
Onkaos
@onkaos__
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Onkaos explores the intersections between contemporary art, new media, and digital culture within @coleccion_solo
Madrid, Spain
Joined October 2022
Some pictures of the show 'Barjola, an apocryphal portrait' currently on view at SOLO Independencia (@coleccion_solo). A key artist in the New Figuration and Spanish Expressionism movement and a fundamental figure in the origins of Colección SOLO, the show recognises and
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This was the meeting with the artist @soficrespo91 as part of her exhibition, 'Perpetual Present', at the @MANArqueologico, which is part of the official programme of @photoespana 2025. .At @coleccion_solo, Sofía reflected on her creative process and how new technologies
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RT @soficrespo91: @MANArqueologico @photoespana Also very grateful to @onkaos__ for the wonderful documentation and for hosting me for an a….
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RT @soficrespo91: Very grateful to all those who attended the opening of 'Perpetual Present' at the @MANArqueologico museum in Madrid as pa….
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Elena Carbajal — @aval0vara. Curator and researcher focused on the intersections of contemporary art, emerging technologies, and cultural theory. She directs Onkaos, the digital art department of SOLO Contemporary, supporting artistic practices that engage with the cultural,
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Rachel Falconer — @RachelMFalconer. Head of Digital Arts Computing BSc and Lecturer at Goldsmiths, University of London. A curator, researcher, and writer, her work explores the critical intersections of contemporary art, feminist technoscience, emerging technologies, civic data
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Peter Bauman — @monkantony_tez. Arts writer and researcher. Editor-in-chief at @lerandomart, a digital generative art institution that contextualizes and elevates generative art’s role in art history. He’s the creator of the Generative Art timeline.
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Ramon Amaro — @sambarhino . Senior Researcher in Digital Culture at Nieuwe Instituut. With a background in engineering and sociology, his work explores Black Study, digital culture, psychosocial study, and the critique of computational reason. He is the author of The Black
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Alex Estorick — @AlexEstorick. London-based writer, curator, and Editor-in-Chief of @RtClick_Save, focused on critical and inclusive approaches to emerging technologies. A Visiting Research Fellow at Goldsmiths, he has written for Artforum, the Financial Times, and authored the
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RT @kikanicolela: “Brands need experimental marketing.” .Susanna Barla . “I prefer saying digital culture, not digital art - which sounds l….
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RT @DianeDrubay: “We don’t want to ask an artist to stick to a medium.” “Every category that we create don’t last” said Elena Carbajal. Tha….
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WE'RE EXTENDING THE DEADLINE TO 27 JUNE!. DON'T MISS THE OPPORTUNITY.
PRODUCTION OPEN CALL FOR AI ART. DEADLINE: 10 JUNE.@coleccion_solo is offering 10000€ for producing and exhibiting a work that critically engages with AI. "Artificial intelligence is nothing less than a way to evolve life by means other than life" -
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RT @tributelabsxyz: tomorrow . @delta_alpha_ohm will be talking curation + innovative programming with @IndiaPrice99 [@ASAcurates] &.@aval….
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RT @aval0vara: See you at 2:40pm at @NFCsummit!. I'll be talking about how @coleccion_solo engages with digital art through @onkaos__, incl….
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'Perpetual Present' (2024) by @soficrespo91 reinterprets Altamira cave paintings using machine learning, 3D printing and robotic painting. It unfolds as a rigorous investigation into mimesis through technical reproduction, exposing how such mechanisms are inherently technological
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'Me vs. You' (2024) by @adamcole_studio and Gregor Petrikóvic is now on view at SOLO Independencia's exhibition 'Barjola, an apocryphal portrait' in Madrid, Spain. 'Me vs. You' explores the nuances of queer intimacy in a world increasingly mediated by AI technologies. In this
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