elissa suh
@oddbarnacles
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i write about film and food | @mubi @screenslate @eater @bonappetit @lithub @bombmagazine @voguemagazine @filmmakermag @archdigest @anothergaze @tmagazine
New York
Joined April 2011
on the Hongian catchphrase “You’re so pretty [너무 예쁘다]!” for @NotebookMUBI. The (often funny) exclamatory appeal also tips towards men's intrusions into women's spaces. https://t.co/1CK6tDLvZZ now playing on @mubiuk.
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hopefully by now everyone has seen IF I HAD LEG'S I'D KICK YOU. here's me talking to Mary Bronstein who is just the coolest. @a24 @voguemagazine
vogue.com
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talked to oliver laxe about SIRAT and how all contemporary art is dead on arrival @BOMBmagazine. go see at @FilmLinc while you can!
bombmagazine.org
Finding spiritual transcendence at a desert rave while conflicts rage in the world beyond.
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some filmmaker interviews i keep forgetting to post: Sepideh Farsi for @BOMBmagazine
bombmagazine.org
A documentary shows an intimate, first-hand view of the conflict in Gaza via video calls.
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under zohran’s new york ten new 70mm imax screens will be built overnight across all five boroughs
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The Cinema of Jean-Luc Godard (1954 -2023) 335.54 GB collection by @brunolem0n. a body of work that spans features, shorts, documentaries, anthologies, interviews, and commercials: marked by the eccentric, rulebreaking spirit of French New Wave that forever redefined cinema.
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Edo Choi (@edogoesboating), Chloe Lizotte (@celizotte), Maxwell Paparella (@44getting), Elissa Suh (@oddbarnacles) and Keva York (@kevasyork) sit down to discuss DRACULA, the riotous latest film from Radu Jude: https://t.co/bFJU23cjkZ
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I’ve been watching movies nonstop for the last month but it wasn’t until last night that I was floored. MARTY SUPREME is the real deal @TheNYFF
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Jean-Luc Godard interviewed by Hal Hartley on JLG/JLG – Self-Portrait in December (1994) for Filmmaker magazine, Fall 1994
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I’ve been TRON-pilled. Jodie Turner-Smith wants you to see it in imax and with that good sound @voguemagazine
vogue.com
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Everyone’s praising Julian Fellowes for inventing the clock twink but c’mon
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HIGHEST 2 LOWEST: essential Biden Cinema, in which a boomer executive earns his Kamala-voting son’s respect and heroically decides to never retire right after he’s done chasing down and beating up a nihilistic millennial subway surfer half his age. Also, Ice Spice is there
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the froyo renaissance is upon us but does anyone remember victory garden
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I spoke to Athina Rachael Tsangari about HARVEST, finally in theaters tmrw. one of my favorite details is how each actor wrapped each actor uniquely one by one "almost like you would swaddle a baby" @mubinotebook
mubi.com
The filmmaker talks about plowing the earth and sowing the seeds in an Eden nearing its end.
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Fun news. Our second issue of The Metrograph mag is inked and on the way. 160 pages, 90k words, and too many brilliant contributors to name—our deepest thanks to them all 🌹
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still thinking about YEAST... and Mary Bronstein's short ROUND TOWN GIRLS
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famously not all art is good and this is the point of reviews. the attack on critics is demonstrative of our anti-intellectual, consensus or else moment. personally i love disagreeing (politely) with critics! that’s called discussion!
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HARVEST director Athina Rachel Tsangari sits down with Elissa Suh (@oddbarnacles) to discuss the film’s long gestation, her approach to building this world, the philosophical undercurrents running through it, and more. https://t.co/6LFwN6YGtm
mubi.com
The filmmaker talks about plowing the earth and sowing the seeds in an Eden nearing its end.
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