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Grand Theatre Lumiere
Joined September 2008
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MUBI Retweeted
@mubinotebook
Notebook
20 hours
"Every now and then there comes a film so in tune with our pestilential zeitgeist as to earn that most dangerous of descriptors: important." In his latest "The Current Debate" column, @LeonardoGoi writes on Alex Garland's CIVIL WAR.
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@mubi
MUBI
19 hours
Diving into the funky world of animals—sadomasochistic snail sex, anyone?— Isabella Rossellini’s micro-shorts brim with visual ingenuity and cheeky humor, all while being astonishingly educational.
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MUBI Retweeted
@mubinotebook
Notebook
20 hours
A first trailer for Roberto Minervini’s THE DAMNED, premiering at #Cannes2024 .
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@mubi
MUBI
20 hours
Only Jean-Luc Godard could conjure the cosmos in a cup of coffee.
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MUBI Retweeted
@mubinotebook
Notebook
2 days
Los Angeles, May 12: Now Instant Image Hall presents a screening of Jean Eustache’s THE MOTHER AND THE WHORE (1973) followed by a conversation between Rachel Kushner and Jean-Pierre Gorin. Discover this week’s essential film finds in the latest Rushes.
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MUBI Retweeted
@mubinotebook
Notebook
2 days
Ahead of its #Cannes2024 premiere, a first trailer for Payal Kapadia's ALL WE IMAGINE AS LIGHT.
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@mubi
MUBI
2 days
Ten years before PARIS, TEXAS, Wim Wenders made the luminous road movie ALICE IN THE CITIES: a moving portrait of shared loneliness that journeys through restrained emotional landscapes.
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MUBI Retweeted
@mubinotebook
Notebook
2 days
"To step into her films, with their perpetual enfolding of narrative necessity, visual-aural abstraction, and sensorial impact, is to be set adrift in conflicting currents of obsessive prose and measured movement..." @lawrencengarcia on Marguerite Duras.
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@mubi
MUBI
2 days
"“Do Not Expect Too Much from the End of the World” is often breathtakingly funny, but its absurdity arises from a powerful sense of outrage—a principled disgust with the stupidity, hypocrisy, venality, and cowardice of the modern world." — The New Yorker ( @JustinCChang )
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MUBI Retweeted
@coraliefargeat
Coralie Fargeat
2 days
THE SUBSTANCE x MUBI x CANNES 🔥🔥🔥🚀🚀🚀🔥🔥🔥 @mubi @Festival_Cannes
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@mubi
MUBI
2 days
Have you ever dreamt of a better version of yourself? @coraliefargeat 's spine-tingling THE SUBSTANCE premieres in competition at #Cannes2024 . Starring Demi Moore, Margaret Qualley and Dennis Quaid. Coming soon to the US, UK, Latin America, Germany, Turkey, Canada, Netherlands,…
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MUBI Retweeted
@mubinotebook
Notebook
3 days
"That the film devotes so much time to elaborating the way life and art converge and limn each other through performance, intertextuality, and the process of adaptation raises an interesting point: within its narrative, disability occupies the intertext, much like the plays that…
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@mubi
MUBI
3 days
A slice-of-life drama from Wim Wenders, who lends his humanist gaze to the inhabitants of his beloved Tokyo.
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MUBI Retweeted
@mubinotebook
Notebook
3 days
"Through the Méliès-style moon monster and a distinctly Lynchian roadhouse, [Jane] Schoenbrun mines the archive of film history to build their own referential landscape; they construct a world that recalls the power of the screen..." | @emotrophywife :
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@mubi
MUBI
3 days
Mixing a cast of performers into her stop-motion world of idiosyncratic illustrations, Suzan Pitt amps up the slapstick humor and revels in topsy-turvy fun.
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MUBI Retweeted
@mubinotebook
Notebook
4 days
"I also had a feeling that it feels like a student film, like a bad student film. It’s shot without lights, only with natural lighting. In the second part there’s a light on the actors, because it’s part of the dramaturgy. With Nina Hoss I told Marius [Panduru, DP] that we should…
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@mubi
MUBI
3 days
An irrepressible, unclassifiable triumph from the Ross Brothers, GASOLINE RAINBOW is in US theaters this Friday May 10 and streams globally from May 31. A MUBI Release.
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@mubi
MUBI
4 days
Narcisa Hirsch (1928 — 2024)
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