger. But it didn’t matter - there was always a wallet 10x mine, someone louder, someone “up only.” I wasn’t on the guest lists, and if I wanted in, I had to find my own way. Most of those people are gone now. Projects collapsed.
Had the pleasure of being interviewed for an @ArtBasel article as one of the Gen Z voices shaping where digital art is headed. Grateful to share a bit of my world. https://t.co/oZLpDM8N2W
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“In a century or two, when many things may be artificial, it is plausible that many PFPs will be acknowledged as art, similar to how we now categorize traditional portraits as art.”
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@adam_disbrow’s signature 1/1 contribution, 01010111 01100001 01110010. The title, binary for War, transforms language itself into a conceptual battlefield, exploring the tension between signal and silence, creation and destruction.
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@ScorpDag with his Touch Grass Diptych series offers a playful take on disrupted historical memory. In the series he reimagines Renaissance figures escaping their original canvases to live modern lives.
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Another compelling series in the curation is embodied instability by @Rabbunnitt , which deconstructs identity and heritage. Three minted video loops reflect the artist's interest in projecting identity onto code.
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One of the curation's central series is SOFT ERROR by @VonDoyl. A full alphabet of looping GIF sequences with an opening video work ERROR A that morphs Rogier van der Weyden's Portrait of a Lady and subjecting her to a relentless cycle of AI reanimation and flickering.
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The ACCOMPARATS’ curation, Soft Error. A Metamorphosis Chapter, was a deliberate and striking departure from conventional curation. https://t.co/EdFQv0rZhg
Soft Error - in conversation with @Rrose_Selavy_11, @Rabbunnitt, @YNKAdigital moderated by @UnknownCo123 presented by @accomparts
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It was a pleasure to visit Art on Tezos: Berlin last week. The event was filled with a vibrant mix of both emerging and established digital artists. In this thread, I want to highlight a curation by @accomparts that brought together 21 different artists. 🧵 Explore more ↓
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Ludy does not designate AI to be a creative agent in this project but a structural and procedural taskmaster, assigning random coordinates and organising outputs of human perception.
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The practice known from remote-viewing protocols explored in the 1970s in the U.S., where researchers asked participants to describe hidden or distant targets using only randomly assigned coordinates. Ludy reclaims this controversial method as a form of artistic introspection,
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The process of creation begins with the AI assigning random eight-digit coordinates, such as 7710 3382. Then Ludy enters a receptive state similar to meditation or controlled daydreaming, noting impressions that arise without rational interpretation.
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In Sessions (2025), Sara Ludy merges remote viewing, a technique rooted in parapsychological research, with an AI “tasker”. The result is a set of twenty-seven digital drawings represented by NFTs that function as records of human perception.
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In a world increasingly saturated with AI-generated imagery, @sara_ludy's Sessions, curated by @office_impart and presented at @artontezos_, offers a refreshing shift, drawing our attention back to immediate human perception and intuition. 🧵 Explore more ↓
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