Karl Delossantos @ Cannes
@karl_delo
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editor @nytimes // critic @smashcutreviews // gay @ life all views are my own // same IG handle
New York, NY
Joined September 2009
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The first Asian Best Actress winner
The first Black Best Actress winner
And the first Jessica Chastain Best Actress winner
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Willa gets to live in Logan’s apartment, is working on a new play AND gets a cow print couch. She’s the real winner.
#Succession
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If it wasn’t certain before, James Hong locked in Everything Everywhere All At Once’s Best Picture win at the Oscars with this part of his speech
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When you thought you couldn’t love Everything Everywhere’s hot editor Paul Rogers more he goes and says this:
“This kind of thing unfortunately does happen to guys like me a lot… too much.”
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Don't worry, Sam Raimi fans. DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS fully goes horror—jump scares, body horror, and a smattering of diabolical kills. It fits in the MCU but has Raimi's deranged creepy campy groovy DNA all over it. Start the Elizabeth Olsen Oscar campaign.
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“Pass around party bottom” being uttered on CNN. Oh 2024 is gonna be good.
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Best Cinematography is honestly the best category at the Oscars this year
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The way I wanted to scream in the theater when I heard Hong Chau’s delivery of this line. THE MENU is so underrated.
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Remember, if Michaela Coel doesn’t win at least one award at the
#Emmys
tonight we ride at dawn.
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Antonio Banderas deserves to win the Oscar. That beat after "your new family" is heartwrenching.
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DUNE: Part Two is a masterpiece. Maybe one of the best space films ever. Besides being the most visually impressive movie I've seen—an assault on all the senses—it's an riveting political thriller & character study. The cast is great but Rebecca Ferguson & Austin Butler steal it.
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where’s all this energy for Celine Song and Greta Lee ???
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Everything Everywhere All At Once dropped 0% in its 4th weekend. That’s W I L D.
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BONES AND ALL, a movie that features Timothée Chalamet as a bisexual e-boy cannibal, is the most romantic movie of the year. A beautifully shot (and scored) 80s vampire fable take on Terrence Malick’s Badlands. The kind of quiet horror I can’t resist. Taylor Russell is a star.
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If Regina Hall doesn’t recreate this exact scene to open the Oscars literally what is the point
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Just leaving this here for future reference: DUNE Part 2 is going to have a Lord of the Rings: Return of the King-level sweep at the Oscars.
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Everything Everywhere All At Once has a chance to be A24's first $100 million earner worldwide. This all sits well in my soul.
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#TheLastOfUs
may have just dropped one of the best premieres I’ve seen in years. With the same gripping tension of the video game balanced with dramatically satisfying characters and impeccable narrative pacing, it expands on the world while being faithful to its tone. I’m sat.
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NOPE is Jordan Peele’s Jaws. A chopped, screwed, and depraved homage to the summer blockbuster. There are some stunning anxiety-inducing, white-knuckled suspense pieces that had my heart racing. It will be polarizing as said, but it got me. Keke Palmer is easily MVP.
#NopeMovie
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Anetra vs. Marcia is going down in the books as one of the best lip syncs in Drag Race herstory. I’m gagggeeddd.
@iamanetra
@marciax3nyc
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I apologize for (almost) everything negative I said about
#TheLittleMermaid
because it absolutely clears. The best Disney live-action remake by far. Halle Bailey is a superstar and commands every frame. There’s still magic in it not in spite of the live-action but because of it.
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#Barbie
looks camp right in the eye and turns it into a post-modern meta exploration of existentialism, feminism, the patriarchy and masculinity packaged in a satirical musical comedy homage to the fabric of cinema. It is *the* movie of our time. Ryan Gosling, the Oscar is yours.
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Academy Award nominees Kirsten Dunst and Jesse Plemmons ❤️
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#TIFF21
movie 2: DEAR EVAN HANSEN
Undoubtedly the worst musical I have ever seen. Overwrought and emotionless at the same time. Borderline offensive about trauma and mental illness. It’s like it spun a wheel of trauma a hundred times and added every option. Jail to everyone.
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BROKER is at once heartwarming & heartbreaking. A sensitive portrait of chosen family with a sly criminal plot that keeps you engaged, but it’s the irresistible and hilarious cast of characters led by Song Kang-ho that keep you hooked. One of the best of the fest.
#Cannes2022
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Nymphia Wind deserves to win on this look alone let alone her entire runway package
#TeamNymphia
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This scene in SPENCER is more terrifying than some horror movies (also Claire Mathon's cinematography and Jonny Greenwood's score go off)
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everyone is like mother this mother that but these two women actually raised me
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Okay now that Kristen Stewart got her much-deserved Oscar nomination, a reminder she's been doing terrific work from that past decade that this has been leading up to.
Still Alice
Certain Women
Personal Shopper
The Clouds of Sils Maria
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“I was in two best picture nominees last year”
The fact that Timothée Chalamet can say this for two different years
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"Cary & Brooke Go To An AIDS Play" is now an Emmy-nominated episode. The Other Two can now rest in peace.
