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Lola Seaton Profile
Lola Seaton

@lola_seaton

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Following
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Associate editor @NewLeftReview Contributing writer @NewStatesman Other writing @NYBooks @LRB @the_point_mag

Joined September 2020
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@lola_seaton
Lola Seaton
1 year
My – ambivalent but ultimately fond – review of Sally Rooney's new novel, in which something is lost and something gained @NewStatesman @FaberBooks https://t.co/vhCEQbBZs6
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newstatesman.com
In Intermezzo, the Irish writer swaps polished wit and graphic sex for something deeper, messier and more mature.
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@lola_seaton
Lola Seaton
6 days
I wrote about Chris Kraus for @Harpers https://t.co/qSvUnvm67v
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harpers.org
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@NewLeftReview
New Left Review
7 days
'He dissimulated even when the truth would have served him. Disclosure invited scrutiny; scrutiny invited limits; limits imperilled the office.' Grey Anderson on Dick Cheney (1941–2025): https://t.co/J1du1UMET9
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newleftreview.org
Dick Cheney (1941-2025).
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@schneiderhome
James Schneider
4 months
It’s finally here. We will build our party together. But into what, how and for what purpose? I discussed that all with @Oliver_Eagleton. https://t.co/TiToZAfKeg
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newleftreview.org
On Britain’s new left party—1.
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@lola_seaton
Lola Seaton
7 months
For @NewStatesman I wrote about Notes to John, Joan Didion's unpolished but undeniably interesting record of sessions with a psychiatrist in 1999-2002, found near her desk when she died https://t.co/LW51rz0TYv
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newstatesman.com
The writer’s posthumous therapy journal is raw and unvarnished – the most direct book she never wrote.
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@leorobsonwriter
Leo Robson
10 months
Here’s my somewhat lengthy but cameo-strewn @NewLeftReview SCar piece on Bob Dylan from 61-66—his aesthetic priorities + personal obsessions, plus why he’d have hated online dating, via the fun if limited A Complete Unknown (h/t @mrianleslie @lola_seaton) https://t.co/eA0PUKnzSR
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newleftreview.org
On Bob Dylan.
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@konings_martijn
Martijn Konings
10 months
"Attacking neoliberalism for its official aversion to government intervention has limited political traction in an age when public institutions are so deeply intertwined with the escalating concentration of private wealth." https://t.co/vM2dGZn9HF
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newleftreview.org
On Joseph Stiglitz.
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@leorobsonwriter
Leo Robson
1 year
fantastic piece on the Irish novelist Sally Rooney via her new book Intermezzo (def the best I've read so far)
@NewStatesman
The New Statesman
1 year
“Intermezzo is a less distinctive, less sui generis novel than what came before, closer to something that someone else might have written.” 🖊️ @lola_seaton
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@lola_seaton
Lola Seaton
1 year
This is an amazing piece which it feels like no one else in the world could have written
@leorobsonwriter
Leo Robson
1 year
Here from the new @bookforum summer issue is my somewhat lengthy engagement with the adventurous and erudite British writer Hari Kunzru, whose books I greatly enjoyed and admired with one exception, w. bits on Challengers, Gatsby, Deleuze, Warwick, Wired https://t.co/RTtKcYyTdT
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@ddillingworth
Dustin Illingworth
1 year
For @NewLeftReview, I wrote about Yoko Tawada’s “Paul Celan and the Trans-Tibetan Angel.”
newleftreview.org
Yoko Tawada and Paul Celan.
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@lola_seaton
Lola Seaton
2 years
For @NewStatesman I reviewed Lauren Oyler’s new essay collection No Judgement, and reflected on the fun, as well as, sometimes, the frustration, of self-awareness in writing (by which I mean the performance of self-awareness)
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newstatesman.com
Can the master of the hatchet-job place herself beyond criticism?
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@lola_seaton
Lola Seaton
2 years
For @NewStatesman I reviewed Lauren Oyler’s new essay collection No Judgement, and reflected on the fun, as well as, sometimes, the frustration, of self-awareness in writing (by which I mean the performance of self-awareness)
Tweet card summary image
newstatesman.com
Can the master of the hatchet-job place herself beyond criticism?
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@lola_seaton
Lola Seaton
2 years
Be honest who here reads every single chartbook
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@lola_seaton
Lola Seaton
2 years
I would hate to be someone who receives hundreds of emails a day. Hope that never happens to me
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@judecook_
Jude Cook
2 years
Fab essay by ⁦@lola_seaton⁩ on the 50th anniversary of Joni Mitchell’s Court and Spark in the ⁦@NewStatesman⁩. ‘It’s music that lines your heart’.
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newstatesman.com
Released 50 years ago, the singer’s commercial breakthrough is a masterwork of ambivalence.
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@mrianleslie
Ian Leslie
2 years
"The sound of someone thinking and feeling aloud, Mitchell’s profoundly moving songs – across her body of work – show you that you are sadder than you realised but also at times happier than you might like to think." Marvellous appreciation of Court & Spark, from @lola_seaton
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