MYPIE
@mypieapp
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Automated activity based micro-donations from Fans to Artists
Amsterdam
Joined March 2022
His Pie. Her Pie. Your Pie = @mypieapp 🍰 A new way to support the artists you stream - automatically. Join the movement - https://t.co/kDs9qjJU4c.
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Thank you @southwortha ! This https://t.co/WSqcsqNNOE is an amazing breakdown why the current streaming model doesn't work for artists. MYPIE works on the top of what Spotify already does well - delivering music to users, but we let the fans decide what the artist reward will be.
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"Now is the time to experiment. You shouldn’t be experimenting when things are going down, you should be experimenting when things are even better. It’s a better time to take those risks.”- @SoundCloud
musicweek.com
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amazing resource! https://t.co/8ZleFzZkQo Thank you for the effort @pollock
tristantoday.com
A list of over 200 investors, accelerators, and VCs who invest in music startups and music technology. Tristan Pollock shares.
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How Streaming Ruined the Music Industry (sort of) https://t.co/iigrOvGInY via @YouTube
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.@MMFUK sets out three-step plan for making sure songwriters get paid accurately
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Game Changer? : Court finds in favour of @FourTet, as @Dominorecordco accept streaming is a license. Congratulations to Kieran & thanks on behalf of Music creators for setting what appears to be a significant precedent & for seeing this through not accepting a settlement.👏🙏👏
I have a bodacious update on my case with @Dominorecordco. They have recognised my original claim, that I should be paid a 50% royalty on streaming and downloads, and that they should be treated as a license rather than the same as a CD or vinyl sale. (1/8)
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@MrTomGray DSPs really need to start doing more around micropayments and 'tipping' like Chinese apps do or even something similar to Twitch or Reddit, not sure what they aren't doing more
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This is a remarkable settlement and a huge step for so many people with old contracts being exploited like the old world still exists. I hope to see an army of artists now test this further. A collective action? #BrokenRecord
I have a bodacious update on my case with @Dominorecordco. They have recognised my original claim, that I should be paid a 50% royalty on streaming and downloads, and that they should be treated as a license rather than the same as a CD or vinyl sale. (1/8)
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Why the music industry HAS to change and why it has to change now. A thread. Stick with it!
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🎙 “If someone streams a @gomeztheband song, how much do you get paid for that?” 🗣“Oh I get paid nothing for that.” @MrTomGray tells @rachelburden about his #BrokenRecord campaign for musicians to earn more when their music is streamed 🎧 @BBCSounds | #5LiveBreakfast
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If an artist has hundreds of thousands or millions of streams they should not be worried about paying rent. https://t.co/Gl1TZZ1aRg
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50/50 is still not fair imho. It should be 80/20 for the artist! https://t.co/Gl1TZZ1aRg
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That feeling when you wrote an article back in 2019 to showcase that "streams x average pay per stream" royalty calculators are just a bad idea And now it's used to source "streams x average pay per streams" royalty calculators
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Zoë Keating reveals her Spotify payouts for 2018 https://t.co/fO5hXhlypO via @musically
musically.com
Canadian cellist and composer Zoe Keating has made a habit of publishing details of her income from digital-music services: for example in 2012, 2013 and 2015.
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We are right here: "to the particular benefit of independent creators who have dedicated fanbases but don’t rack up billions of streams." https://t.co/BDymZNgwkp
digitalmusicnews.com
Here's a concise analysis of the question that so many in the music industry have asked: How much do artists make per stream?
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