#Emmys
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DECISION TO LEAVE is Park Chan-wook at the top of his game. It begins as a fiercely paced fun detective romp that turns into a well-wrought romance about two characters finding liberation with each other. Tang Wei gives the performance of lifetime. I’m stunned.
#Cannes2022
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Comedic performances that deserved Oscar nominations? Working on something.
I’ll start... Reese Witherspoon I’m LEGALLY BLONDE.
#FilmTwitter
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I’m soooo happy people are watching and loving
#Beef
. It’s truly one-of-kind, never-seen-before, and show-stopping.
The greatest example of storytelling as therapy. Obsessed to say the least. 🥩
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The Oscar for Best Cinematography goes to this shot in Rihanna’s Halftime Show
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I am pretty convinced Paul Mescal will get an Oscar nom for AFTERSUN a la Charlotte Rampling in 45 Years. He's following a very similar path.
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BODIES BODIES BODIES is a goddamn banger. A dark paranoia fueled slasher version of Clue that maintains the ridiculous comedy. A perfect skewering of Gen Z woke culture. Hilarious, suspenseful, well-made and acted. Give Rachel Sennott an Oscar.
#SXSW
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FALLING FOR CHRISTMAS is a goddamn delight and everything you want from a silly holiday rom-com: over the top camp characters, ridiculous physical comedy, sweet corny romantic moments, a gay awakening with a mountain man named Ralph. It’s so much fun! Lindsay Lohan is back, baby!
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sooo jessica chastain could win a Tony AND an Emmy this year, which means she'd complete the acting triple crown and that's very pleasing to me
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since Regina Hall is tearing Sundance up I'm just here to remind you that she should have won an Oscar for SUPPORT THE GIRLS (& scary movie).
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Rachel McAdams deserved an Oscar nom for Game Night. No discussion.
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EVERYTHING EVERYWHERE ALL AT ONCE is the most fun I’ve had at the movies… ever. It references everything from 2001 to Ratatouille to Kill Bill to In The Mood For Love yet feels so singular and assured. Absurd, hilarious, heartfelt, thrilling. One of the best of the year.
#SXSW
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Just a reminder: SHIVA BABY should be in the Oscars conversation at the very least for Original Screenplay for Emma Seligman and Best Actress for Rachel Sennott. Also throw in Original Score for Ariel Marx.
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that being said if THE TRAGEDY OF MACBETH doesn't win it's an absolute crime because
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Here's my review for BROKER, one of my favorites from Cannes, that had me ugly sobbing in the middle of a sea of French film critics.
Best Actor winner Song Kang-ho,
@_IUofficial
, and Bae Doona give some of the best performances of the fest.
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Remember when SPENCER didn’t even get nominated for Costume Design at the Oscars…
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To be extra clear, Elizabeth Olsen goes full Mommie Dearest and I lived
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If Angela Bassett and Michelle Yeoh are gonna do anything it’s find each other and take a stunning ageless picture
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Can truly nothing just be fine anymore? SALTBURN is fine.
Does it have fun camp? Yes.
Is the pacing off? Yes.
Is it well-made? Yes.
Are the stakes unclear? Yes.
Like y’all are arguing whether it’s a masterpiece and the worst thing ever made. It could just be neither!
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Whoever made this AFTERSUN poster I’m pressing charges 😭
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Danielle Deadwyler and Viola Davis missing for Ana De Armas and Andrea Riseborough is maddening. It could have been the rare (first?) year that we had a majority POC Best Actress lineup—and with the actual best performances of the year.
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AFTERSUN is one of the best depictions of depression I’ve seen in film. Beautifully wrought with shots and score that play like a memory on loop. The last 10 minutes had the entire audience sobbing. Paul Mescal should be in the Oscar conversation. In tears. A masterpiece.
#Cannes
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Here’s the clip of Michelle Yeoh telling “F*ck!” Already iconic
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I truly cannot wait for her to be oscar winner Kristen Stewart. a moment in queer history.
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it's been five years since GOOD TIME was released so reminder that it's a masterpiece and Robert Pattinson should have won the Oscar that year
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BLACK PANTHER: WAKANDA FOREVER is a viscerally and emotionally overwhelming experience. A melancholy and bitingly moving meditation on loss and grief that is as cathartic for the audience as it is for the characters. Joe March put it best when she said "...women."
#WakandaForever
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Every aspect is perfection. The score, cinematography, makeup, costumes, production design, sound, vfx are all at the very top of their craft.
Timothée Chalamet gives his best performance since Call Me By Your Name. Zendaya cements her movie star status. 10/10. No notes.
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Today’s Cannes double feature may end me:
Park Chan-Wook’s Decision to Leave
&
David Cronenberg’s Crimes of the Future
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Michelle Yeoh becoming the first Asian woman to win Best Actress at the Oscars for Everything Everywhere All At Once just feels... correct
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After much consideration and my first good night’s sleep in weeks, here’s my ranking of all 25 movies I saw at
#Cannes2022
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Ariana DeBose did not serve us this to be called “an actor that thinks they’re a singer”
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Sir Anthony Hopkins dancing at the Oscars after party to distract you from the discourse
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Michelle Yeoh screaming “FUCK!” is going to win her the Oscar. That’s mother right there.
