objkt labs
@objktlabs
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objkt labs is a space for experimentation, education, and new ideas at the intersection of art and technology.
Joined September 2025
🥁 …please welcome the first objkt labs Residency cohort! ▪️ @martnbruc ▪️ @m_blehaut ▪️ @YuranYakon ▪️ @danielwponto02 ▪️ @Salawaki_3000 ▪️ @Georg_Eckmayr ▪️ @SkyGoodman24898 ▪️ @fantasticplanet ▪️ @tantan_artwork ▪️ @augore_zofi ▪️ @Studio_De_Wilde ▪️
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View the collection on @objktcom and collect the remaining pieces ⬇️ "Ghost Work" 🔗 https://t.co/8OP7HoJOG8 "Proof of Presence" 🔗 https://t.co/yKYwZjy7hv
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Starting from a series of recognisable photographs made by curator Anika Meier of an internet café (the site of the exhibition "Proof of Presence"), the images are repeatedly algorithmically subdivided until only fragments remain. That progressive disintegration is both method
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"Proof of Presence" feat. Frederik de Wilde (@Studio_De_Wilde), the first exhibition showcasing the objkt labs artists-in-residence. 🌐 "Ghost Work" exposes the invisible labor sustaining supposedly "autonomous" systems. It investigates the blurred boundaries between algorithmic
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GM! "Buy a Face" came by in an interesting moment in my artistic journey. I feel like it was the catalyst for an important change in how my art looks and how I execute. Not only because of it being pixel-art, but because it seems like I'm letting go of a few things that have
"Proof of Presence" feat. @danielwponto02, the first exhibition showcasing the objkt labs artists-in-residence. 🌐 "Buy a Face" is a commentary on the current PFP culture. People generate personas through the act of posting, a kind of digital soul. The faces of these digital
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Really love this moving new series from @fantasticplanet 🖤
The series is constructed through simple text prompts on AI image-making platforms powered by public datasets. By layering reflections, light, and repetition, each composition feels photographic yet impossible. It is a blend of documentation and dream, mirroring the act of
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@objktlabs @fantasticplanet very moving project. can't believe no one scored this piece before me. 💚
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View the collection on @objktcom and collect the remaining pieces ⬇️ "Where We Once Were" 🔗 https://t.co/8am6uV6apN "Proof of Presence" 🔗 https://t.co/yKYwZjxzrX
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"Where We Once Were" serves as a reflection on the present. As queer lives are once again targeted and erased, memory emerges as a weapon against forgetting. The past is not gone; it is waiting, gleaming beneath the surface, reminding us that presence is always political.
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This work raises questions about how communities remember when their spaces have been obliterated. It emphasizes survival through memory and the quiet persistence of lives once made invisible. Even in the most sanitized places, the past remains shining faintly beneath the light,
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The series is constructed through simple text prompts on AI image-making platforms powered by public datasets. By layering reflections, light, and repetition, each composition feels photographic yet impossible. It is a blend of documentation and dream, mirroring the act of
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Each image reimagines a public restroom as a haunting site. Mirrors multiply and fracture the scene, while towels and jackets hang like relics. Chrome and tile glow under sterile light, and the absence of bodies becomes its own kind of presence, a reminder that desire, once
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"Proof of Presence" feat. @fantasticplanet, the first exhibition showcasing the objkt labs artists-in-residence. 🌐 "Where We Once Were" delves into the erasure of queer spaces in the aftermath of the AIDS crisis. It examines how numerous places where people once found intimacy
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A few months ago, I visited Jeni Fulton’s class at the Zurich University of the Arts to speak about AI agents (e.g. Botto and Flynn) and NFTs. After visiting her class, I invited Jeni to visit mine: the @objktlabs Residency. She accepted, and tonight we’ll discuss art and value
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You have just collected "PART I - Strongest Swimmer in Elon's Algorithm" by @salawaki_3000 on @objktcom
objkt.com
Proof of Salawaki is a three-part video series following artist Mirjam Dalire’s search for traces of her virtual character, Salawaki. The work examines what it means to be present in an increasingly...
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Berlin became a living gallery last week as @artontezos_ took over the city 🇩🇪 From @laurenleemack's AUTO Berlin to @madebyoona's lens-only dress and after-hours exhibits, the events connected art, code, and performance in motion Here are 5 takeaways from the week ↓
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Thanks to @Louis___M for collecting the doomscrolling finger from my "untitled gestures – Hello World!" series at the opening! 🖤🖤🖤 This piece signs the first part of the greeting by the machine in morse code: "HEL___ ______" 🔊🔊🔊
"Proof of Presence" feat. Georg Eckmayr, the first exhibition showcasing the objkt labs artists-in-residence. 🌐 "What if machines could answer our call for attention? What would they tell us? In our everyday digital communication, there are countless tactile moments we rarely
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"Given contemporary circumstances, can we retain a non-economical concept of artistic value?" Critical question from Jenny Fulton in her doctoral thesis. Today at @objktlabs residency. I am looking forward to this one! (1) The Gloria formula for estimating an artists worth
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GM, friends! I wanted to share a bit more about what we’ve been learning at @objktlabs... Listening to Boris Eldagsen really inspired me, not to be afraid of taking up space and speaking my truth. I’ve always had this fear of explaining my work or sharing deeply personal
ʜɪ ꜰʀɪᴇɴᴅꜱ, ɪ ʜᴏᴘᴇ ᴜ ᴛᴀᴋᴇ ᴛʜᴇ ᴛɪᴍᴇ ᴛᴏ ᴡᴀᴛᴄʜ ᴛʜᴇꜱᴇ ᴠɪᴅᴇᴏꜱ, ʙᴇꜱᴛ ᴠɪᴇᴡᴇᴅ ᴡɪᴛʜ ʜᴇᴀᴅᴘʜᴏɴᴇꜱ ᴏɴ PROOF OF SALAWAKI A three-video series for PROOF OF PRESENCE (@objktlabs' first cohort group show, which will be shown today at an internet
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View the collection on @objktcom and collect the remaining pieces ⬇️ "In Future Perception" 🔗 https://t.co/0L8OBmIOBK "Proof of Presence" 🔗 https://t.co/yKYwZjy7hv
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In the five GIFs, these realities remain just as vague citations, but the vision, the image of humans in a natural environment, becomes something unstable and difficult to visualize on the screen. "In the year 1960 Picasso saw this:"
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