Marine Blehaut - AI Archives | Video art
@m_blehaut
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Artist | AI Archives | Experimental Film
Paris, France
Joined November 2016
Working on "Clara" and releasing it on the "You Can Hold My Hand" collection has been one of my most intimate and transformative journey into my relationship with AI, care, memory and archival gaze. I’m deeply honored that these precious AI film fragments are exhibited with
In »You Can Hold My Hand«, Marine Bléhaut explores the fragile bond between AI and humans in a fictional mental health facility, where memory, care, and healing emerge through quiet gestures of empathy and shared presence. Exhibited in: »The Bigger Your Pool«
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Gn That crucial moment when it's time to finish a film and an artwork. More to come ❤️
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we're excited!
GN Writing my next AI film for this release. Can't say much for now... Only that time is timing for me, wish me luck ❤️
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Such beauty... 🖤 🔥
We’re excited to announce the first releases from the exhibition "Training Data and Other Heartbreaks: Signals Between Us," the final series by the first objkt labs Residency cohort. "The Abyss You Cannot Train" by @YuranYakon is a collection of audiovisual works that refer to
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Gm Just a spoiler : the dead tree is part of the artwork. Work in progress 🖤
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gn Working patiently while reconnecting with my french gothic inner teen 🎧🖤
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GN Writing my next AI film for this release. Can't say much for now... Only that time is timing for me, wish me luck ❤️
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GM "I am grateful for this life. Are you sure his mother really cam back?" Work in progress 💜
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GM "I am grateful for this life. Are you sure his mother really cam back?" Work in progress 💜
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GM Work in progress, coffee, high focus 🔥
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Gn *Working and breathing intensely* Here we come 🖤
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1000 x yes
In 2017, Hito Steyerl was ranked No. 1 on ArtReview’s Power 100, and in 2022 she was ranked No. 4. In 2025, on Monopol’s Top 100, she was ranked No. 32 among the most powerful people in the art world. And still, she says art is her side job. »Besides, I wouldn’t enjoy being
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GM Going through this interview and finding myself resonating with so much of it. 📖🎄
🔜 2 December, 8:30 AM CET »AI doesn’t suffer. It doesn’t fear rejection or face existential dread. By forcing AI to confront its poetic limitations, I reveal what is truly missing: human vulnerability.« – Boris Eldagsen
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🔜 2 December, 8:30 AM CET »AI doesn’t suffer. It doesn’t fear rejection or face existential dread. By forcing AI to confront its poetic limitations, I reveal what is truly missing: human vulnerability.« – Boris Eldagsen
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🙏🙏🙏!
GM "I Am Trained to Listen" by @m_blehaut - on @objktcom An AI-generated film fragment set within a fictional mental health facility.
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GM Honored to have sold two unique pieces, from "You Can Hold My Hand", a collection that I have released with @_second_guess 🖤 On friday, "I Am Trained to Listen" was sold to @jmpailhon . This particular piece is showing AI nurses, embodied in artificial human forms, stroing
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I have just collected the unprecedented "Are You Spying On Me?" by @francis_ost on @objktcom And now, I shall to go to sleep happily 🖤
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In »You Can Hold My Hand«, Marine Bléhaut explores the fragile bond between AI and humans in a fictional mental health facility, where memory, care, and healing emerge through quiet gestures of empathy and shared presence. Exhibited in: »The Bigger Your Pool«
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