#SAGAwards
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ARISTOTLE AND DANTE DISCOVER THE SECRETS OF THE UNIVERSE is a YA movie masterpiece. A charming, raw, and emotional search of identity that never feels overwrought or idealistic like other YA films. With a stellar cast led by the terrific Max Pelayo, this is a knockout.
#TIFF22
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I apologize to those in the screening around me about my uncontrollable sobbing for about 20 minutes.
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So surprised no one has said Catherine O’Hara in BEETLEJUICE yet!
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I haven’t seen the stage version. From what I heard is it’s a faithful adaptation which is even more confounding. Maybe having the suspension of disbelief of live theater might help it but the very premise is so problematic. It’s like Hollywood’s version of Gen Z mental health.
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girls, gays, and theys I present Academy Award nominee Kristen Stewart
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TÁR is insane. A 3-hour study of the rare female anti-hero who can’t get out of her own way. Every single frame & line is essential. As great Cate Blanchett is, Nina Hoss is the heart. I can’t wait to see it again. And Tár iconically describes herself as a uhaul lesbian. Gagged.
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DREAM SCENARIO is exactly how Nicolas Cage should be spending his career: on bonkers wild swings like a comedic version of Nightmare on Elm Street where Freddie is a normal average guy and his weapon is doing nothing. Hilarious, relevant and wonderfully weird.
#TIFF23
movie 9
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Everything Everywhere All At Once is in theaters today and no I will not shut up about it. There's something so special about it. It's rare we get a movie of this scale that feels both one-of-a-kind and deeply personal. Only
@Daniels
had the audacity to say "f-ck it" and go. 1/
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Got the opportunity to watch the first two episodes of
#MsMarvel
. It may be the best MCU show since WandaVision (which is saying a lot since there has seemingly been hundreds). Its playful energy is perfect for the title character and moves Marvel TV into exciting new directions.
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wait ya'll hear me out: Michelle Yeoh reprises her Crazy Rich Asians role in season 3 of The White Lotus. I mean, she already has the outfits.
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If Dolly De Leon is nominated at the Oscars, she will be just the third Southeast Asian actor to be nominated joining Haing S. Ngor and Hailee Steinfeld... i.e. make it happen Oscars.
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No because PAST LIVES absolutely understands the tension of holding onto a subway pole next to your crush
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#Pachinko
is overwhelming in every aspect — its craft, the acting, the writing, the score. It analyzes how our history, however beautiful or horrifying, shapes each generation that comes after. Trauma transcends, but so do strength and power. Don't miss it.
@AppleTVPlus
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POOR THINGS has everything: Frankenstein sci-fi, bespoke storybook production design, a deep exportation of what it means to be a woman and the frustrating letdown of humanity, and a chicken-dog hybrid. Delightfully and darkly funny, diabolical but somehow life-affirming.
#NYFF61
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Steven Yeun... Robert Pattinson... in a Bong Joon-ho movie called MICKEY7??? I've truly won.
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Send my Southeast Asian queens Michelle Yeoh, Dolly DeLeon, Hong Chau and Pangina Heals to The White Lotus
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ARMAGEDDON TIME is the first great movie of the fest. Moments felt plucked from my childhood. An autobiographical drama that doesn’t feel self important and instead just finds the relatable themes in specific memories. Anne Hathaway, Anthony Hopkins and Jaylin Webb shine.
#Cannes
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I ranked all twenty performances nominated at the Oscars this year from best to worst. Unsurprisingly, Kristen Stewart is number one for Spencer, but the rest of my top five surprised me. How would you rank them?
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THE GIRL WITH THE NEEDLE, as horrific as it is, blew me away. Channeling Tarkovsky, it tells the bleak story of Denmark’s most infamous crimes. With elements of horror in stunning black-and-white and a pair of award-worthy performances, it’s bound to be among the best of
#Cannes
.
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here's the vision. all Asian acting winners at the Oscars this year:
Michelle Yeoh, Everything Everywhere All At Once
Song Kang-ho, Broker
Hong Chau, The Whale
Ke Huy Quan, EEAAO
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STARS AT NOON is bad & I blame it on Joe Alwyn not being Robert Pattinson. Not sure how to criticize it because it’s just a boring mess. Plays like a Wikipedia page about Latin American politics (with more sex) at best. At worst it’s an overly long snore. A tragedy.
#Cannes2022
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We come to this place for magic. We come to Greta Gerwig’s BARBIE to laugh, to cry, to care. Because we need that, all of us, that indescribable feeling we get when the lights begin to dim. And we go places we’ve never been before.
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“But Connor might end up staying!” I get it. But even if he does she’s still in a better position than she was at the start of the show. The possibility of him leaving wasn’t even broached until recently so it’s not like it was part of her plan. Let her enjoy her cow print couch!
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JOHN WICK: CHAPTER 4 takes the over-the-top action it’s known for and cranks it up to the highest level. After a slow start it moves like a beast through some of the best action sequences of the series — two of are 30 mins long! Donnie Yen and Bill Skarsgard stole the show. But…
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